ダイニング (コンクリートの暖炉まわり) の写真
光や風 庭の景色、自然がいつもいっしょです。
他の地域のアジアンスタイルのおしゃれなダイニングキッチン (グレーの壁、淡色無垢フローリング、薪ストーブ、コンクリートの暖炉まわり、ベージュの床) の写真
Nacasa & Partners.
東京23区のモダンスタイルのおしゃれなダイニング (白い壁、濃色無垢フローリング、両方向型暖炉、コンクリートの暖炉まわり、茶色い床) の写真
Brad Taylor Photography
ダラスの大きいトランジショナルスタイルのおしゃれなLDK (白い壁、濃色無垢フローリング、標準型暖炉、コンクリートの暖炉まわり、白い床) の写真
henrik nero
henrik nero
ストックホルムの北欧スタイルのおしゃれなLDK (白い壁、淡色無垢フローリング、両方向型暖炉、コンクリートの暖炉まわり、グレーの床) の写真
The palette of materials is intentionally reductive, limited to concrete, wood, and zinc. The use of concrete, wood, and dull metal is straightforward in its honest expression of material, as well as, practical in its durability.
Phillip Spears Photographer
Installation by Century Custom Hardwood Floor in Los Angeles, CA
ロサンゼルスの巨大なコンテンポラリースタイルのおしゃれなLDK (白い壁、両方向型暖炉、コンクリートの暖炉まわり) の写真
マイアミの中サイズのビーチスタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、コンクリートの暖炉まわり、白い床) の写真
フェニックスの大きいモダンスタイルのおしゃれなLDK (磁器タイルの床、横長型暖炉、コンクリートの暖炉まわり、ベージュの床) の写真
Ryan Ocasio Photography
シカゴの大きいトランジショナルスタイルのおしゃれなLDK (白い壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり、茶色い床) の写真
Interior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Graphite Box
他の地域のコンテンポラリースタイルのおしゃれなLDK (淡色無垢フローリング、コンクリートの暖炉まわり、コーナー設置型暖炉) の写真
Herzstück des Hauses und Treffpunkt der Familie ist der massive, naturbelassene Eichentisch. Der Kamin ist, wie der Boden, aus einer Kalkoberfläche. Über die Bar in der Durchreiche ergibt sich ein schöner räumlicher Zusammenhang mit der Küche und grosszügige Durchblicke.
Foto: Sorin Morar