オレンジカウンティにある高級な広いトランジショナルスタイルのおしゃれな独立型ダイニング (グレーの壁、淡色無垢フローリング、茶色い床、標準型暖炉、木材の暖炉まわり、表し梁、羽目板の壁) の写真

Open plan living. Indoor and Outdoor
他の地域にある高級な広いコンテンポラリースタイルのおしゃれなダイニング (白い壁、コンクリートの床、両方向型暖炉、コンクリートの暖炉まわり、黒い床) の写真

Dining rooms don't have to be overly formal and stuffy. We especially love the custom credenza and the Sarus Mobile ©David Lauer Photography
デンバーにある中くらいなラスティックスタイルのおしゃれなダイニングキッチン (白い壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり) の写真

In this double height Living/Dining Room, Weil Friedman designed a tall built-in bookcase. The bookcase not only provides much needed storage space, but also serves to visually balance the tall windows with the low doors on the opposite wall. False transom panels were added above the low doors to make them appear taller in scale with the room.

ダラスにある広いカントリー風のおしゃれなLDK (白い壁、濃色無垢フローリング、茶色い床、標準型暖炉、コンクリートの暖炉まわり) の写真

This is the perfect game room for a family, the concrete stamped stone fireplace offers personalized details and adds visual interest to this warm space.

David Lauer Photography
デンバーにあるラグジュアリーな広いコンテンポラリースタイルのおしゃれなLDK (ベージュの壁、無垢フローリング、両方向型暖炉、木材の暖炉まわり) の写真

Dave Henderson
ボストンにある中くらいなヴィクトリアン調のおしゃれな独立型ダイニング (茶色い壁、カーペット敷き、標準型暖炉、木材の暖炉まわり) の写真

Close up of breakfast nook with built in seating and table. Bookshelves above and more industrial lighting.
ボストンにあるカントリー風のおしゃれなダイニング (無垢フローリング、標準型暖炉、木材の暖炉まわり、ベージュの壁) の写真

Peter Lyons
サンフランシスコにある高級な中くらいなトラディショナルスタイルのおしゃれなダイニングキッチン (ベージュの壁、濃色無垢フローリング、暖炉なし、木材の暖炉まわり、茶色い床) の写真

Gregg Hadley
ワシントンD.C.にある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、淡色無垢フローリング、ベージュの床、両方向型暖炉、木材の暖炉まわり) の写真

ボストンにあるトランジショナルスタイルのおしゃれなダイニング (オレンジの壁、濃色無垢フローリング、標準型暖炉、木材の暖炉まわり) の写真

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

View of dining room from kitchen
バンクーバーにある高級な中くらいなモダンスタイルのおしゃれなダイニングキッチン (白い壁、無垢フローリング、標準型暖炉、木材の暖炉まわり、茶色い床) の写真

Dining Room / 3-Season Porch
ポートランド(メイン)にあるラグジュアリーな中くらいなラスティックスタイルのおしゃれなLDK (茶色い壁、無垢フローリング、両方向型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

デンバーにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、無垢フローリング、標準型暖炉、木材の暖炉まわり、茶色い床) の写真

Kelvin Hughes, Kelvin Hughes Productions NWMLS #922018
シアトルにあるラグジュアリーな巨大なトラディショナルスタイルのおしゃれなLDK (白い壁、濃色無垢フローリング、標準型暖炉、木材の暖炉まわり) の写真

サンフランシスコにある高級な広いコンテンポラリースタイルのおしゃれなダイニング (白い壁、淡色無垢フローリング、両方向型暖炉、コンクリートの暖炉まわり) の写真

グランドラピッズにあるお手頃価格の中くらいなカントリー風のおしゃれなLDK (白い壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり) の写真