トゥールーズにある低価格の小さなコンテンポラリースタイルのおしゃれな廊下 (グレーの壁、淡色無垢フローリング、グレーの床) の写真

DISIMPEGNO CON PAVIMENTO IN RESINA GRIGIA E ILLUMINAZIONE CON STRIP LED A SOFFITTO E PARETE
ナポリにあるお手頃価格の中くらいなモダンスタイルのおしゃれな廊下 (白い壁、コンクリートの床、グレーの床) の写真

Jamie Armstrong Photography
クライストチャーチにあるコンテンポラリースタイルのおしゃれな廊下 (コンクリートの床、グレーの床) の写真

Harvey Maria - Dovetail by Neisha Crosland
マンチェスターにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな廊下 (白い壁、クッションフロア、青い床) の写真

Jeff Russell
ミネアポリスにある中くらいなトランジショナルスタイルのおしゃれな廊下 (グレーの壁、無垢フローリング、グレーの床) の写真

他の地域にあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな廊下 (マルチカラーの壁、磁器タイルの床、グレーの床) の写真

Material: LifeBoXX Ausführung: Surface+
フランクフルトにあるモダンスタイルのおしゃれな廊下 (コンクリートの床、グレーの床) の写真

Евгений Кулибаба
モスクワにある小さなトラディショナルスタイルのおしゃれな廊下 (グレーの壁、濃色無垢フローリング、グレーの床) の写真

This project began with a handsome center-entrance Colonial Revival house in a neighborhood where land values and house sizes had grown enormously since my clients moved there in the 1980s. Tear-downs had become standard in the area, but the house was in excellent condition and had a lovely recent kitchen. So we kept the existing structure as a starting point for additions that would maximize the potential beauty and value of the site A highly detailed Gambrel-roofed gable reaches out to the street with a welcoming entry porch. The existing dining room and stair hall were pushed out with new glazed walls to create a bright and expansive interior. At the living room, a new angled bay brings light and a feeling of spaciousness to what had been a rather narrow room. At the back of the house, a six-sided family room with a vaulted ceiling wraps around the existing kitchen. Skylights in the new ceiling bring light to the old kitchen windows and skylights. At the head of the new stairs, a book-lined sitting area is the hub between the master suite, home office, and other bedrooms.

Modern and spacious. A light grey wire-brush serves as the perfect canvas for almost any contemporary space. Modern and spacious. A light grey wire-brush serves as the perfect canvas for almost any contemporary space.

ミネアポリスにある中くらいなトランジショナルスタイルのおしゃれな廊下 (グレーの壁、無垢フローリング、グレーの床) の写真

ロサンゼルスにあるカントリー風のおしゃれな廊下 (青い壁、コンクリートの床、グレーの床) の写真

E&K Del Mar Siding, Jean Randazzo Photography
ロサンゼルスにあるコンテンポラリースタイルのおしゃれな廊下 (ベージュの壁、コンクリートの床、グレーの床) の写真

Natalie Dinham
ロンドンにあるお手頃価格の小さなトランジショナルスタイルのおしゃれな廊下 (グレーの壁、カーペット敷き、グレーの床) の写真

ミュンヘンにあるお手頃価格の中くらいなモダンスタイルのおしゃれな廊下 (白い壁、グレーの床、白い天井) の写真

Евгений Кулибаба
モスクワにあるお手頃価格の中くらいなカントリー風のおしゃれな廊下 (ベージュの壁、塗装フローリング、グレーの床) の写真

ロサンゼルスにあるコンテンポラリースタイルのおしゃれな廊下 (白い壁、グレーの床) の写真

Der Eingangsbereich Deines Zuhauses ist das erste was Dich beim Hereinkommen erwartet. Dein Flur soll Dich Willkommen heißen und Dir direkt das Gefühl von "Zuhause angekommen" auslösen. Die Kombination von Eiche und Weiß wirkt sowohl modern als auch freundlich und frisch. Durch den maßgefertigten Einbauschrank bis unter die Decke des Dachgeschosses hat alles seinen Platz und die Stauraum-Problematik gehört der Vergangenheit an.

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.