Entry foyer features a custom offset pivot door with thin glass lites over a Heppner Hardwoods engineered white oak floor. The door is by the Pivot Door Company.

A bold entrance into this home..... Bespoke custom joinery integrated nicely under the stairs
パースにあるお手頃価格の広いコンテンポラリースタイルのおしゃれなマッドルーム (白い壁、大理石の床、黒いドア、白い床、三角天井、レンガ壁) の写真

ボストンにある広いコンテンポラリースタイルのおしゃれなマッドルーム (茶色い壁、ガラスドア、グレーの床、板張り壁) の写真

パースにあるコンテンポラリースタイルのおしゃれな玄関ドア (黒いドア) の写真

ミネアポリスにある巨大なモダンスタイルのおしゃれな玄関ドア (濃色木目調のドア、淡色無垢フローリング、茶色い床) の写真

ワシントンD.C.にある巨大なコンテンポラリースタイルのおしゃれな玄関ドア (ガラスドア) の写真

タンパにあるビーチスタイルのおしゃれな玄関ドア (ガラスドア) の写真

Built in USA
他の地域にあるコンテンポラリースタイルのおしゃれな玄関ドアの写真

http://www.pickellbuilders.com. Front entry is a contemporary mix of glass, stone, and stucco. Gravel entry court with decomposed granite chips. Front door is African mahogany with clear glass sidelights and horizontal aluminum inserts. Photo by Paul Schlismann.

フェニックスにあるお手頃価格の中くらいなモダンスタイルのおしゃれな玄関ドア (ベージュの壁、セラミックタイルの床、ガラスドア) の写真

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

A hidden door with touch-latches keeps the entryway sleek and clean while still providing functionality to access the guest room. Photographed by Phillip Leach

landscape architect: David John Bigham photo:Marion Brenner
サンフランシスコにある地中海スタイルのおしゃれな玄関ドアの写真

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection. The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls. The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers. The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match! Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ Builder: Shannon Construction | Phoenix, AZ Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ Photography: Dino Tonn | Scottsdale, AZ Awards: 2014 Gold Nugget Award of Merit Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Cesar Rubio
サンフランシスコにあるモダンスタイルのおしゃれな玄関 (淡色木目調のドア) の写真

Karyn Millet
オレンジカウンティにあるコンテンポラリースタイルのおしゃれな玄関ドア (ベージュの壁、ガラスドア) の写真

Audrey Hall
ソルトレイクシティにあるコンテンポラリースタイルのおしゃれな玄関 (白い壁、無垢フローリング、濃色木目調のドア) の写真

Custom copper clad sliding entry door opens from the side of the house to a split level entry. The hand marks on the door remain to retain character as the copper ages.

Fu-Tung Cheng, CHENG Design • Interior View of Front Pivot Door and 12" thick concrete wall, House 6 concrete and wood home House 6, is Cheng Design’s sixth custom home project, was redesigned and constructed from top-to-bottom. The project represents a major career milestone thanks to the unique and innovative use of concrete, as this residence is one of Cheng Design’s first-ever ‘hybrid’ structures, constructed as a combination of wood and concrete. Photography: Matthew Millman