神社の森に面する研究者夫婦の家。集密書庫とご夫妻それぞれの小さな書斎を持つ。 バルコニーは檜丸太を用いて張り出し、屋根のある豊かな屋外空間をつくりだしています。 Photo by：KATSUHISA KIDA　FOTOTECA
東京都下にある中くらいな北欧スタイルのおしゃれな家の外観 (緑化屋根、長方形、混合材サイディング) の写真

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

ヴェネツィアにあるカントリー風のおしゃれな家の外観 (混合材サイディング、緑化屋根) の写真

ロサンゼルスにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、緑化屋根) の写真

Rear extension
ロンドンにある高級なモダンスタイルのおしゃれな家の外観 (混合材サイディング、タウンハウス、緑化屋根) の写真

Vue extérieur de la villa à partir des plans d'architecte
他の地域にあるコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、緑化屋根) の写真

Evening view of rear courtyard. Master suite with green roof to the right, pool cabana to the left, and kitchen beyond the pool. Wood rain screen siding on second floor over Indiana limestone masonry on first floor. Floor-to-ceiling glass for all spaces.

L'ensemble des chambres sont composées de grandes baies vitrée, donnants sur les nombreuses terrasses bois individuelles, protégées par des protections solaires végétalisées. ©Samuel Fricaud

Maison contemporaine de vacances, elle est spécialement pensée pour profiter de l'art de vivre dans le Luberon. Les nombreuses terrasses bois, sont les prolongement des pièces à vivre de la maison, protégées par une pergola végétale et des voiles solaires. La proximité de la maison, des terrasses et de la piscine permettent d'en profiter pleinement. ©Samuel Fricaud

Clopay Gallery
オレンジカウンティにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、緑化屋根) の写真

Daytime view of the rear yard and swimming pool. Master suite with green roof to the right across pool. Kitchen and dining room far across the pool. Wood rain screen siding on second floor over Indiana limestone masonry on first floor. Floor-to-ceiling glass for all spaces.

Clopay Gallery
オレンジカウンティにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、緑化屋根) の写真

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

Clopay Gallery
オレンジカウンティにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、緑化屋根) の写真

Exterior front arrival and parking courtyard. Wood rain screen siding on second floor over Indiana limestone masonry on first floor. Floor-to-ceiling glass for all spaces.

Evening view of rear courtyard. Master suite with green roof to the right across pool, breezeway connecting the garage to the main house to the left, and living room beyond the pool. Wood rain screen siding on second floor over Indiana limestone masonry on first floor. Floor-to-ceiling glass for all spaces.

Side yard with two car garage to the right, breezeway connection, then kitchen and dining room to the left. Wood rain screen siding on second floor over Indiana limestone masonry on first floor. Floor-to-ceiling glass for all spaces.