アトランタにある高級な巨大なモダンスタイルのおしゃれな家の外観 (レンガサイディング、混合材屋根、縦張り) の写真

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Charles Davis Smith, AIA
ダラスにあるお手頃価格の中くらいなミッドセンチュリースタイルのおしゃれな家の外観 (レンガサイディング) の写真

Traditional red brick ranch with welcoming driveway. Upscale development in Hempfield County. This house has an indoor elevator.
他の地域にあるトラディショナルスタイルのおしゃれな家の外観 (レンガサイディング) の写真

ロンドンにあるコンテンポラリースタイルのおしゃれな二階建ての家 (レンガサイディング) の写真

ダラスにある中くらいなミッドセンチュリースタイルのおしゃれな家の外観 (レンガサイディング) の写真

シカゴにある中くらいなトラディショナルスタイルのおしゃれな二階建ての家 (レンガサイディング) の写真

In the renovation and addition to this home in Falls Church VA, exterior hard-scapes and garden spaces surround the house while the spaces within the home are made larger and are opened up to the forestall views surrounding the home. When walking on the pathway one crosses the many thresholds along the exterior that help to separate and create new intimate garden spaces. Steel, concrete, and wood come together in this intricate walkway system comprised of slatted screen fences, a guiding pergola overhead, and a hard-scaped pathway. The changes in grade, volume, and materiality allow for a dynamic walkway that runs both to the new entry and continues to the rear patio where it then terminates at the patio access of the home. The master bedroom is extruded out over the lower level into the rear of the house and opened up with tall windows all along two sides. A more formal entry space is added at the front with full height glass bringing in lots of light to make for an elegant entry space. Partitions are removed from the interior to create one large space which integrates the new kitchen, living room , and dining room. Full height glass along the rear of the house opens up the views to the rear and brightens up the entire space. A new garage volume is added and bridged together with the existing home creating a new powder room, mudroom, and storage.

Emma Thompson
ロンドンにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (レンガサイディング、デュープレックス) の写真

Willet Photography
アトランタにある高級な中くらいなトランジショナルスタイルのおしゃれな家の外観 (レンガサイディング、混合材屋根) の写真

シアトルにある中くらいなミッドセンチュリースタイルのおしゃれな家の外観 (レンガサイディング) の写真

This is an organic Lime Wash done with a true lime wash product as opposed to a brick mortar or concrete that is often seen on new houses. This product can be applied as a solid coating making the surface completely white, or can be applied and "washed off" in many artistic ways, as seen here. If you hate your brick or just want something unique this is a great option! Photo credit: Jeff Murrey

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front of Georgetown mansion, extensively renovated inside. photo Fred J. Maroon
ワシントンD.C.にあるラグジュアリーな巨大なトラディショナルスタイルのおしゃれな家の外観 (レンガサイディング) の写真

Exterior Painting: Gray multi level brick house before repainting siding and garage doors.
ダラスにあるトラディショナルスタイルのおしゃれな家の外観 (レンガサイディング) の写真

アトランタにあるトラディショナルスタイルのおしゃれな家の外観 (レンガサイディング) の写真

Back of the home that has German smear in a rustic style. Rustic style focuses on grout lines and some clustered areas of brick, creating a one of a kind pattern. Great for covering areas of mix matched brick