For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living. The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.

ニューヨークにある巨大なトランジショナルスタイルのおしゃれなキッチン (エプロンフロントシンク、落し込みパネル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、濃色無垢フローリング) の写真

Christophe Benard
カルガリーにある巨大なトランジショナルスタイルのおしゃれなキッチン (シングルシンク、シェーカースタイル扉のキャビネット、白いキャビネット、御影石カウンター、白いキッチンパネル、サブウェイタイルのキッチンパネル、カラー調理設備、濃色無垢フローリング) の写真

This luxuriously designed Hamptons kitchen features classical Hampton features including blue and white cabinetry complementing the Falcon cooker and white subway splashback tiles to the large island bench, great for everyday living and entertaining, farmhouse sink, provincial tap, to the floor to ceiling cabinetry in the butlers pantry providing maximum storage, upper wall cabinets with decorative glass for ornaments.

For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living. The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.

This wonderful home features traditional architecture with a French Mansard roof, a 30' tall grand entry, and many statement making fixtures throughout the home. Many clients ask us for a larger than normal window above the kitchen sink. On this home, we eliminated all of the cabinets on the sink wall to maximize the amount of light and view out the back. Very happy with how this home turned out!

Floors of Stone We love the earthy tones in this kitchen, it creates such a calming area to cook. Our Aged Oak Porcelain tiles have been used on the floor, and are a great option for a busy family home.

ニューヨークにある巨大なトランジショナルスタイルのおしゃれなキッチン (エプロンフロントシンク、落し込みパネル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、カラー調理設備、濃色無垢フローリング) の写真

他の地域にあるラグジュアリーな巨大なモダンスタイルのおしゃれなキッチン (フラットパネル扉のキャビネット、茶色いキャビネット、珪岩カウンター、白いキッチンパネル、大理石のキッチンパネル、カラー調理設備、磁器タイルの床、グレーの床、白いキッチンカウンター、三角天井) の写真

The Brief Although the building feels like a traditional Monmouthshire building externally, the clients wanted a modern family home on the interior. Built in 1905, the old coach house was transformed by removing a floor to create a vaulted ceiling and generous kitchen space.

Winner of Interior Design Society's 2014 Designer of the Year Awards: Kitchens 50K & Above - 2nd Place
他の地域にあるラグジュアリーな巨大なカントリー風のおしゃれなキッチン (エプロンフロントシンク、レイズドパネル扉のキャビネット、中間色木目調キャビネット、大理石カウンター、白いキッチンパネル、石タイルのキッチンパネル、カラー調理設備、無垢フローリング) の写真

For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living. The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.

The butler's pantry was created from a bathroom space. The butlers pantry can be hidden away from the main kitchen via a cavity sliding door or the door can be opened up to join with the main kitchen. Heaps of storage, both above the working bench and below bench in drawers.

A bulthaup b3 roller shutter 'garage' hides away small appliances that often take up valuable worktop space.
カーディフにあるラグジュアリーな巨大なコンテンポラリースタイルのおしゃれなキッチン (一体型シンク、フラットパネル扉のキャビネット、淡色木目調キャビネット、ラミネートカウンター、白いキッチンパネル、ガラス板のキッチンパネル、カラー調理設備、磁器タイルの床、白いキッチンカウンター、三角天井) の写真

Wonderful island kitchen of the Stetson. View House Plan THD-4607: https://www.thehousedesigners.com/plan/stetson-4607/

Floors of Stone This generously sized kitchen is in a converted barn and is perfect for a busy family. Our hard-wearing wood effect porcelain has been used on the floor to stand up to every day life.

Finished white modern kitchen remodel with new flooring and appliances.
ロサンゼルスにある高級な巨大なモダンスタイルのおしゃれなキッチン (ドロップインシンク、フラットパネル扉のキャビネット、白いキャビネット、再生ガラスカウンター、白いキッチンパネル、石スラブのキッチンパネル、カラー調理設備、無垢フローリング、茶色い床、白いキッチンカウンター) の写真

ブリッジポートにあるラグジュアリーな巨大なトランジショナルスタイルのおしゃれなキッチン (エプロンフロントシンク、落し込みパネル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、石スラブのキッチンパネル、カラー調理設備、淡色無垢フローリング、ベージュの床、白いキッチンカウンター) の写真

Winner of Interior Design Society's 2014 Designer of the Year Awards: Kitchens 50K & Above - 2nd Place
他の地域にあるラグジュアリーな巨大なカントリー風のおしゃれなキッチン (エプロンフロントシンク、レイズドパネル扉のキャビネット、中間色木目調キャビネット、大理石カウンター、白いキッチンパネル、石タイルのキッチンパネル、カラー調理設備、無垢フローリング) の写真