他の地域にあるコンテンポラリースタイルのおしゃれな階段 (金属の手すり、壁紙) の写真

写真: 八杉 和興
京都にあるコンテンポラリースタイルのおしゃれな階段 (板張り壁) の写真

大阪にある高級な広いコンテンポラリースタイルのおしゃれな階段 (金属の手すり、壁紙) の写真

Stairs to the home's many levels were done in a medium toned wood to contrast to the darker cedar wall siding.
サンフランシスコにある高級な中くらいなモダンスタイルのおしゃれな階段 (混合材の手すり) の写真

ポートランドにある広いコンテンポラリースタイルのおしゃれな階段 (ガラスフェンス) の写真

Internal - Floating Staircase Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Architecture & Interiors: Studio Esteta Photography: Sean Fennessy Located in an enviable position within arm’s reach of a beach pier, the refurbishment of Coastal Beach House references the home’s coastal context and pays homage to it’s mid-century bones. “Our client’s brief sought to rejuvenate the double storey residence, whilst maintaining the existing building footprint”, explains Sarah Cosentino, director of Studio Esteta. As the orientation of the original dwelling already maximized the coastal aspect, the client engaged Studio Esteta to tailor the spatial arrangement to better accommodate their love for entertaining with minor modifications. “In response, our design seeks to be in synergy with the mid-century character that presented, emphasizing its stylistic significance to create a light-filled, serene and relaxed interior that feels wholly connected to the adjacent bay”, Sarah explains. The client’s deep appreciation of the mid-century design aesthetic also called for original details to be preserved or used as reference points in the refurbishment. Items such as the unique wall hooks were repurposed and a light, tactile palette of natural materials was adopted. The neutral backdrop allowed space for the client’s extensive collection of art and ceramics and avoided distracting from the coastal views.

Steve Simonsen Photography
他の地域にある広いモダンスタイルのおしゃれな階段 (ガラスフェンス) の写真

Interior mono stringer staircase with wood treads and handrail made in the Chicago style to match the the exterior railing. Railing and Stairs by Keuka Studios www.keuka-studios.com

ロサンゼルスにある広いモダンスタイルのおしゃれな階段 (混合材の手すり) の写真

R.G. Cowan Design / Fluid Design Workshop Location: Grand Junction, CO, USA Completed in 2017, the Bookcliff Modern home was a design-build collaboration with Serra Homes of Grand Junction. R.G Cowan Design Build and the Fluid Design Workshop completed the design, detailing, custom fabrications and installations of; the timber frame exterior and steel brackets, interior stairs, stair railings, fireplace concrete and steel and other interior finish details of this contemporary modern home.

Brantley Photography
マイアミにあるラグジュアリーな広いモダンスタイルのおしゃれな階段 (金属の手すり) の写真

Murray Fredericks
シドニーにある中くらいなインダストリアルスタイルのおしゃれな階段 (木材の手すり) の写真

シカゴにある広いモダンスタイルのおしゃれな階段 (ガラスフェンス) の写真

シアトルにある高級な巨大なコンテンポラリースタイルのおしゃれな階段 (金属の手すり) の写真

Preston Stutaman
マイアミにあるラグジュアリーな広いモダンスタイルのおしゃれな階段の写真

Jeff Jeannette / Jeannette Architects
オレンジカウンティにある中くらいなモダンスタイルのおしゃれな階段の写真

Harness Creek: A three-story floating wood and steel entry staircase delivers a promise of the unexpected design elements throughout the home. Designed by Purple Cherry Architects. David Burroughs Photography

Atelier York Limited
ロンドンにあるラグジュアリーな広いコンテンポラリースタイルのおしゃれな階段の写真