トランジショナルスタイルのキッチン (カラー調理設備、レンガのキッチンパネル、セラミックタイルのキッチンパネル、珪岩カウンター) の写真
絞り込み:
資材コスト
並び替え:今日の人気順
写真 1〜20 枚目(全 63 枚)
Bilotta Kitchen & Home
For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
Jordan Iverson Signature Homes
A modern take on a traditional farmhouse kitchen. White cabinets and Kitchen island contrast the appliances and hardware.
他の地域にある高級な中くらいなトランジショナルスタイルのおしゃれなキッチン (アンダーカウンターシンク、シェーカースタイル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、濃色無垢フローリング、茶色い床、白いキッチンカウンター) の写真
他の地域にある高級な中くらいなトランジショナルスタイルのおしゃれなキッチン (アンダーカウンターシンク、シェーカースタイル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、濃色無垢フローリング、茶色い床、白いキッチンカウンター) の写真
Vogt Design Studio
ロサンゼルスにある広いトランジショナルスタイルのおしゃれなキッチン (アンダーカウンターシンク、シェーカースタイル扉のキャビネット、中間色木目調キャビネット、珪岩カウンター、緑のキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、テラコッタタイルの床、茶色い床) の写真
Kettle Co. Kitchens
Cornish hand painted tiles
コーンウォールにある小さなトランジショナルスタイルのおしゃれなコの字型キッチン (珪岩カウンター、セラミックタイルのキッチンパネル、カラー調理設備、ベージュのキッチンカウンター、レイズドパネル扉のキャビネット、白いキャビネット、マルチカラーのキッチンパネル、アイランドなし) の写真
コーンウォールにある小さなトランジショナルスタイルのおしゃれなコの字型キッチン (珪岩カウンター、セラミックタイルのキッチンパネル、カラー調理設備、ベージュのキッチンカウンター、レイズドパネル扉のキャビネット、白いキャビネット、マルチカラーのキッチンパネル、アイランドなし) の写真
Bilotta Kitchen & Home
For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
ニューヨークにある巨大なトランジショナルスタイルのおしゃれなキッチン (エプロンフロントシンク、落し込みパネル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、濃色無垢フローリング) の写真
Laurie Westberg, Urban Interior Design
Transitional open kitchen space with custom built in cabinets and storage -- blue island, taupe cabinets, wicker pendant lighting
ミネアポリスにある高級な小さなトランジショナルスタイルのおしゃれなキッチン (アンダーカウンターシンク、シェーカースタイル扉のキャビネット、青いキャビネット、珪岩カウンター、青いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、クッションフロア、ベージュの床、白いキッチンカウンター) の写真
ミネアポリスにある高級な小さなトランジショナルスタイルのおしゃれなキッチン (アンダーカウンターシンク、シェーカースタイル扉のキャビネット、青いキャビネット、珪岩カウンター、青いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、クッションフロア、ベージュの床、白いキッチンカウンター) の写真
User
Completed design - dining room view
モントリオールにあるお手頃価格の小さなトランジショナルスタイルのおしゃれなキッチン (シングルシンク、シェーカースタイル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、磁器タイルの床) の写真
モントリオールにあるお手頃価格の小さなトランジショナルスタイルのおしゃれなキッチン (シングルシンク、シェーカースタイル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、磁器タイルの床) の写真
Tartan Homes
Two-tone custom kitchen with painted cabinets in Slate plus PVC finish cabinet in 435 Palomino. Gold accents.
オタワにある高級な広いトランジショナルスタイルのおしゃれなキッチン (アンダーカウンターシンク、落し込みパネル扉のキャビネット、グレーのキャビネット、珪岩カウンター、グレーのキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、無垢フローリング、グレーの床、白いキッチンカウンター) の写真
オタワにある高級な広いトランジショナルスタイルのおしゃれなキッチン (アンダーカウンターシンク、落し込みパネル扉のキャビネット、グレーのキャビネット、珪岩カウンター、グレーのキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、無垢フローリング、グレーの床、白いキッチンカウンター) の写真
Robertson Lindsay Interiors
Two tone kitchen with red accents.
Suzanne Black
エディンバラにある中くらいなトランジショナルスタイルのおしゃれなキッチン (エプロンフロントシンク、シェーカースタイル扉のキャビネット、珪岩カウンター、ベージュキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、磁器タイルの床、アイランドなし、ベージュの床) の写真
エディンバラにある中くらいなトランジショナルスタイルのおしゃれなキッチン (エプロンフロントシンク、シェーカースタイル扉のキャビネット、珪岩カウンター、ベージュキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、磁器タイルの床、アイランドなし、ベージュの床) の写真
User
Completed design - sink
モントリオールにあるお手頃価格の小さなトランジショナルスタイルのおしゃれなキッチン (シングルシンク、シェーカースタイル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、磁器タイルの床) の写真
モントリオールにあるお手頃価格の小さなトランジショナルスタイルのおしゃれなキッチン (シングルシンク、シェーカースタイル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、磁器タイルの床) の写真
Robertson Lindsay Interiors
Suzanne Black
エディンバラにある中くらいなトランジショナルスタイルのおしゃれなキッチン (エプロンフロントシンク、シェーカースタイル扉のキャビネット、珪岩カウンター、ベージュキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、磁器タイルの床、アイランドなし、ベージュの床) の写真
エディンバラにある中くらいなトランジショナルスタイルのおしゃれなキッチン (エプロンフロントシンク、シェーカースタイル扉のキャビネット、珪岩カウンター、ベージュキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、磁器タイルの床、アイランドなし、ベージュの床) の写真
HouseHome
HouseHome took a small, dark, corner kitchen space, and turned it into a fun, bright, open, and functional kitchen that matches the age and stature of this beautiful historic home.
HouseHome
HouseHome took a small, dark, corner kitchen space, and turned it into a fun, bright, open, and functional kitchen that matches the age and stature of this beautiful historic home.
Bilotta Kitchen & Home
For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
Bilotta Kitchen & Home
For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
Bilotta Kitchen & Home
For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
Bilotta Kitchen & Home
For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
Bilotta Kitchen & Home
For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
Bilotta Kitchen & Home
For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
トランジショナルスタイルのキッチン (カラー調理設備、レンガのキッチンパネル、セラミックタイルのキッチンパネル、珪岩カウンター) の写真
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