The main space is a single, expansive flow outward toward the sound. There is plenty of room for a dining table and seating area in addition to the kitchen. Photography: Andrew Pogue Photography.

Dean Frost Photography
ハートフォードシャーにある高級な中くらいなエクレクティックスタイルのおしゃれなLDK (ベージュの壁、無垢フローリング、薪ストーブ、コンクリートの暖炉まわり) の写真

The Breakfast Room leading onto the kitchen through pockets doors using reclaimed Victorian pine doors. A dining area on one side and a seating area around the wood burner create a very cosy atmosphere.

家族みんなが集まるリビングダイニング。無垢のフローリングと調湿効果のある壁で身体に優しい空間です。 Photographer：Yasunoi Shimomura
大阪にある中くらいなアジアンスタイルのおしゃれなLDK (白い壁、塗装フローリング、薪ストーブ、コンクリートの暖炉まわり、茶色い床) の写真

Katherine Lu
シドニーにある低価格の中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、薪ストーブ、レンガの暖炉まわり、グレーの床) の写真

ハートフォードシャーにある高級な中くらいなコンテンポラリースタイルのおしゃれな独立型ダイニング (青い壁、淡色無垢フローリング、レンガの暖炉まわり、ベージュの床、薪ストーブ) の写真

William Layzell
チャネル諸島にある中くらいなコンテンポラリースタイルのおしゃれなダイニングキッチン (白い壁、セラミックタイルの床、薪ストーブ、コンクリートの暖炉まわり、グレーの床) の写真

他の地域にあるお手頃価格の中くらいなインダストリアルスタイルのおしゃれなダイニング (白い壁、濃色無垢フローリング、薪ストーブ、コンクリートの暖炉まわり、茶色い床、塗装板張りの天井、塗装板張りの壁、白い天井) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Colour and connection are the two elements that unify the interior of this Glasgow home. Prior to the renovation, these rooms were separate, so we chose a colour continuum that would draw the eye through the now seamless spaces. . We worked off of a cool turquoise colour palette to brighten up the living area, while we shrouded the dining room in a moody deep jewel. The cool leafy palette extends to the couch’s upholstery and to the monochrome credenza in the dining room. To make the blue-green scheme really pop, we selected warm-toned red accent lamps, dried pampas grass, and muted pink artwork.

ゆったりとしたダイニングテーブルに吊り型の照明で明かりのメリハリをつける
他の地域にある低価格の中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、塗装フローリング、薪ストーブ、コンクリートの暖炉まわり、茶色い床、表し梁、塗装板張りの壁) の写真

View from Dining towards Living space. Architect created much need wood storage in cabinetry at each side of fireplace. Photography by: Jeffrey E Tryon

Tam Eyre and Ben Wood
他の地域にあるお手頃価格の中くらいな北欧スタイルのおしゃれなLDK (グレーの壁、淡色無垢フローリング、薪ストーブ、レンガの暖炉まわり、白い床) の写真

モントリオールにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、グレーの床、薪ストーブ、レンガの暖炉まわり) の写真

各フロアがスキップしてつながる様子。色んな方向から光が入ります。 photo : Shigeo Ogawa
他の地域にあるお手頃価格の中くらいなモダンスタイルのおしゃれなダイニング (白い壁、合板フローリング、薪ストーブ、レンガの暖炉まわり、茶色い床、塗装板張りの天井、塗装板張りの壁、ベージュの天井) の写真

The Breakfast Room leading onto the kitchen through pockets doors using reclaimed Victorian pine doors. A dining area on one side and a seating area around the wood burner create a very cosy atmosphere.

converted farm building into self catered holiday home.
サセックスにある中くらいなカントリー風のおしゃれなダイニング (マルチカラーの壁、無垢フローリング、薪ストーブ、レンガの暖炉まわり、茶色い床、表し梁、レンガ壁) の写真

Photographer Jack Lovel-Stylist Beckie Littler
メルボルンにある高級な中くらいなコンテンポラリースタイルのおしゃれなダイニングキッチン (白い壁、淡色無垢フローリング、薪ストーブ、レンガの暖炉まわり、グレーの床) の写真

Photo: Studio Zerbey Architecture
シアトルにある高級な中くらいなモダンスタイルのおしゃれなダイニング (マルチカラーの壁、コンクリートの床、薪ストーブ、コンクリートの暖炉まわり、グレーの床) の写真