salon, sejour, decoration, fauteuils, osier, canapé en velours, canapé gris fonce, table basse, table en bois, coussins bleus, grandes fenêtres, lumineux, moulures, miroir vintage, cadres, chemine en pierre taillée, appliques murales.

A reclaimed Elm side table anchors the space and displays a handmade vase by French artist Muryel Tomme
ロサンゼルスにある高級な中くらいなコンテンポラリースタイルのおしゃれなリビング (白い壁、淡色無垢フローリング、コーナー設置型暖炉、漆喰の暖炉まわり、壁掛け型テレビ、茶色い床) の写真

ニューヨークにある中くらいなコンテンポラリースタイルのおしゃれなリビング (白い壁、濃色無垢フローリング、標準型暖炉、石材の暖炉まわり、テレビなし) の写真

Shane Organ Photo
ウィチタにある高級な広いコンテンポラリースタイルのおしゃれなLDK (白い壁、無垢フローリング、横長型暖炉、石材の暖炉まわり) の写真

In this inviting living room, our design expertise shines through the use of a soothing neutral colour palette, plush soft furnishings, and strategically chosen curtains in varying hues, all working together to create an atmosphere of comfort and elegance. Both the dining and living areas share a common design element in the form of 3D wall panelling, which not only adds depth and texture to the space but also draws attention alongside captivating artwork.

ヴェネツィアにあるコンテンポラリースタイルのおしゃれなリビング (グレーの床、白い壁、標準型暖炉、据え置き型テレビ、ペルシャ絨毯) の写真

デトロイトにあるコンテンポラリースタイルのおしゃれなLDK (白い壁、壁掛け型テレビ、グレーの床、板張り壁、ルーバー天井) の写真

View of living room, with fireplace and window seat. Access to screen porch is through the glass door to the right of the fireplace, which is open to both living room and screen porch. The large driftwood sulpture above the fireplace was created by one of the owner's sons. The floor lamp visible in the left foreground was designed and built by the architect, John Whipple. Photo © John Whipple.

This image hi lights the asymmetrical design of the custom media unit. The shelves are suspended off of a painted back panel and they provide an elegant space to display artwork.

Contemporary living room with custom sectional and ottoman. Open shelving. Contemporary accessories and colorful artwork warm up the space.
オースティンにある高級な広いコンテンポラリースタイルのおしゃれなLDK (白い壁、淡色無垢フローリング、暖炉なし、ベージュの床、壁掛け型テレビ) の写真

Living Room view from Kitchen. photo: Jim Gempeler, GMK architecture inc.
デンバーにあるコンテンポラリースタイルのおしゃれなLDK (オレンジの壁、無垢フローリング、両方向型暖炉、壁掛け型テレビ、黒いソファ) の写真

The Narrabeen House is located on the edge of Narrabeen Lagoon and is fortunate to have outlook across water to an untouched island dense with casuarinas. By contrast, the street context is unremarkable without the slightest hint of the lagoon beyond the houses lining the street and manages to give the impression of being deep in suburbia. The house is new and replaces a former 1970s cream brick house that functioned poorly and like many other houses from the time, did little to engage with the unique environmental qualities of the lagoon. In starting this project, we clearly wanted to re-dress the connection with the lagoon and island, but also found ourselves drawn to the suburban qualities of the street and this dramatic contrast between the front and back of the property. This led us to think about the project within the framework of the ‘suburban ideal’ - a framework that would allow the house to address the street as any other suburban house would, while inwardly pursuing the ideals of oasis and retreat where the water experience could be used to maximum impact - in effect, amplifying the current contrast between street and lagoon. From the street, the house’s composition is built around the entrance, driveway and garage like any typical suburban house however the impact of these domestic elements is diffused by melding them into a singular architectural expression and form. The broad facade combined with the floating skirt detail give the house a horizontal proportion and even though the dark timber cladding gives the building a ‘stealth’ like appearance, it still withholds the drama of the lagoon beyond. This sets up two key planning strategies. Firstly, a central courtyard is introduced as the principal organising element for the planning with all of the house’s key public spaces - living room, dining room, kitchen, study and pool - grouped around the courtyard to connect these spaces visually, and physically when the courtyard walls are opened up. The arrangement promotes a socially inclusive dynamic as well as extending the spatial opportunities of the house. The courtyard also has a significant environmental role bringing sun, light and air into the centre of the house. Secondly, the planning is composed to deliberately isolate the occupant from the suburban surrounds to heighten the sense of oasis and privateness. This process begins at the street bringing visitors through a succession of exterior spaces that gradually compress and remove the street context through a composition of fences, full height screens and thresholds. The entry sequence eventually terminates at a solid doorway where the sense of intrigue peaks. Rather than entering into a hallway, one arrives in the courtyard where the full extent of the private domain, the lagoon and island are revealed and any sense of the outside world removed. The house also has an unusual sectional arrangement driven partly by the requirement to elevate the interior 1.2m above ground level to safeguard against flooding but also by the desire to have open plan spaces with dual aspect - north for sun and south for the view. Whilst this introduces issues with the scale relationship of the house to its neighbours, it enables a more interesting multi- level relationship between interior and exterior living spaces to occur. This combination of sectional interplay with the layout of spaces in relation to the courtyard is what enables the layering of spaces to occur - it is possible to view the courtyard, living room, lagoon side deck, lagoon and island as backdrop in just one vista from the study. Flood raising 1200mm helps by introducing level changes that step and advantage the deeper views Porosity radically increases experience of exterior framed views, elevated The vistas from the key living areas and courtyard are composed to heighten the sense of connection with the lagoon and place the island as the key visual terminating feature. The materiality further develops the notion of oasis with a simple calming palette of warm natural materials that have a beneficial environmental effect while connecting the house with the natural environment of the lagoon and island.

タンパにある高級な中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、磁器タイルの床、暖炉なし、テレビなし、茶色い床) の写真

LDKの空間は縦梁にブリックタイル、キッチン前面の腰壁に黒のモザイクタイルを施しました。
東京23区にあるコンテンポラリースタイルのおしゃれなLDK (白い壁、無垢フローリング、ベージュの床、クロスの天井) の写真

他の地域にあるコンテンポラリースタイルのおしゃれなLDK (白い壁、スレートの床、マルチカラーの床、表し梁) の写真

東京都下にあるコンテンポラリースタイルのおしゃれなLDK (白い壁、無垢フローリング、薪ストーブ、金属の暖炉まわり、壁掛け型テレビ) の写真

Family room, where the TV now is, there was an office area, see next picture, A new office was design for where the closet was. new life to this room with a great Ralph Pucci Cement Shell Lamp by David Weeks. www.artgrayphotography.com

Furniture and accessories by interior designer Emily Hughes, IIDA, of The Mansion. Remodeling/Construction by Martin Construction. Photo Credit: Jaimy Ellis

Cet appartement de 49m2 a été entièrement repensé afin d'en optimisé au maximum l'espace et de créer un grand séjour. L'appartement a été entièrement rénové dans le 8e arrondissement de Marseille. Crédits photo : jade orticoni - architecte d'intérieur