ニューヨークにある高級な中くらいなカントリー風のおしゃれな独立型ダイニング (白い壁、スレートの床) の写真

Lincoln Barbour
ポートランドにある高級な中くらいなミッドセンチュリースタイルのおしゃれなLDK (コンクリートの床、マルチカラーの床) の写真

In lieu of a formal dining room, our clients kept the dining area casual. A painted built-in bench, with custom upholstery runs along the white washed cypress wall. Custom lights by interior designer Joel Mozersky.

Seating area featuring built in bench seating and plenty of natural light. Table top is made of reclaimed lumber done by Longleaf Lumber. The bottom table legs are reclaimed Rockford Lathe Legs.

ロンドンにあるコンテンポラリースタイルのおしゃれなダイニング (コンクリートの床、グレーの壁) の写真

Photographer: Jay Goodrich This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone. The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks. The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall. Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.

シアトルにあるコンテンポラリースタイルのおしゃれなダイニング (コンクリートの床) の写真

Originally, the dining layout was too small for our clients needs. We reconfigured the space to allow for a larger dining table to entertain guests. Adding the layered lighting installation helped to define the longer space and bring organic flow and loose curves above the angular custom dining table. The door to the pantry is disguised by the wood paneling on the wall.

サンフランシスコにあるコンテンポラリースタイルのおしゃれなダイニング (朝食スペース、白い壁、コンクリートの床、グレーの床) の写真

Built in banquette dining with wrap around external planter offers wrap around views of the landscape & brings an abundance of natural light into the rear and side extensions.

These classic ‘Beetle’ chairs bring the warmth of the vintage sideboard and the dramatic artwork together to create an autumnal palette for this area of the space.

Formal Dining room, featuring wicker-backed rounded dining chairs as well as a pictograph buffet beneath a beautiful afro-inspired art piece flanked by a spotted table lamp and metal sculptures. Scrolling up to the hero image of this blog post, you were greeted with another view of this stunning formal dining room. The wood dining table is framed by merlot velvet drapery and orange pampas grass in wicker floor vases atop an exquisitely textured area rug. This home exudes a style that truly needs to be seen to be appreciated.

We fully furnished this open concept Dining Room with an asymmetrical wood and iron base table by Taracea at its center. It is surrounded by comfortable and care-free stain resistant fabric seat dining chairs. Above the table is a custom onyx chandelier commissioned by the architect Lake Flato. We helped find the original fine artwork for our client to complete this modern space and add the bold colors this homeowner was seeking as the pop to this neutral toned room. This large original art is created by Tess Muth, San Antonio, TX.

オースティンにある小さな地中海スタイルのおしゃれなダイニング (白い壁、コンクリートの床、暖炉なし、グレーの床) の写真

ロサンゼルスにあるインダストリアルスタイルのおしゃれなLDK (白い壁、コンクリートの床、グレーの床) の写真

中くらいなコンテンポラリースタイルのおしゃれなダイニングキッチン (黒い壁、コンクリートの床、グレーの床、塗装板張りの壁) の写真

シドニーにあるコンテンポラリースタイルのおしゃれなダイニング (コンクリートの床、グレーの床) の写真

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

As a final touch, we also provided an electric roller blind with matching fascia and fabric to create a truly complete appearance to the room, with a very balanced design to the soft furnishings and over all colour palette. Not only does the roller blind operate almost silently, but it can be grouped to work with the lantern roof blind or just operate on its own using the fully featured app available from Somfy®.