フェニックスにあるコンテンポラリースタイルのおしゃれなLDK (白い壁、標準型暖炉、セラミックタイルの床) の写真

ジーロングにある中くらいなトロピカルスタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、漆喰の暖炉まわり、グレーの床、三角天井) の写真

Werner Huthmacher
ライプツィヒにある中くらいなコンテンポラリースタイルのおしゃれなダイニング (白い壁、コンクリートの床、標準型暖炉) の写真

ダラスにある広いコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、コンクリートの暖炉まわり、白い床) の写真

The public area of the house is one open space where the dining room, family room, kitchen, and a large kitchen island coexist. Polished Wenge millwork, white marble, and terrazzo floors contrast the rawness of the exterior concrete, CMU, and weathered steel. Bill Timmerman - Timmerman Photography

他の地域にある高級な中くらいなコンテンポラリースタイルのおしゃれなダイニング (青い壁、標準型暖炉、セラミックタイルの床) の写真

カンザスシティにあるラスティックスタイルのおしゃれなLDK (茶色い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、茶色い床、三角天井) の写真

Perched on a hilltop high in the Myacama mountains is a vineyard property that exists off-the-grid. This peaceful parcel is home to Cornell Vineyards, a winery known for robust cabernets and a casual ‘back to the land’ sensibility. We were tasked with designing a simple refresh of two existing buildings that dually function as a weekend house for the proprietor’s family and a platform to entertain winery guests. We had fun incorporating our client’s Asian art and antiques that are highlighted in both living areas. Paired with a mix of neutral textures and tones we set out to create a casual California style reflective of its surrounding landscape and the winery brand.

Dylan Lark - Photographer
メルボルンにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、レンガの暖炉まわり) の写真

4 pendant chandelier, custom wood wall design, ceramic tile flooring, marble waterfall island, under bar storage, sliding pantry barn door, wood cabinets, large modern cabinet handles, glass tile backsplash

マイアミにある広いモダンスタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、白い床) の写真

Rick Pharaoh
他の地域にあるお手頃価格の中くらいな地中海スタイルのおしゃれなダイニングキッチン (標準型暖炉、ベージュの壁、セラミックタイルの床) の写真

ニューヨークにあるコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、グレーの床、三角天井) の写真

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Cuisine avec îlot sur une pièce de vie ouverte
リヨンにある高級な広いコンテンポラリースタイルのおしゃれなダイニング (白い壁、コンクリートの床、標準型暖炉、木材の暖炉まわり、白い床) の写真

ニースにある高級な広いビーチスタイルのおしゃれなLDK (白い壁、セラミックタイルの床、標準型暖炉、ベージュの床) の写真

ラスベガスにある広いコンテンポラリースタイルのおしゃれなLDK (ベージュの床、白い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり) の写真

ダラスにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

L+M's ADU is a basement converted to an accessory dwelling unit (ADU) with exterior & main level access, wet bar, living space with movie center & ethanol fireplace, office divided by custom steel & glass "window" grid, guest bathroom, & guest bedroom. Along with an efficient & versatile layout, we were able to get playful with the design, reflecting the whimsical personalties of the home owners. credits design: Matthew O. Daby - m.o.daby design interior design: Angela Mechaley - m.o.daby design construction: Hammish Murray Construction custom steel fabricator: Flux Design reclaimed wood resource: Viridian Wood photography: Darius Kuzmickas - KuDa Photography