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Lauren Shadid Architecture + Interiors
デンバーにある高級な広いカントリー風のおしゃれなLDK (グレーの壁、淡色無垢フローリング、標準型暖炉、積石の暖炉まわり、壁掛け型テレビ、茶色い床、三角天井) の写真
Hudson + Bloum Design
Lucy Call
ソルトレイクシティにある高級な広いコンテンポラリースタイルのおしゃれなリビング (ベージュの壁、無垢フローリング、標準型暖炉、石材の暖炉まわり、ベージュの床、テレビなし) の写真
ソルトレイクシティにある高級な広いコンテンポラリースタイルのおしゃれなリビング (ベージュの壁、無垢フローリング、標準型暖炉、石材の暖炉まわり、ベージュの床、テレビなし) の写真
Otto/Walker Architects
ソルトレイクシティにある高級な広いコンテンポラリースタイルのおしゃれなリビング (無垢フローリング、標準型暖炉、石材の暖炉まわり、白い壁、テレビなし) の写真
The Design Gallery
Our remodeled 1994 Deck House was a stunning hit with our clients. All original moulding, trim, truss systems, exposed posts and beams and mahogany windows were kept in tact and refinished as requested. All wood ceilings in each room were painted white to brighten and lift the interiors. This is the view looking from the living room toward the kitchen. Our mid-century design is timeless and remains true to the modernism movement.
Svetlana Hanzyy Design
ナッシュビルにある高級な中くらいなトランジショナルスタイルのおしゃれなLDK (白い壁、濃色無垢フローリング、標準型暖炉、壁掛け型テレビ、茶色い床) の写真
Dave Fox Design Build Remodelers
Mid-Century Modern Living Room- white brick fireplace, paneled ceiling, spotlights, blue accents, sliding glass door, wood floor
コロンバスにある高級な中くらいなミッドセンチュリースタイルのおしゃれなLDK (白い壁、濃色無垢フローリング、レンガの暖炉まわり、茶色い床、標準型暖炉) の写真
コロンバスにある高級な中くらいなミッドセンチュリースタイルのおしゃれなLDK (白い壁、濃色無垢フローリング、レンガの暖炉まわり、茶色い床、標準型暖炉) の写真
Denise Maloney Interior Design
Photography: davidduncanlivingston.com
サンフランシスコにある高級な広いトラディショナルスタイルのおしゃれなオープンリビング (無垢フローリング、標準型暖炉、木材の暖炉まわり、壁掛け型テレビ、茶色い床、白い壁) の写真
サンフランシスコにある高級な広いトラディショナルスタイルのおしゃれなオープンリビング (無垢フローリング、標準型暖炉、木材の暖炉まわり、壁掛け型テレビ、茶色い床、白い壁) の写真
Janelle Interiors
two fish digital
ロサンゼルスにある高級な中くらいなビーチスタイルのおしゃれなLDK (白い壁、標準型暖炉、タイルの暖炉まわり、壁掛け型テレビ、ベージュの床、淡色無垢フローリング) の写真
ロサンゼルスにある高級な中くらいなビーチスタイルのおしゃれなLDK (白い壁、標準型暖炉、タイルの暖炉まわり、壁掛け型テレビ、ベージュの床、淡色無垢フローリング) の写真
Coastal Vacation Estates
Luxurious modern sanctuary, remodeled 1957 mid-century architectural home is located in the hills just off the Famous Sunset Strip. The living area has 2 separate sitting areas that adorn a large stone fireplace while looking over a stunning view of the city.
I wanted to keep the original footprint of the house and some of the existing furniture. With the magic of fabric, rugs, accessories and upholstery this property was transformed into a new modern property.
Brittany Stiles Design
Built on Frank Sinatra’s estate, this custom home was designed to be a fun and relaxing weekend retreat for our clients who live full time in Orange County. As a second home and playing up the mid-century vibe ubiquitous in the desert, we departed from our clients’ more traditional style to create a modern and unique space with the feel of a boutique hotel. Classic mid-century materials were used for the architectural elements and hard surfaces of the home such as walnut flooring and cabinetry, terrazzo stone and straight set brick walls, while the furnishings are a more eclectic take on modern style. We paid homage to “Old Blue Eyes” by hanging a 6’ tall image of his mug shot in the entry.
Clay Construction Inc.
award winning builder, dark wood coffee table, real stone, tv over fireplace, two story great room, high ceilings
tray ceiling
crystal chandelier
バンクーバーにある高級な中くらいなトラディショナルスタイルのおしゃれなLDK (ベージュの壁、濃色無垢フローリング、標準型暖炉、石材の暖炉まわり、壁掛け型テレビ) の写真
バンクーバーにある高級な中くらいなトラディショナルスタイルのおしゃれなLDK (ベージュの壁、濃色無垢フローリング、標準型暖炉、石材の暖炉まわり、壁掛け型テレビ) の写真
Maxwell & Kennedy Staging + Interiors
We had a big, bright open space to work with. We went with neutral colors, a statement leather couch and a wool rug from CB2 with colors that tie in the other colors in the room. The fireplace mantel is custom from Sawtooth Ridge on Etsy. More art from Lost Art Salon in San Francisco and accessories from the clients travels on the bookshelf from S=CB2.
Architecture Saville Isaacs
Interior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
CJC Interiors
This modern farmhouse living room features a custom shiplap fireplace by Stonegate Builders, with custom-painted cabinetry by Carver Junk Company. The large rug pattern is mirrored in the handcrafted coffee and end tables, made just for this space.
Coastal Signature Homes
Tom Jenkins Photography
Fireplace: Fireside Hearth & Stone
Floors: Olde Savannah Hardwood Flooring
Paint color: Sherwin Williams 7008 (Alabaster)
チャールストンにある高級な広いビーチスタイルのおしゃれなオープンリビング (白い壁、淡色無垢フローリング、レンガの暖炉まわり、壁掛け型テレビ、標準型暖炉) の写真
チャールストンにある高級な広いビーチスタイルのおしゃれなオープンリビング (白い壁、淡色無垢フローリング、レンガの暖炉まわり、壁掛け型テレビ、標準型暖炉) の写真
Daniel Contelmo Architects
The great room walls are filled with glass doors and transom windows, providing maximum natural light and views of the pond and the meadow.
Photographer: Daniel Contelmo Jr.
Duncan Flooring Specialist
シカゴにある高級な中くらいなラスティックスタイルのおしゃれなリビング (ベージュの壁、無垢フローリング、標準型暖炉、漆喰の暖炉まわり、茶色い床) の写真
Cullen Wainscott
Was previously a red brick wood burning fireplace with a matching hearth. We refaced with MDF, Marble subway tile, Spectacular leather finished granite. The gas insert is a Kozy Heat Chaska 34, and the T.V. is a 4K Vizio. The flooring is BELLAWOOD 3/4" x 3-1/4" Select Brazilian Chestnut.
Patrick Schmitt, designer Inc.
Main floor great room
ポートランドにある高級な中くらいなトランジショナルスタイルのおしゃれなリビング (白い壁、濃色無垢フローリング、標準型暖炉、石材の暖炉まわり) の写真
ポートランドにある高級な中くらいなトランジショナルスタイルのおしゃれなリビング (白い壁、濃色無垢フローリング、標準型暖炉、石材の暖炉まわり) の写真
高級なリビングダイニング (吊り下げ式暖炉、標準型暖炉) の写真
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