Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields

1966 William Bain Jr (NBBJ) midcentury masterpiece. Dynamic modern architecture nestled at the end of a private wooded estate, perched on a bluff for sensational western water and mountain views. Walk down the trail to your private TIKI lounge and 230' of sandy waterfront. Original terrazzo graces the entire main floor, & walls of floor-to-ceiling windows frame expansive views. Enjoy year-round living, or make this your weekend getaway, with tremendous Airbnb/VRBO income potential!

On continue la visite de l'appartement (Voir la réalisation "Comme une maison sur les toits"), par la cuisine qui a subi un sérieux lifting. Auparavant, elle était séparée de la salle à manger, par un office, pièces désuète. Le souhait initial de mon client aurait été de tout ouvrir sur la salle à manger, mais le mur porteur compliquait les choses : outre le budget qui allait monter, il aurait fallu attendre l'accord de la copropriété, ce qui aurait retardé le chantier total. Je lui ai donc proposé de faire disparaître l'office, et d'agrandir la cuisine: le nouveau plan propose un îlot central qui permet de manger à huit personnes, cette pièce devient donc une vraie cuisine dînatoire. Le choix du vrai terrazzo s'est imposé à mes yeux, car j'ai voulu à tout prix replacer la magnifique suspension vertigo cuivrée, le terrazzo fait écho à sa belle couleur. Un mur d'armoire vient dissimuler tout l'électroménager, et permet de cacher également l'un des poteaux porteurs d'une colonne de l'immeuble, le phénix, matériau mat par excellence, finalise cette nouvelle cuisine.

Grifflose Küche der Firma Burger
ライプツィヒにある高級な広いコンテンポラリースタイルのおしゃれなキッチン (ドロップインシンク、フラットパネル扉のキャビネット、白いキャビネット、人工大理石カウンター、白いキッチンパネル、ガラス板のキッチンパネル、シルバーの調理設備、テラゾーの床、ベージュの床) の写真

Un et un ne font qu’un. Né de la réunion de deux appartements modernistes, ce duplex tout en volumes se caractérise par son allure épuré. On y entre au second par la pièce de vie ; un plan libre offrant la meilleure vue sur la Marne. Un escalier central descend dans le prolongement de l’îlot pour distribuer les pièces de nuit tout en intimité. Grâce à cette transformation, Marie et Luc gardent leur adresse idyllique sur les bords de Marne et savourent tout le confort d’un appartement résolument contemporain à la pointe de la technologie.

Fellermann
他の地域にある高級な巨大なモダンスタイルのおしゃれなキッチン (ダブルシンク、フラットパネル扉のキャビネット、白いキャビネット、人工大理石カウンター、白いキッチンパネル、ガラス板のキッチンパネル、白い調理設備、テラゾーの床、グレーの床) の写真

shot 2 of 2 in the ode to batman series. here the door is closed. as you can see there is no visible hardware to open the door yet the door is locked. ted knude photography

Grifflose Küche der Firma Burger
他の地域にある高級な広いコンテンポラリースタイルのおしゃれなキッチン (ドロップインシンク、フラットパネル扉のキャビネット、白いキャビネット、人工大理石カウンター、白いキッチンパネル、ガラス板のキッチンパネル、シルバーの調理設備、テラゾーの床、ベージュの床) の写真

Un et un ne font qu’un. Né de la réunion de deux appartements modernistes, ce duplex tout en volumes se caractérise par son allure épuré. On y entre au second par la pièce de vie ; un plan libre offrant la meilleure vue sur la Marne. Un escalier central descend dans le prolongement de l’îlot pour distribuer les pièces de nuit tout en intimité. Grâce à cette transformation, Marie et Luc gardent leur adresse idyllique sur les bords de Marne et savourent tout le confort d’un appartement résolument contemporain à la pointe de la technologie.

On continue la visite de l'appartement (Voir la réalisation "Comme une maison sur les toits"), par la cuisine qui a subi un sérieux lifting. Auparavant, elle était séparée de la salle à manger, par un office, pièces désuète. Le souhait initial de mon client aurait été de tout ouvrir sur la salle à manger, mais le mur porteur compliquait les choses : outre le budget qui allait monter, il aurait fallu attendre l'accord de la copropriété, ce qui aurait retardé le chantier total. Je lui ai donc proposé de faire disparaître l'office, et d'agrandir la cuisine: le nouveau plan propose un îlot central qui permet de manger à huit personnes, cette pièce devient donc une vraie cuisine dînatoire. Le choix du vrai terrazzo s'est imposé à mes yeux, car j'ai voulu à tout prix replacer la magnifique suspension vertigo cuivrée, le terrazzo fait écho à sa belle couleur. Un mur d'armoire vient dissimuler tout l'électroménager, et permet de cacher également l'un des poteaux porteurs d'une colonne de l'immeuble, le phénix, matériau mat par excellence, finalise cette nouvelle cuisine.

Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields

Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields

Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields

• Full Kitchen Renovation • General Contractor - Area Construction • Custom casework - Natural American Walnut Veneer • Decorative Accessory Styling • Cooktop - Wolf • Exhaust Hood - Zephyr • Dishwasher - Miele • Refridgerator - Sub-zero • Ovens - Miele • Coffee System - Miele • Backsplash tile - Heath Tile • Countertop - Diresco • Custom under-mount sink - Berlin • Pull-down + Filtration Faucets - Waterstone • Decorative Hardware - Sugatsune • Terrazzo floor tile - Waterworks

• Full Kitchen Renovation • General Contractor: Area Construction • Custom casework - Natural American Walnut Veneer • Decorative Accessory Styling • Backsplash tile - Heath Tile • Countertop - Diresco

• Full Kitchen Renovation • General Contractor: Area Construction • Custom casework - Natural American Walnut Veneer • Decorative Accessory Styling • Decorative Hardware - Sugatsune • Ovens - Miele • Coffee System - Miele

• Full Kitchen Renovation • General Contractor: Area Construction • Custom casework: Natural American Walnut Veneer • Decorative Accessory Styling • Backsplash tile - Heath Tile • Cooktop - Wolf • Exhaust Hood - Zephyr • Countertop - Diresco • Decorative Hardware - Sugatsune • Terrazzo tile - Waterworks

Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields

Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields