Décloisonner les espaces pour obtenir un grand salon.. Faire passer la lumière
パリにあるラグジュアリーな広いコンテンポラリースタイルのおしゃれなリビング (白い壁、セラミックタイルの床、薪ストーブ、テレビなし、ベージュの床、表し梁、壁紙) の写真

Bi-fold doors leading to gardens.
バッキンガムシャーにある高級な中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、セラミックタイルの床、薪ストーブ、グレーの床) の写真

Nathalie Priem
トゥールーズにあるお手頃価格の広い地中海スタイルのおしゃれな独立型リビング (白い壁、セラミックタイルの床、薪ストーブ、金属の暖炉まわり、テレビなし) の写真

Don't you just feel the relaxation when you look at this fireplace? No country home is complete without the heat of a crackling fire.
他の地域にある高級な広いラスティックスタイルのおしゃれなオープンリビング (白い壁、セラミックタイルの床、薪ストーブ、石材の暖炉まわり、壁掛け型テレビ、ベージュの床) の写真

trabajo en colaboración con TandemArquitectura
セビリアにあるお手頃価格の広いエクレクティックスタイルのおしゃれなオープンリビング (白い壁、セラミックタイルの床、薪ストーブ、ベージュの床、金属の暖炉まわり) の写真

Shepherd photography
ケントにある低価格の中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、セラミックタイルの床、薪ストーブ、据え置き型テレビ、茶色い床) の写真

Doïna Photographe - Pour dématérialiser visuellement notre espace salon de notre salle à manger, nous avons fait réaliser sur-mesure par une créatrice du bassin annécien de superbes suspensions en macramé et perles de verre de Murano à l’intérieur desquelles nous avons inséré de jolis cache-pot et plantes grasses. La cohérence du projet est poussée jusqu’aux moindres détails puisque les couleurs des perles sont assorties aux couleurs des coussins colibri présents sur la banquette et sur le canapé. En effet, ce sont ces petits détails qui parfond le décor.

Elizabeth Pedinotti Haynes
バーリントンにある高級な中くらいなモダンスタイルのおしゃれなLDK (白い壁、セラミックタイルの床、薪ストーブ、石材の暖炉まわり、テレビなし、ベージュの床) の写真

マルセイユにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなオープンリビング (白い壁、セラミックタイルの床、薪ストーブ、金属の暖炉まわり、壁掛け型テレビ、ピンクの床) の写真

Open plan living area, retaining the natural stone and using reclaimed wooden lintels and shelving. Jo Allright
他の地域にあるお手頃価格の小さなラスティックスタイルのおしゃれなLDK (白い壁、セラミックタイルの床、薪ストーブ、木材の暖炉まわり、据え置き型テレビ) の写真

Ouverture d'une baie vitrée de 5m pour créer un espace de vie lumineux et tourné vers le jardin et créer un effet dedans dehors très agréable.
ボルドーにあるお手頃価格の中くらいな北欧スタイルのおしゃれなオープンリビング (白い壁、セラミックタイルの床、薪ストーブ、壁掛け型テレビ、ベージュの床、表し梁) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Jon Friedrich
フィラデルフィアにあるお手頃価格の中くらいなトランジショナルスタイルのおしゃれなオープンリビング (白い壁、セラミックタイルの床、薪ストーブ、レンガの暖炉まわり) の写真

Collings Heal
他の地域にある高級な広いコンテンポラリースタイルのおしゃれなオープンリビング (ライブラリー、白い壁、セラミックタイルの床、薪ストーブ、漆喰の暖炉まわり、壁掛け型テレビ) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

ボルドーにあるお手頃価格の中くらいな北欧スタイルのおしゃれなLDK (白い壁、セラミックタイルの床、薪ストーブ、埋込式メディアウォール、グレーの床) の写真

Lindsay Reid Photo
他の地域にある小さなラスティックスタイルのおしゃれな独立型リビング (白い壁、セラミックタイルの床、薪ストーブ、金属の暖炉まわり、グレーの床) の写真

A bespoke timber framed extension to a country manor house complete with suspended wood-burning stove. Photo Styling Jan Cadle, Colin Cadle Photography

Espace salon et salle à manger cosy et convivial. Meuble TV, banquettes et étagères conçues et réalisées sur-mesure
ナントにあるお手頃価格の中くらいなモダンスタイルのおしゃれなオープンリビング (ライブラリー、白い壁、セラミックタイルの床、薪ストーブ、コンクリートの暖炉まわり、壁掛け型テレビ、ベージュの床) の写真