中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、下見板張り) の写真

SpaceCrafting Real Estate Photography
ミネアポリスにある中くらいなトランジショナルスタイルのおしゃれな家の外観 (外階段) の写真

A Southern California contemporary residence designed by Atelier R Design with the Glo European Windows D1 Modern Entry door accenting the modern aesthetic. Sterling Reed Photography

Who lives there: Asha Mevlana and her Havanese dog named Bali Location: Fayetteville, Arkansas Size: Main house (400 sq ft), Trailer (160 sq ft.), 1 loft bedroom, 1 bath What sets your home apart: The home was designed specifically for my lifestyle. My inspiration: After reading the book, "The Life Changing Magic of Tidying," I got inspired to just live with things that bring me joy which meant scaling down on everything and getting rid of most of my possessions and all of the things that I had accumulated over the years. I also travel quite a bit and wanted to live with just what I needed. About the house: The L-shaped house consists of two separate structures joined by a deck. The main house (400 sq ft), which rests on a solid foundation, features the kitchen, living room, bathroom and loft bedroom. To make the small area feel more spacious, it was designed with high ceilings, windows and two custom garage doors to let in more light. The L-shape of the deck mirrors the house and allows for the two separate structures to blend seamlessly together. The smaller "amplified" structure (160 sq ft) is built on wheels to allow for touring and transportation. This studio is soundproof using recycled denim, and acts as a recording studio/guest bedroom/practice area. But it doesn't just look like an amp, it actually is one -- just plug in your instrument and sound comes through the front marine speakers onto the expansive deck designed for concerts. My favorite part of the home is the large kitchen and the expansive deck that makes the home feel even bigger. The deck also acts as a way to bring the community together where local musicians perform. I love having a the amp trailer as a separate space to practice music. But I especially love all the light with windows and garage doors throughout. Design team: Brian Crabb (designer), Zack Giffin (builder, custom furniture) Vickery Construction (builder) 3 Volve Construction (builder) Design dilemmas: Because the city wasn’t used to having tiny houses there were certain rules that didn’t quite make sense for a tiny house. I wasn’t allowed to have stairs leading up to the loft, only ladders were allowed. Since it was built, the city is beginning to revisit some of the old rules and hopefully things will be changing. Photo cred: Don Shreve

Brick, Siding, Fascia, and Vents Manufacturer:Sherwin Williams Color No.:SW 6203 Color Name.:Spare White Garage Doors Manufacturer:Sherwin Williams Color No.:SW 7067 Color Name.:Cityscape Railings Manufacturer:Sherwin Williams Color No.:SW 7069 Color Name.:Iron Ore Exterior Doors Manufacturer:Sherwin Williams Color No.:SW 3026 Color Name.:King’s Canyon

Lake Cottage Porch, standing seam metal roofing and cedar shakes blend into the Vermont fall foliage. Simple and elegant. Photos by Susan Teare
バーリントンにあるラスティックスタイルのおしゃれな家の外観の写真

This barn addition was accomplished by dismantling an antique timber frame and resurrecting it alongside a beautiful 19th century farmhouse in Vermont. What makes this property even more special, is that all native Vermont elements went into the build, from the original barn to locally harvested floors and cabinets, native river rock for the chimney and fireplace and local granite for the foundation. The stone walls on the grounds were all made from stones found on the property. The addition is a multi-level design with 1821 sq foot of living space between the first floor and the loft. The open space solves the problems of small rooms in an old house. The barn addition has ICFs (r23) and SIPs so the building is airtight and energy efficient. It was very satisfying to take an old barn which was no longer being used and to recycle it to preserve it's history and give it a new life.

Firmness . . . Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time. A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass. Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency. Commodity . . . Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”. A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century. Delight . . . Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer. This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own. Architect - Noel Cross Architect Landscape Architect - Christopher Yates Interior Designer - Gina Viscusi-Elson Lighting Designer - Vita Pehar Design Contractor - The Conrado Company

Originally, the front of the house was on the left (eave) side, facing the primary street. Since the Garage was on the narrower, quieter side street, we decided that when we would renovate, we would reorient the front to the quieter side street, and enter through the front Porch. So initially we built the fencing and Pergola entering from the side street into the existing Front Porch. Then in 2003, we pulled off the roof, which enclosed just one large room and a bathroom, and added a full second story. Then we added the gable overhangs to create the effect of a cottage with dormers, so as not to overwhelm the scale of the site. The shingles are stained Cabots Semi-Solid Deck and Siding Oil Stain, 7406, color: Burnt Hickory, and the trim is painted with Benjamin Moore Aura Exterior Low Luster Narraganset Green HC-157, (which is actually a dark blue). Photo by Glen Grayson, AIA

This multi-residential project development consisted of new townhouses on a challenging site in the County of Santa Barbara.
サンタバーバラにある地中海スタイルのおしゃれな家の外観 (外階段) の写真

シカゴにあるトランジショナルスタイルのおしゃれな家の外観の写真

サンフランシスコにあるコンテンポラリースタイルのおしゃれな家の外観 (外階段) の写真

他の地域にあるコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング) の写真

シカゴにあるカントリー風のおしゃれな家の外観 (マルチカラーの外壁) の写真

他の地域にある中くらいなモダンスタイルのおしゃれな家の外観 (混合材サイディング、マルチカラーの外壁) の写真

マイアミにあるコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、マルチカラーの外壁) の写真

他の地域にあるラスティックスタイルのおしゃれな家の外観の写真

オースティンにある高級なカントリー風のおしゃれな家の外観 (混合材サイディング) の写真

アトランタにあるおしゃれな家の外観 (レンガサイディング、タウンハウス) の写真