他の地域にある中くらいなコンテンポラリースタイルのおしゃれなリビング (白い壁、淡色無垢フローリング、テレビなし、ベージュの床、塗装板張りの天井、塗装板張りの壁、白い天井) の写真

Large modern style Living Room featuring a black tile, floor to ceiling fireplace. Plenty of seating on this white sectional sofa and 2 side chairs. Two pairs of floor to ceiling sliding glass doors open onto the back patio and pool area for the ultimate indoor outdoor lifestyle.

グランドラピッズにある高級な広いコンテンポラリースタイルのおしゃれなLDK (白い壁、淡色無垢フローリング、標準型暖炉、コンクリートの暖炉まわり、表し梁、白い天井) の写真

Photo : BCDF Studio
パリにある高級な広いコンテンポラリースタイルのおしゃれなLDK (白い壁、淡色無垢フローリング、標準型暖炉、木材の暖炉まわり、据え置き型テレビ、ベージュの床) の写真

2017 Rome, Italy LOCATION: Rome AREA: 80 sq. m. TYPE: Realized project FIRM: Brain Factory - Architectyre & Design ARCHITECT: Paola Oliva DESIGNER: Marco Marotto PHOTOGRAPHER: Marco Marotto WEB: www.brainfactory.it The renovation of this bright apartment located in the Prati district of Rome represents a perfect blend between the customer needs and the design intentions: in fact, even though it is 80 square meters, it was designed by favoring a displacement of the spaces in favor of a large open-space, environment most lived by homeowners, and reducing to the maximum, but always in line with urban parameters, the sleeping area and the bathrooms. Contextual to a wide architectural requirement, there was a desire to separate the kitchen environment from the living room through a glazed system divided by a regular square mesh grille and with a very industrial aspect: it was made into galvanized iron profiles with micaceous finishing and artisanally assembled on site and completed with stratified glazing. The mood of the apartment prefers the total white combined with the warm tones of the oak parquet floor. On the theme of the grid also plays the espalier of the bedroom: in drawing the wall there are dense parallel wooden profiles that have also the function as shelves that can be placed at various heights. To exalt the pure formal minimalism, there are wall-wire wardrobes and a very linear and rigorous technical lighting.

Meero
パリにあるコンテンポラリースタイルのおしゃれなリビング (白い壁、濃色無垢フローリング) の写真

Bluff House living room looking out to deck and native landscape. Photography: Trevor Mein
メルボルンにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、淡色無垢フローリング) の写真

トロントにあるコンテンポラリースタイルのおしゃれなLDK (白い壁、濃色無垢フローリング、横長型暖炉、壁掛け型テレビ) の写真

Photography ©2012 Tony Valainis
インディアナポリスにある中くらいなコンテンポラリースタイルのおしゃれなリビング (竹フローリング、白い壁、横長型暖炉、テレビなし) の写真

Modern living room featuring Cartoloji map pillows (Virginia and Washington DC), Karim Rashid chess set, and Crate and Barrel sofa. Bhaval Shah Bell
ワシントンD.C.にあるコンテンポラリースタイルのおしゃれなリビング (白い壁、無垢フローリング) の写真

サンシャインコーストにあるコンテンポラリースタイルのおしゃれなリビング (白い壁、淡色無垢フローリング、グレーの床) の写真

パリにあるコンテンポラリースタイルのおしゃれなLDK (白い壁、無垢フローリング、壁掛け型テレビ) の写真

Современная квартира для аренды. Дизайнер Дарья Рыбак. Стиль Яна Яхина и Полина Рожкова. @natalie.vershinina
モスクワにあるコンテンポラリースタイルのおしゃれなLDK (白い壁、淡色無垢フローリング、ベージュの床) の写真

Shop My Design here: https://designbychristinaperry.com/white-bridge-living-kitchen-dining/

モスクワにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、無垢フローリング、埋込式メディアウォール、茶色い床) の写真

シカゴにある巨大なコンテンポラリースタイルのおしゃれなリビング (白い壁、茶色い床、三角天井) の写真

シアトルにあるコンテンポラリースタイルのおしゃれなLDK (白い壁、無垢フローリング、横長型暖炉、石材の暖炉まわり、茶色い床、表し梁) の写真

The Atherton House is a family compound for a professional couple in the tech industry, and their two teenage children. After living in Singapore, then Hong Kong, and building homes there, they looked forward to continuing their search for a new place to start a life and set down roots. The site is located on Atherton Avenue on a flat, 1 acre lot. The neighboring lots are of a similar size, and are filled with mature planting and gardens. The brief on this site was to create a house that would comfortably accommodate the busy lives of each of the family members, as well as provide opportunities for wonder and awe. Views on the site are internal. Our goal was to create an indoor- outdoor home that embraced the benign California climate. The building was conceived as a classic “H” plan with two wings attached by a double height entertaining space. The “H” shape allows for alcoves of the yard to be embraced by the mass of the building, creating different types of exterior space. The two wings of the home provide some sense of enclosure and privacy along the side property lines. The south wing contains three bedroom suites at the second level, as well as laundry. At the first level there is a guest suite facing east, powder room and a Library facing west. The north wing is entirely given over to the Primary suite at the top level, including the main bedroom, dressing and bathroom. The bedroom opens out to a roof terrace to the west, overlooking a pool and courtyard below. At the ground floor, the north wing contains the family room, kitchen and dining room. The family room and dining room each have pocketing sliding glass doors that dissolve the boundary between inside and outside. Connecting the wings is a double high living space meant to be comfortable, delightful and awe-inspiring. A custom fabricated two story circular stair of steel and glass connects the upper level to the main level, and down to the basement “lounge” below. An acrylic and steel bridge begins near one end of the stair landing and flies 40 feet to the children’s bedroom wing. People going about their day moving through the stair and bridge become both observed and observer. The front (EAST) wall is the all important receiving place for guests and family alike. There the interplay between yin and yang, weathering steel and the mature olive tree, empower the entrance. Most other materials are white and pure. The mechanical systems are efficiently combined hydronic heating and cooling, with no forced air required.

Twin Peaks House is a vibrant extension to a grand Edwardian homestead in Kensington. Originally built in 1913 for a wealthy family of butchers, when the surrounding landscape was pasture from horizon to horizon, the homestead endured as its acreage was carved up and subdivided into smaller terrace allotments. Our clients discovered the property decades ago during long walks around their neighbourhood, promising themselves that they would buy it should the opportunity ever arise. Many years later the opportunity did arise, and our clients made the leap. Not long after, they commissioned us to update the home for their family of five. They asked us to replace the pokey rear end of the house, shabbily renovated in the 1980s, with a generous extension that matched the scale of the original home and its voluminous garden. Our design intervention extends the massing of the original gable-roofed house towards the back garden, accommodating kids’ bedrooms, living areas downstairs and main bedroom suite tucked away upstairs gabled volume to the east earns the project its name, duplicating the main roof pitch at a smaller scale and housing dining, kitchen, laundry and informal entry. This arrangement of rooms supports our clients’ busy lifestyles with zones of communal and individual living, places to be together and places to be alone. The living area pivots around the kitchen island, positioned carefully to entice our clients' energetic teenaged boys with the aroma of cooking. A sculpted deck runs the length of the garden elevation, facing swimming pool, borrowed landscape and the sun. A first-floor hideout attached to the main bedroom floats above, vertical screening providing prospect and refuge. Neither quite indoors nor out, these spaces act as threshold between both, protected from the rain and flexibly dimensioned for either entertaining or retreat. Galvanised steel continuously wraps the exterior of the extension, distilling the decorative heritage of the original’s walls, roofs and gables into two cohesive volumes. The masculinity in this form-making is balanced by a light-filled, feminine interior. Its material palette of pale timbers and pastel shades are set against a textured white backdrop, with 2400mm high datum adding a human scale to the raked ceilings. Celebrating the tension between these design moves is a dramatic, top-lit 7m high void that slices through the centre of the house. Another type of threshold, the void bridges the old and the new, the private and the public, the formal and the informal. It acts as a clear spatial marker for each of these transitions and a living relic of the home’s long history.