Anna Zagorodna
リッチモンドにある高級な中くらいなコンテンポラリースタイルのおしゃれなダイニング (グレーの壁、無垢フローリング、タイルの暖炉まわり、横長型暖炉) の写真

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

© ZAC and ZAC
エディンバラにある広いトランジショナルスタイルのおしゃれなダイニング (マルチカラーの壁、標準型暖炉、タイルの暖炉まわり、ベージュの床、壁紙) の写真

Dining Room / 3-Season Porch
ポートランド(メイン)にあるラグジュアリーな中くらいなラスティックスタイルのおしゃれなLDK (茶色い壁、無垢フローリング、両方向型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

Carrie De Boon
カルガリーにあるカントリー風のおしゃれなLDK (ベージュの壁、淡色無垢フローリング、標準型暖炉、タイルの暖炉まわり) の写真

Marisa Vitale Photography
ロサンゼルスにあるお手頃価格のミッドセンチュリースタイルのおしゃれなLDK (白い壁、無垢フローリング、両方向型暖炉、タイルの暖炉まわり、茶色い床) の写真

Reagan Taylor Photography
ミルウォーキーにあるトランジショナルスタイルのおしゃれなダイニングの照明 (グレーの壁、無垢フローリング、標準型暖炉、タイルの暖炉まわり、茶色い床) の写真

他の地域にある高級な中くらいなトラディショナルスタイルのおしゃれな独立型ダイニング (茶色い壁、濃色無垢フローリング、標準型暖炉、コンクリートの暖炉まわり、茶色い床) の写真

ロサンゼルスにあるお手頃価格の中くらいなミッドセンチュリースタイルのおしゃれなダイニングキッチン (白い壁、濃色無垢フローリング、標準型暖炉、タイルの暖炉まわり) の写真

ジャクソンビルにある高級な中くらいなビーチスタイルのおしゃれなLDK (白い壁、無垢フローリング、標準型暖炉、タイルの暖炉まわり) の写真

The Home Aesthetic
インディアナポリスにある高級な広いカントリー風のおしゃれなダイニング (ベージュの壁、無垢フローリング、薪ストーブ、タイルの暖炉まわり) の写真

サンフランシスコにある高級な広いコンテンポラリースタイルのおしゃれなダイニング (白い壁、淡色無垢フローリング、両方向型暖炉、コンクリートの暖炉まわり) の写真

A dining area oozing period style and charm. The original William Morris 'Strawberry Fields' wallpaper design was launched in 1864. This isn't original but has possibly been on the walls for over twenty years. The Anaglypta paper on the ceiling js given a new lease of life by painting over the tired old brilliant white paint and the fire place has elegantly takes centre stage.

ボストンにある広いトランジショナルスタイルのおしゃれなダイニングキッチン (グレーの壁、無垢フローリング、標準型暖炉、タイルの暖炉まわり、ベージュの床) の写真

グランドラピッズにあるお手頃価格の中くらいなカントリー風のおしゃれなLDK (白い壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり) の写真

ロサンゼルスにある巨大なコンテンポラリースタイルのおしゃれなLDK (白い壁、両方向型暖炉、タイルの暖炉まわり、グレーの床) の写真

Nick Springett Photography
ロサンゼルスにあるラグジュアリーな中くらいなコンテンポラリースタイルのおしゃれな独立型ダイニング (両方向型暖炉、ベージュの壁、淡色無垢フローリング、タイルの暖炉まわり) の写真

フェニックスにある高級な中くらいなトランジショナルスタイルのおしゃれなダイニング (白い壁、無垢フローリング、標準型暖炉、タイルの暖炉まわり、茶色い床) の写真

Thomas Grady Photography
オマハにあるお手頃価格の広いコンテンポラリースタイルのおしゃれなダイニングキッチン (淡色無垢フローリング、タイルの暖炉まわり、グレーの壁、横長型暖炉) の写真