広い、中くらいなダイニング (レンガの暖炉まわり、コンクリートの暖炉まわり) の写真
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HMH Architecture + Interiors
Dining rooms don't have to be overly formal and stuffy. We especially love the custom credenza and the Sarus Mobile
©David Lauer Photography
デンバーにある中くらいなラスティックスタイルのおしゃれなダイニングキッチン (白い壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり) の写真
デンバーにある中くらいなラスティックスタイルのおしゃれなダイニングキッチン (白い壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり) の写真
Hammer Architects
Peter Vanderwarker
ボストンにある高級な中くらいなミッドセンチュリースタイルのおしゃれなLDK (白い壁、両方向型暖炉、淡色無垢フローリング、コンクリートの暖炉まわり、茶色い床) の写真
ボストンにある高級な中くらいなミッドセンチュリースタイルのおしゃれなLDK (白い壁、両方向型暖炉、淡色無垢フローリング、コンクリートの暖炉まわり、茶色い床) の写真
Flooret
Crisp tones of maple and birch. Minimal and modern, the perfect backdrop for every room. With the Modin Collection, we have raised the bar on luxury vinyl plank. The result is a new standard in resilient flooring. Modin offers true embossed in register texture, a low sheen level, a rigid SPC core, an industry-leading wear layer, and so much more.
Great Rooms Building Group
シカゴにある中くらいなトランジショナルスタイルのおしゃれな独立型ダイニング (ベージュの壁、無垢フローリング、標準型暖炉、レンガの暖炉まわり、茶色い床) の写真
Architecture Saville Isaacs
Interior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Hickox Williams Architects, Inc.
Photography by Greg Premru
ボストンにある広いカントリー風のおしゃれな独立型ダイニング (白い壁、無垢フローリング、標準型暖炉、レンガの暖炉まわり) の写真
ボストンにある広いカントリー風のおしゃれな独立型ダイニング (白い壁、無垢フローリング、標準型暖炉、レンガの暖炉まわり) の写真
Board & Vellum
Photos by Andrew Giammarco Photography.
シアトルにある高級な広いカントリー風のおしゃれなLDK (濃色無垢フローリング、標準型暖炉、青い壁、レンガの暖炉まわり、茶色い床) の写真
シアトルにある高級な広いカントリー風のおしゃれなLDK (濃色無垢フローリング、標準型暖炉、青い壁、レンガの暖炉まわり、茶色い床) の写真
Lobalzo Design Associates, Ltd
Dining area before.
クリーブランドにある高級な中くらいなトラディショナルスタイルのおしゃれなダイニング (朝食スペース、白い壁、標準型暖炉、レンガの暖炉まわり、レンガ壁) の写真
クリーブランドにある高級な中くらいなトラディショナルスタイルのおしゃれなダイニング (朝食スペース、白い壁、標準型暖炉、レンガの暖炉まわり、レンガ壁) の写真
User
A cosy Dining Area for intimate dinners with friends. Surrounded by pieces bought by the client from France
シドニーにある中くらいなカントリー風のおしゃれな独立型ダイニング (淡色無垢フローリング、標準型暖炉、レンガの暖炉まわり) の写真
シドニーにある中くらいなカントリー風のおしゃれな独立型ダイニング (淡色無垢フローリング、標準型暖炉、レンガの暖炉まわり) の写真
Studio Ness, LLC
Photo by Costas Picadas
ニューヨークにある高級な広いコンテンポラリースタイルのおしゃれなダイニング (無垢フローリング、標準型暖炉、レンガの暖炉まわり、白い壁、茶色い床) の写真
ニューヨークにある高級な広いコンテンポラリースタイルのおしゃれなダイニング (無垢フローリング、標準型暖炉、レンガの暖炉まわり、白い壁、茶色い床) の写真
PW.QUADRAT | Wagner Weinzierl Architekten
ミュンヘンにある高級な広い北欧スタイルのおしゃれなLDK (白い壁、コンクリートの床、薪ストーブ、コンクリートの暖炉まわり、白い床、板張り天井) の写真
Mailen Architects
Peter Landers
オックスフォードシャーにあるお手頃価格の中くらいなカントリー風のおしゃれなLDK (白い壁、淡色無垢フローリング、標準型暖炉、レンガの暖炉まわり、ベージュの床) の写真
オックスフォードシャーにあるお手頃価格の中くらいなカントリー風のおしゃれなLDK (白い壁、淡色無垢フローリング、標準型暖炉、レンガの暖炉まわり、ベージュの床) の写真
Beautiful Chaos Interior Design & Styling
Dining room in modern french country project.
ミネアポリスにある中くらいなモダンスタイルのおしゃれなダイニング (青い壁、濃色無垢フローリング、コーナー設置型暖炉、レンガの暖炉まわり、茶色い床) の写真
ミネアポリスにある中くらいなモダンスタイルのおしゃれなダイニング (青い壁、濃色無垢フローリング、コーナー設置型暖炉、レンガの暖炉まわり、茶色い床) の写真
Hierarchy Architecture + Design, PLLC
The formal dining room of this updated 1940's Custom Cape Ranch features custom built-in display shelves to seamlessly match the classically detailed arched doorways and original wainscot paneling in the living room, dining room, stair hall and bedrooms which were kept and refinished, as were the many original red brick fireplaces found in most rooms. These and other Traditional features, such as the traditional chandelier lighting fixture, were kept to balance the contemporary renovations resulting in a Transitional style throughout the home. Large windows and French doors were added to allow ample natural light to enter the home. The mainly white interior enhances this light and brightens a previously dark home.
Architect: T.J. Costello - Hierarchy Architecture + Design, PLLC
Interior Designer: Helena Clunies-Ross
User
The Meryton Table is inspired by French country kitchens of the past. The table features a sturdy planked top and turned legs.
Tabletop is available in our classic Espresso or Distressed White finish. Optional hammered steel corner brackets in Black or Copper can be added. Light assembly required (comes assembled for local pickup).
All of our tables are handcrafted from solid wood in our woodworking shop in Fort Mill, South Carolina. Our furniture is finished with a multi-step process of distressing and hand-applying varnish to give each piece the look of a cherished antique. Each of our works showcase the natural characteristics of wood, including variations in color, mineral streaks, knots and burls. In addition, our finishing process highlights the organic texture of wood with its pores, ridges, slits and grooves; each piece is a tactile work of art that is truly meant to be appreciated by touch. Every decorative bracket is made from steel, hand-cut and meticulously hammered to create a one-of-a-kind rustic accent for our wood furniture.
Available for local pickup or shipment within 5-7 business days.
DIMENSIONS:
Overall: 72" long x 36" wide x 30" high
Tabletop: 1.5" thick
Apron: 3.5" high
Weight: 132 pounds
CARE AND MAINTENANCE:
Dust with a soft, dry lint-free cloth.
Soak up any water immediately with a soft, dry cloth.
Avoid the use of harsh chemicals or abrasive cleaners.
Photo Credit: Michael Blevins
広い、中くらいなダイニング (レンガの暖炉まわり、コンクリートの暖炉まわり) の写真
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