ミッドセンチュリースタイルのキッチン (黒い調理設備、フラットパネル扉のキャビネット、オープンシェルフ、白い床) の写真
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Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
HAUS | Architecture For Modern LifestylesBuilt-in Coffee Make (Miele) in Leicht Cabinets - Bridge House - Fenneville, Michigan - Lake Michigan - HAUS | Architecture For Modern Lifestyles, Christopher Short, Indianapolis Architect, Marika Designs, Marika Klemm, Interior Designer - Tom Rigney, TR Builders
Marie VerthuyCuisine ouverte avec espace repas pour 4 personnes
Banquette intégrant des rangements, assise noire rehaussée d'un mur vert d'eau.
Niches décoratives
Videre DecorEmbossed tile was uninterrupted as a backsplash with LED undercabinet lighting and angled plugmolds.
オマハにあるお手頃価格の中くらいなミッドセンチュリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、中間色木目調キャビネット、クオーツストーンカウンター、白いキッチンパネル、磁器タイルのキッチンパネル、黒い調理設備、淡色無垢フローリング、白い床、白いキッチンカウンター) の写真
オマハにあるお手頃価格の中くらいなミッドセンチュリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、中間色木目調キャビネット、クオーツストーンカウンター、白いキッチンパネル、磁器タイルのキッチンパネル、黒い調理設備、淡色無垢フローリング、白い床、白いキッチンカウンター) の写真
Spazio Progettoミラノにある高級な中くらいなミッドセンチュリースタイルのおしゃれなキッチン (一体型シンク、フラットパネル扉のキャビネット、白いキャビネット、大理石カウンター、白いキッチンパネル、大理石のキッチンパネル、黒い調理設備、セメントタイルの床、白い床、白いキッチンカウンター) の写真
Marie VerthuyCuisine ouverte avec espace repas pour 4 personnes
Banquette intégrant des rangements, assise noire rehaussée d'un mur vert d'eau.
Niches décoratives
silvia piccioni architettoAnche se piccola, la cucina ha spazio per il piano di lavoro e capacità contenitiva sufficiente. Ora mancano il tavolo tondo vintage e le sedie di design per il tocco di carattere.
San Luis Kitchen Co.Gray laminate cabinets with a splash of red.
サンルイスオビスポにある小さなミッドセンチュリースタイルのおしゃれなキッチン (ドロップインシンク、フラットパネル扉のキャビネット、グレーのキャビネット、人工大理石カウンター、黒い調理設備、セラミックタイルの床、白い床、グレーのキッチンカウンター) の写真
サンルイスオビスポにある小さなミッドセンチュリースタイルのおしゃれなキッチン (ドロップインシンク、フラットパネル扉のキャビネット、グレーのキャビネット、人工大理石カウンター、黒い調理設備、セラミックタイルの床、白い床、グレーのキッチンカウンター) の写真
P2A DESIGNミラノにあるお手頃価格の中くらいなミッドセンチュリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、黒いキャビネット、大理石カウンター、黒い調理設備、大理石の床、アイランドなし、白い床) の写真
Spazio Progettoミラノにある高級な中くらいなミッドセンチュリースタイルのおしゃれなキッチン (一体型シンク、フラットパネル扉のキャビネット、白いキャビネット、大理石カウンター、白いキッチンパネル、大理石のキッチンパネル、黒い調理設備、セメントタイルの床、白い床、白いキッチンカウンター) の写真
Lulu DesignRénovation d'une maison à Hyères (83)
La cuisine, auparavant un bureau, se veut simple et sans meuble haut. On ne place que l'essentiel : rangements, gazinière piano à 5 feux et un grand évier timbre d'office. Le sol à cabochons rappelle celui des cuisines d'autrefois, et le carrelage écru vient apporter la touche finale.
Larsロサンゼルスにあるミッドセンチュリースタイルのおしゃれなキッチン (ダブルシンク、フラットパネル扉のキャビネット、ターコイズのキャビネット、クオーツストーンカウンター、マルチカラーのキッチンパネル、クオーツストーンのキッチンパネル、黒い調理設備、磁器タイルの床、アイランドなし、白い床、マルチカラーのキッチンカウンター、三角天井) の写真
Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
Videre DecorCrisp white quartz counters and natural cherry inset cabinets continued with white embossed tile on the backsplash and LED undercabinet lighting.
オマハにあるお手頃価格の中くらいなミッドセンチュリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、中間色木目調キャビネット、クオーツストーンカウンター、白いキッチンパネル、磁器タイルのキッチンパネル、黒い調理設備、淡色無垢フローリング、白い床、白いキッチンカウンター) の写真
オマハにあるお手頃価格の中くらいなミッドセンチュリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、中間色木目調キャビネット、クオーツストーンカウンター、白いキッチンパネル、磁器タイルのキッチンパネル、黒い調理設備、淡色無垢フローリング、白い床、白いキッチンカウンター) の写真
Videre DecorRemoving the wall that previously enclosed the kitchen allowed for an island fit for five. Crisp white quartz counters and natural cherry inset cabinets were anchored with delicate pendant lighting and embossed ceramic tile on the backsplash.
Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
Marie VerthuyCuisine ouverte avec espace repas pour 4 personnes
Banquette intégrant des rangements, assise noire rehaussée d'un mur vert d'eau.
Niches décoratives
Susan Yeley HomesNearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House?
Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was.
In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway?
As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself.
The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour.
Contractor: Rusty Peterson
Cabinetry: Stoll's Woodworking
Photographer: Sarah Shields
ミッドセンチュリースタイルのキッチン (黒い調理設備、フラットパネル扉のキャビネット、オープンシェルフ、白い床) の写真
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