ボストンにある巨大なトラディショナルスタイルのおしゃれな独立型ダイニング (緑の壁、カーペット敷き、標準型暖炉、レンガの暖炉まわり) の写真

他の地域にある中くらいなミッドセンチュリースタイルのおしゃれなダイニング (カーペット敷き、標準型暖炉、レンガの暖炉まわり、ベージュの床) の写真

Steve Kuzma
デトロイトにある中くらいなミッドセンチュリースタイルのおしゃれなLDK (セラミックタイルの床、両方向型暖炉、レンガの暖炉まわり) の写真

マイアミにあるラグジュアリーな広い地中海スタイルのおしゃれなLDK (白い壁、セラミックタイルの床、両方向型暖炉、レンガの暖炉まわり、ベージュの床、格子天井、パネル壁) の写真

Dining and living room
ロサンゼルスにある中くらいなトランジショナルスタイルのおしゃれなLDK (白い壁、セラミックタイルの床、横長型暖炉、レンガの暖炉まわり、ベージュの床、羽目板の壁) の写真

This view is from the "link" into 1949 dining room and kitchen. Addition was slab on grade to match existing floor height, and we added quarry tile throughout. Original interior walls were plywood stained grey. Furniture throughout is just perfect for this period and style. Scott Mayoral photo

William Layzell
チャネル諸島にある中くらいなコンテンポラリースタイルのおしゃれなダイニングキッチン (白い壁、セラミックタイルの床、薪ストーブ、コンクリートの暖炉まわり、グレーの床) の写真

ニューヨークにある中くらいなラスティックスタイルのおしゃれな独立型ダイニング (茶色い壁、セラミックタイルの床、標準型暖炉、レンガの暖炉まわり、グレーの床、三角天井) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

ロサンゼルスにある広いコンテンポラリースタイルのおしゃれな独立型ダイニング (白い壁、両方向型暖炉、コンクリートの暖炉まわり、セラミックタイルの床) の写真

Laura Rae Photography
ミネアポリスにあるお手頃価格の中くらいなカントリー風のおしゃれなダイニングキッチン (セラミックタイルの床、グレーの床、グレーの壁、両方向型暖炉、レンガの暖炉まわり) の写真

Colour and connection are the two elements that unify the interior of this Glasgow home. Prior to the renovation, these rooms were separate, so we chose a colour continuum that would draw the eye through the now seamless spaces. . We worked off of a cool turquoise colour palette to brighten up the living area, while we shrouded the dining room in a moody deep jewel. The cool leafy palette extends to the couch’s upholstery and to the monochrome credenza in the dining room. To make the blue-green scheme really pop, we selected warm-toned red accent lamps, dried pampas grass, and muted pink artwork.

Cantilevered circular dining area floating on top of the magnificent lap pool, with mosaic Hands of God tiled swimming pool. The glass wall opens up like an aircraft hanger door blending the outdoors with the indoors. Basement, 1st floor & 2nd floor all look into this space. basement has the game room, the pool, jacuzzi, home theatre and sauna

Cristina Danielle Photography
ジャクソンビルにあるラグジュアリーな広いビーチスタイルのおしゃれなLDK (グレーの壁、セラミックタイルの床、標準型暖炉、レンガの暖炉まわり、茶色い床) の写真

This aged chandelier features distressed wood beads that create a small fall, which give us a unique and elegant charm. The classic chandelier gets a rustic update with a brown finish and flower shape. It is ideal for a dining room, kitchen, bedroom, living room, and foyer. The chandelier brings a creativity and love for transforming houses into beautiful spaces.

パリにあるお手頃価格の中くらいなトランジショナルスタイルのおしゃれなLDK (緑の壁、セラミックタイルの床、コンクリートの暖炉まわり、茶色い床) の写真

Åke E:son Lindman
マルメにある高級な中くらいな北欧スタイルのおしゃれなLDK (白い壁、セラミックタイルの床、両方向型暖炉、コンクリートの暖炉まわり) の写真

他の地域にある高級な中くらいな北欧スタイルのおしゃれなダイニングキッチン (白い壁、白い床、セラミックタイルの床、標準型暖炉、コンクリートの暖炉まわり) の写真

サリーにあるカントリー風のおしゃれな独立型ダイニング (白い壁、カーペット敷き、薪ストーブ、レンガの暖炉まわり) の写真