ハノーファーにあるお手頃価格の中くらいなモダンスタイルのおしゃれな家の外観の写真

Denver Modern with natural stone accents.
デンバーにある中くらいなモダンスタイルのおしゃれな家の外観 (石材サイディング) の写真

他の地域にある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Brick & rendered brick - a super fresh looking modern townhouse with small outdoor deck/ entertaining area and pebble garden. A two-storey build with all interior and exterior renovations done by Smith & Sons Moreland, Melbourne.

Ein Wohnturm mit 5 Geschossen auf einem quadratischen Grundriss von 12 x 12 m direkt am Donauufer gelegen - als Reminiszenz der ursprünglichen, historischen Geschlechtertürme des mittelalterlichen Regensburgs. Das städtebauliche Konzept von bogevischs buero sieht eine dichte, urbane Qualität für das Quartier vor. Der massive Baukörper mit seiner Lochfassade wird nur an einer Ecke aufgerissen, um dort, hoch oben der 4. Ebene, eine Aussichtslounge vom Wohnbereich in die Donauauen zu bieten. Ansonsten strukturieren nur eine Loggia und zwei Sichtbetonbalkone die Fassade dreidimensional. In der ersten Ebene öffnet sich ein zweigeschossiges Eingangsfoyer und lädt den Nutzer ein das Gebäude zu betreten und beide Wohneinheiten zu erschließen. In der 3. Ebene liegen die Schlafräume, Bad, Ankleide und Hauswirtschaftsraum. Von hier gelangt man über die frei kragende Treppe in das Wohngeschoss der 4. Ebene mit Küche, Essbereich, Arbeitsraum und Gäste-WC. Über eine Rohstahltreppe erweitert sich die Wohnung um einen Rückzugsraum im 5.Geschoss - hier gibt es einen Dachzugang mit großer Dachterrasse, Außenküche und 270°-Blick über Regensburg und den Naturraum der Donauauen. Werthaltige Materialien wie Eiche, Kalkstein, Corian, Kupfer, Glas und Rohstahl bilden zusammen mit den technischen Komponenten ein zeitgemäßes Wohnrefugium. Fotos Herbert Stolz

Jake Rhode
他の地域にある高級な中くらいなモダンスタイルのおしゃれな家の外観 (ビニールサイディング) の写真

David Dietrich
他の地域にある中くらいなモダンスタイルのおしゃれな家の外観の写真

Josh Partee Photography
ポートランドにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Our Houston landscaping team was recently honored to collaborate with renowned architectural firm Murphy Mears. Murphy Mears builds superb custom homes throughout the country. A recent project for a Houston resident by the name of Borow involved a custom home that featured an efficient, elegant, and eclectic modern architectural design. Ms. Borow is very environmentally conscious and asked that we follow some very strict principles of conservation when developing her landscaping design plan. In many ways you could say this Houston landscaping project was green on both an aesthetic level and a functional level. We selected affordable ground cover that spread very quickly to provide a year round green color scheme that reflected much of the contemporary artwork within the interior of the home. Environmentally speaking, our project was also green in the sense that it focused on very primitive drought resistant plant species and tree preservation strategies. The resulting yard design ultimately functioned as an aesthetic mirror to the abstract forms that the owner prefers in wall art. One of the more notable things we did in this Houston landscaping project was to build the homeowner a gravel patio near the front entrance to the home. The homeowner specifically requested that we disconnect the irrigation system that we had installed in the yard because she wanted natural irrigation and drainage only. The gravel served this wish superbly. Being a natural drain in its own respect, it provided a permeable surface that allowed rainwater to soak through without collecting on the surface. More importantly, the gravel was the only material that could be laid down near the roots of the magnificent trees in Ms. Borow’s yard. Any type of stone, concrete, or brick that is used in more typical Houston landscaping plans would have been out of the question. A patio made from these materials would have either required cutting into tree roots, or it would have impeded their future growth. The specific species chosen for ground cover also bear noting. The two primary plants used were jasmine and iris. Monkey grass was also used to a small extent as a border around the edge of the house. Irises were planted in front of the house, and the jasmine was planted beneath the trees. Both are very fast growing, drought resistant species that require very little watering. However, they do require routine pruning, which Ms. Borow said she had no problem investing in. Such lawn alternatives are frequently used in Houston landscaping projects that for one reason or the other require something other than a standard planting of carpet grass. In this case, the motivation had nothing to do with finances, but rather a conscientious effort on Ms. Borow’s part to practice water conservation and tree preservation. Other hardscapes were then introduced into this green design to better support the home architecture. A stepping stone walkway was built using plain concrete pads that are very simple and modern in their aesthetic. These lead up to the front stair case with four inch steps that Murphy Mears designed for maximum ergonomics and comfort. There were a few softscape elements that we added to complete the Houston landscaping design. A planting of River Birch trees was introduced near the side of the home. River Birch trees are very attractive, light green trees that do not grow that tall. This eliminates any possible conflict between the tree roots and the home foundation. Murphy Mears also built a very elegant fence that transitioned the geometry of the house down to the city sidewalk. The fence sharply parallels the linear movement of the house. We introduced some climbing vines to help soften the fence and to harmonize its aesthetic with that of the trees, ground cover, and grass along the sidewalk.

Photographer: Jay Goodrich This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone. The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks. The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall. Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.

The main body of the house, running east / west with a 40 degree roof pitch, roof windows and dormers makes up the primary accommodation with a 1 & 3/4 storey massing. The garage and rear lounge create an additional wrap around form on the north east corner while the living room forms a gabled extrusion on the south face of the main body. The living area takes advantage of sunlight throughout the day thanks to a large glazed gable. This gable, along with other windows, allow light to penetrate deep into the plan throughout the year, particularly in the winter months when natural daylight is limited. Materials are used to purposely break up the elevations and emphasise changes in use or projections from the main, white house facade. The large projections accommodating the garage and open plan living area are wrapped in Quartz Grey Zinc Standing Seam roofing and cladding which continues to wrap around the rear corner extrusion off the main building. Vertical larch cladding with mid grey vacuum coating is used to differentiate smaller projections from the main form. The principal entrance, dormers and the external wall to the rear lounge provide a contrasting break in materials between the extruded forms and the different purpose of the spaces within.

Second story was added to original 1917 brick single story home. New modern steel canopy over front porch to disguise the area of the addition. Cedar shake shingles on gable of second floor. Matching brick brought up to the second floor on the left. Photo by Jess Blackwell

シアトルにある中くらいなモダンスタイルのおしゃれな家の外観 (漆喰サイディング) の写真

ヒューストンにある高級な中くらいなモダンスタイルのおしゃれな家の外観 (レンガサイディング) の写真

他の地域にある高級な中くらいなモダンスタイルのおしゃれな家の外観 (混合材サイディング) の写真

Sean Airhart
シアトルにある中くらいなモダンスタイルのおしゃれな家の外観 (メタルサイディング) の写真

Exterior - Rear Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

サンフランシスコにある高級な中くらいなモダンスタイルのおしゃれな家の外観 (漆喰サイディング) の写真

Brigida Gonzalez
シュトゥットガルトにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真