Completed in 2010 this 1950's Ranch transformed into a modern family home with 6 bedrooms and 4 1/2 baths. Concrete floors and counters and gray stained cabinetry are warmed by rich bold colors. Public spaces were opened to each other and the entire second level is a master suite.

Christine Besson
パリにある高級な広いコンテンポラリースタイルのおしゃれな独立型リビング (白い壁、コンクリートの床、暖炉なし、テレビなし) の写真

Paul Dyer Photography While we appreciate your love for our work, and interest in our projects, we are unable to answer every question about details in our photos. Please send us a private message if you are interested in our architectural services on your next project.

他の地域にあるラグジュアリーな巨大なコンテンポラリースタイルのおしゃれなLDK (ベージュの壁、コンクリートの床、両方向型暖炉、石材の暖炉まわり、据え置き型テレビ) の写真

Photo Credit: © Joe Fletcher Photography
ワシントンD.C.にあるコンテンポラリースタイルのおしゃれなリビング (白い壁、コンクリートの床、標準型暖炉) の写真

(Photography by Jake Curtis for Love Your Home)
サリーにある高級な広いコンテンポラリースタイルのおしゃれなリビング (青い壁、コンクリートの床、暖炉なし、テレビなし) の写真

Photo: Lucy Call © 2014 Houzz Design: Imbue Design
ソルトレイクシティにあるコンテンポラリースタイルのおしゃれなLDK (青い壁、コンクリートの床、暖炉なし、テレビなし、コンクリートの壁) の写真

This is the house of one of our preferred builders Zenya Adderly from Henarise who we have been working with for over 13 years. Always a great compliment when w builder choose you to design their house because they have many architects they can go to.

Glass Anemones in far view, customized Pastel and Glitter party scene in middle view for Glamorous NYC Pied-A-Tierre.
ニューヨークにある中くらいなコンテンポラリースタイルのおしゃれなリビング (白い壁、コンクリートの床、暖炉なし、壁掛け型テレビ、黒い床) の写真

Shannon McGrath
メルボルンにある高級な中くらいなコンテンポラリースタイルのおしゃれな独立型リビング (コンクリートの床、窓際ベンチ) の写真

Christopher Ciccone
ローリーにあるコンテンポラリースタイルのおしゃれなリビング (コンクリートの床、薪ストーブ、コンクリートの壁) の写真

First Mallorca, Ca S`amitger, Mallorca invest
マヨルカ島にあるお手頃価格の巨大なコンテンポラリースタイルのおしゃれなリビング (白い壁、暖炉なし、コンクリートの床、テレビなし) の写真

Located near the foot of the Teton Mountains, the site and a modest program led to placing the main house and guest quarters in separate buildings configured to form outdoor spaces. With mountains rising to the northwest and a stream cutting through the southeast corner of the lot, this placement of the main house and guest cabin distinctly responds to the two scales of the site. The public and private wings of the main house define a courtyard, which is visually enclosed by the prominence of the mountains beyond. At a more intimate scale, the garden walls of the main house and guest cabin create a private entry court. A concrete wall, which extends into the landscape marks the entrance and defines the circulation of the main house. Public spaces open off this axis toward the views to the mountains. Secondary spaces branch off to the north and south forming the private wing of the main house and the guest cabin. With regulation restricting the roof forms, the structural trusses are shaped to lift the ceiling planes toward light and the views of the landscape. A.I.A Wyoming Chapter Design Award of Citation 2017 Project Year: 2008

The Narrabeen House is located on the edge of Narrabeen Lagoon and is fortunate to have outlook across water to an untouched island dense with casuarinas. By contrast, the street context is unremarkable without the slightest hint of the lagoon beyond the houses lining the street and manages to give the impression of being deep in suburbia. The house is new and replaces a former 1970s cream brick house that functioned poorly and like many other houses from the time, did little to engage with the unique environmental qualities of the lagoon. In starting this project, we clearly wanted to re-dress the connection with the lagoon and island, but also found ourselves drawn to the suburban qualities of the street and this dramatic contrast between the front and back of the property. This led us to think about the project within the framework of the ‘suburban ideal’ - a framework that would allow the house to address the street as any other suburban house would, while inwardly pursuing the ideals of oasis and retreat where the water experience could be used to maximum impact - in effect, amplifying the current contrast between street and lagoon. From the street, the house’s composition is built around the entrance, driveway and garage like any typical suburban house however the impact of these domestic elements is diffused by melding them into a singular architectural expression and form. The broad facade combined with the floating skirt detail give the house a horizontal proportion and even though the dark timber cladding gives the building a ‘stealth’ like appearance, it still withholds the drama of the lagoon beyond. This sets up two key planning strategies. Firstly, a central courtyard is introduced as the principal organising element for the planning with all of the house’s key public spaces - living room, dining room, kitchen, study and pool - grouped around the courtyard to connect these spaces visually, and physically when the courtyard walls are opened up. The arrangement promotes a socially inclusive dynamic as well as extending the spatial opportunities of the house. The courtyard also has a significant environmental role bringing sun, light and air into the centre of the house. Secondly, the planning is composed to deliberately isolate the occupant from the suburban surrounds to heighten the sense of oasis and privateness. This process begins at the street bringing visitors through a succession of exterior spaces that gradually compress and remove the street context through a composition of fences, full height screens and thresholds. The entry sequence eventually terminates at a solid doorway where the sense of intrigue peaks. Rather than entering into a hallway, one arrives in the courtyard where the full extent of the private domain, the lagoon and island are revealed and any sense of the outside world removed. The house also has an unusual sectional arrangement driven partly by the requirement to elevate the interior 1.2m above ground level to safeguard against flooding but also by the desire to have open plan spaces with dual aspect - north for sun and south for the view. Whilst this introduces issues with the scale relationship of the house to its neighbours, it enables a more interesting multi- level relationship between interior and exterior living spaces to occur. This combination of sectional interplay with the layout of spaces in relation to the courtyard is what enables the layering of spaces to occur - it is possible to view the courtyard, living room, lagoon side deck, lagoon and island as backdrop in just one vista from the study. Flood raising 1200mm helps by introducing level changes that step and advantage the deeper views Porosity radically increases experience of exterior framed views, elevated The vistas from the key living areas and courtyard are composed to heighten the sense of connection with the lagoon and place the island as the key visual terminating feature. The materiality further develops the notion of oasis with a simple calming palette of warm natural materials that have a beneficial environmental effect while connecting the house with the natural environment of the lagoon and island.

Brady Architectural Photography
サンディエゴにある巨大なコンテンポラリースタイルのおしゃれなリビング (白い壁、コンクリートの床、暖炉なし、化粧柱) の写真

Suzanna Scott
サンフランシスコにあるコンテンポラリースタイルのおしゃれなリビング (黒い壁、コンクリートの床、グレーの床) の写真

バンクーバーにあるコンテンポラリースタイルのおしゃれなリビング (白い壁、暖炉なし、コンクリートの床) の写真

エドモントンにある広いコンテンポラリースタイルのおしゃれなリビング (マルチカラーの壁、コンクリートの床、テレビなし、暖炉なし、ベージュの床) の写真

new home agency
リヨンにあるラグジュアリーな広いコンテンポラリースタイルのおしゃれなリビング (グレーの壁、コンクリートの床、暖炉なし、テレビなし) の写真