Bruce Damonte
サンフランシスコにあるラグジュアリーな小さなモダンスタイルのおしゃれな家の外観 (混合材屋根) の写真

Fotografías de AD+ arquitectura
他の地域にある小さなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、混合材屋根) の写真

Can Xomeu Rita es una pequeña vivienda que toma el nombre de la finca tradicional del interior de la isla de Formentera donde se emplaza. Su ubicación en el territorio responde a un claro libre de vegetación cercano al campo de trigo y avena existente en la parcela, donde la alineación con las trazas de los muros de piedra seca existentes coincide con la buena orientación hacia el Sur así como con un área adecuada para recuperar el agua de lluvia en un aljibe. La sencillez del programa se refleja en la planta mediante tres franjas que van desde la parte más pública orientada al Sur con el acceso y las mejores visuales desde el porche ligero, hasta la zona de noche en la parte norte donde los dormitorios se abren hacia levante y poniente. En la franja central queda un espacio diáfano de relación, cocina y comedor. El diseño bioclimático de la vivienda se fundamenta en el hecho de aprovechar la ventilación cruzada en el interior para garantizar un ambiente fresco durante los meses de verano, gracias a haber analizado los vientos dominantes. Del mismo modo la profundidad del porche se ha dimensionado para que permita los aportes de radiación solar en el interior durante el invierno y, en cambio, genere sombra y frescor en la temporada estival. El bajo presupuesto con que contaba la intervención se manifiesta también en la tectónica del edificio, que muestra sinceramente cómo ha sido construido. Termoarcilla, madera de pino, piedra caliza y morteros de cal permanecen vistos como acabados conformando soluciones constructivas transpirables que aportan más calidez, confort y salud al hogar.

サンフランシスコにある高級な小さな地中海スタイルのおしゃれな家の外観 (漆喰サイディング、混合材屋根) の写真

A refinished stucco exterior, new awning, steel frame door, and stone steps create a welcoming entrance to a casita.
オースティンにあるお手頃価格の小さなサンタフェスタイルのおしゃれな家の外観 (漆喰サイディング、混合材屋根) の写真

他の地域にある小さなコンテンポラリースタイルのおしゃれな家の外観 (漆喰サイディング、混合材屋根) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Our clients wanted a very contemporary addition to their historical brick house. we added a glass box with floor to ceiling windows - the dining table sits in the corner overlooking the view. photo: Cody O'Laughlin

Outdoor fireplace
他の地域にある小さなモダンスタイルのおしゃれな家の外観 (混合材サイディング、混合材屋根) の写真

an asymmetrical modernist addition at the side houses an additional bedroom and provides new access into the home from the side yard and driveway
オレンジカウンティにある高級な小さなモダンスタイルのおしゃれな家の外観 (混合材サイディング、混合材屋根、縦張り) の写真

Fachada Cerramiento - Se planteo una fachada semipermeable en cuya superficie predomina el hormigón, pero al cual se le añade detalles en madera y pintura en color gris oscuro. Como detalle especial se le realizan unas perforaciones circulares al cerramiento, que representan movimiento y los 9 meses de gestación humana.

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

a plywood panel marks the new side entry vestibule, accessed from the driveway and framed by bold wide horizontal black siding at the new addition
オレンジカウンティにある高級な小さなモダンスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、混合材屋根) の写真

ロサンゼルスにある小さなサンタフェスタイルのおしゃれな家の外観 (混合材屋根) の写真

Front facade
バンクーバーにあるお手頃価格の小さなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、混合材屋根) の写真

他の地域にある小さなコンテンポラリースタイルのおしゃれな家の外観 (漆喰サイディング、混合材屋根) の写真

modern renovation and small addtion to a 1950s ranch house in Boulder County. Exterior materials include buff sandstone masonry, stucco, painted fiber cement panels and trim. Sierra Pacific windows and doors

The accordion doors on the left open in two directions, away from the corner where they meet. When open, the area is entirely unobstructed, encouraging folks to enjoy the courtyard.

Can Xomeu Rita es una pequeña vivienda que toma el nombre de la finca tradicional del interior de la isla de Formentera donde se emplaza. Su ubicación en el territorio responde a un claro libre de vegetación cercano al campo de trigo y avena existente en la parcela, donde la alineación con las trazas de los muros de piedra seca existentes coincide con la buena orientación hacia el Sur así como con un área adecuada para recuperar el agua de lluvia en un aljibe. La sencillez del programa se refleja en la planta mediante tres franjas que van desde la parte más pública orientada al Sur con el acceso y las mejores visuales desde el porche ligero, hasta la zona de noche en la parte norte donde los dormitorios se abren hacia levante y poniente. En la franja central queda un espacio diáfano de relación, cocina y comedor. El diseño bioclimático de la vivienda se fundamenta en el hecho de aprovechar la ventilación cruzada en el interior para garantizar un ambiente fresco durante los meses de verano, gracias a haber analizado los vientos dominantes. Del mismo modo la profundidad del porche se ha dimensionado para que permita los aportes de radiación solar en el interior durante el invierno y, en cambio, genere sombra y frescor en la temporada estival. El bajo presupuesto con que contaba la intervención se manifiesta también en la tectónica del edificio, que muestra sinceramente cómo ha sido construido. Termoarcilla, madera de pino, piedra caliza y morteros de cal permanecen vistos como acabados conformando soluciones constructivas transpirables que aportan más calidez, confort y salud al hogar.