他の地域にあるラグジュアリーな巨大なモダンスタイルのおしゃれな家の外観の写真

The recycled red brick home creates a striking street scape in a desirable Briar Hill location. The home is cladded with a cemintal cladding which is a stunning contrast to the recycled red bricks.

パースにある高級な中くらいなモダンスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

ダラスにあるモダンスタイルのおしゃれな家の外観 (漆喰サイディング) の写真

This Award Winning 411m2 architecturally designed house is built on an elevated platform perfectly positioned to enjoy the city lights and northerly breezes from the rear deck. An upper level ceiling height of 3m combined with a cool colour palate and clever tiling provides a canvas of grandeur and space. Modern influences have dramatically changed the authentic home design of the conventional Queensland home however the designers have made great use of the natural light and kept the high ceilings providing a very light and airy home design incorporating large windows and doors. Unlike old Queenslander designs this modern house has incorporated a seamless transition between indoor and outdoor living. Staying true to the roots of original Queensland houses which feature wooden flooring, the internal flooring of this house is made from hardwood Hermitage Oak. It’s a strong and resilient wood that looks great and will stand the test of time. This home also features some added modern extras you probably won't see in traditional Queensland homes, such as floor to ceiling tiles, separate butlers’ pantries and stone benches. So, although aesthetically different from traditional designs, this modern Queensland home has kept all the advantages of the older design but with a unique and stylish new twist.

シャーロットにあるラグジュアリーなモダンスタイルのおしゃれな家の外観 (混合材サイディング、マルチカラーの外壁) の写真

The Narrabeen House is located on the edge of Narrabeen Lagoon and is fortunate to have outlook across water to an untouched island dense with casuarinas. By contrast, the street context is unremarkable without the slightest hint of the lagoon beyond the houses lining the street and manages to give the impression of being deep in suburbia. The house is new and replaces a former 1970s cream brick house that functioned poorly and like many other houses from the time, did little to engage with the unique environmental qualities of the lagoon. In starting this project, we clearly wanted to re-dress the connection with the lagoon and island, but also found ourselves drawn to the suburban qualities of the street and this dramatic contrast between the front and back of the property. This led us to think about the project within the framework of the ‘suburban ideal’ - a framework that would allow the house to address the street as any other suburban house would, while inwardly pursuing the ideals of oasis and retreat where the water experience could be used to maximum impact - in effect, amplifying the current contrast between street and lagoon. From the street, the house’s composition is built around the entrance, driveway and garage like any typical suburban house however the impact of these domestic elements is diffused by melding them into a singular architectural expression and form. The broad facade combined with the floating skirt detail give the house a horizontal proportion and even though the dark timber cladding gives the building a ‘stealth’ like appearance, it still withholds the drama of the lagoon beyond. This sets up two key planning strategies. Firstly, a central courtyard is introduced as the principal organising element for the planning with all of the house’s key public spaces - living room, dining room, kitchen, study and pool - grouped around the courtyard to connect these spaces visually, and physically when the courtyard walls are opened up. The arrangement promotes a socially inclusive dynamic as well as extending the spatial opportunities of the house. The courtyard also has a significant environmental role bringing sun, light and air into the centre of the house. Secondly, the planning is composed to deliberately isolate the occupant from the suburban surrounds to heighten the sense of oasis and privateness. This process begins at the street bringing visitors through a succession of exterior spaces that gradually compress and remove the street context through a composition of fences, full height screens and thresholds. The entry sequence eventually terminates at a solid doorway where the sense of intrigue peaks. Rather than entering into a hallway, one arrives in the courtyard where the full extent of the private domain, the lagoon and island are revealed and any sense of the outside world removed. The house also has an unusual sectional arrangement driven partly by the requirement to elevate the interior 1.2m above ground level to safeguard against flooding but also by the desire to have open plan spaces with dual aspect - north for sun and south for the view. Whilst this introduces issues with the scale relationship of the house to its neighbours, it enables a more interesting multi- level relationship between interior and exterior living spaces to occur. This combination of sectional interplay with the layout of spaces in relation to the courtyard is what enables the layering of spaces to occur - it is possible to view the courtyard, living room, lagoon side deck, lagoon and island as backdrop in just one vista from the study. Flood raising 1200mm helps by introducing level changes that step and advantage the deeper views Porosity radically increases experience of exterior framed views, elevated The vistas from the key living areas and courtyard are composed to heighten the sense of connection with the lagoon and place the island as the key visual terminating feature. The materiality further develops the notion of oasis with a simple calming palette of warm natural materials that have a beneficial environmental effect while connecting the house with the natural environment of the lagoon and island.

トロントにあるモダンスタイルのおしゃれな家の外観 (漆喰サイディング) の写真

martin knowles photo/media
バンクーバーにあるお手頃価格の中くらいなモダンスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真

他の地域にある中くらいなモダンスタイルのおしゃれな家の外観 (ビニールサイディング) の写真

Simeon Levaillant
パリにあるラグジュアリーなモダンスタイルのおしゃれな家の外観 (ガラスサイディング、タウンハウス) の写真

エドモントンにあるラグジュアリーなモダンスタイルのおしゃれな家の外観 (混合材サイディング) の写真

Rustic charm and clean lines modern farmhouse home built with vinyl siding
ワシントンD.C.にあるモダンスタイルのおしゃれな家の外観 (ビニールサイディング) の写真

Acme Dove Gray with Cumaru siding
ダラスにある高級なモダンスタイルのおしゃれな家の外観の写真

The use of grey and white creates a subtle beauty that's not overwhelmingly traditional. It gives your home a clean and fresh appearance both inside and out! However, if you use too many shaded grays, certain sections will appear dominating and predictable. As a result, we chose to design and include cedar siding to complement the color palette with a strong and brilliant Burnished Amber tint. The front entry accentuated the wood siding, which is surrounded by a uniformly beautiful gray and white palette. The window appeared to be moving onto this light side of the home as well. The overall exterior concept is a modern gray and white home with a burnished amber tone.

シャーロットにあるラグジュアリーなモダンスタイルのおしゃれな家の外観 (混合材サイディング、マルチカラーの外壁) の写真

サンフランシスコにあるモダンスタイルのおしゃれな家の外観 (マルチカラーの外壁、下見板張り) の写真

バンクーバーにある高級なモダンスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真