コンテンポラリースタイルの家の外観 (ガラスサイディング) の写真
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写真 1〜20 枚目(全 398 枚)
1/5
Thomas Roszak Architecture, LLC
Photography-Hedrich Blessing
Glass House:
The design objective was to build a house for my wife and three kids, looking forward in terms of how people live today. To experiment with transparency and reflectivity, removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. To construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. To tell a story of how the house is built in terms of the constructability, structure and enclosure, with the nod to Japanese wood construction in the method in which the concrete beams support the steel beams; and in terms of how the entire house is enveloped in glass as if it was poured over the bones to make it skin tight. To engineer the house to be a smart house that not only looks modern, but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades/blinds, HVAC, communication/audio/video, or security. To develop a planning module based on a 16 foot square room size and a 8 foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The base of the interstitial spaces also become skylights for the basement gallery.
This house is all about flexibility; the family room, was a nursery when the kids were infants, is a craft and media room now, and will be a family room when the time is right. Our rooms are all based on a 16’x16’ (4.8mx4.8m) module, so a bedroom, a kitchen, and a dining room are the same size and functions can easily change; only the furniture and the attitude needs to change.
The house is 5,500 SF (550 SM)of livable space, plus garage and basement gallery for a total of 8200 SF (820 SM). The mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hardscapes, all centered on a suburban one-acre lot.
Field Architecture
Set amongst a splendid display of forty-one oaks, the design for this family residence demanded an intimate knowledge and respectful acceptance of the trees as the indigenous inhabitants of the space. Crafted from this symbiotic relationship, the architecture found natural placement in the beautiful spaces between the forty-one, acknowledging their presence and pedagogy. Conceived as a series of interconnected pavilions, the home hovers slightly above the native grasslands as it settles down amongst the oaks. Broad overhanging flat plate roofs cantilever out, connecting indoor living space to the nature beyond. Large windows are strategically placed to capture views of particularly well-sculptured trees, and enhance the connection of the grove and the home to the valley surround.
Home Design & Decor Magazine
Photographer: Dror Baldinger
http://www.houzz.com/pro/drorbaldinger/dror-baldinger-aia-architectural-photography
Designer: Jim Gewinner
http://energyarch.com/
April/May 2015
A Glass House in the Hill Country
http://urbanhomemagazine.com/feature/1349
:thatstudio chartered architects
A modest single storey extension to an attractive property in the crescent known as Hilltop in Linlithgow Bridge. The scheme design seeks to create open plan living space with kitchen and dining amenity included.
Large glazed sliding doors create connection to a new patio space which is level with the floor of the house. A glass corner window provides views out to the garden, whilst a strip of rooflights allows light to penetrate deep inside. A new structural opening is formed to open the extension to the existing house and create a new open plan hub for family life. The new extension is provided with underfloor heating to complement the traditional radiators within the existing property.
Materials are deliberately restrained, white render, timber cladding and alu-clad glazed screens to create a clean contemporary aesthetic.
Christ.Christ. associated architects GmbH
location shot, entrance, Thomas Herrmann | Stuttgart
ベルリンにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真
ベルリンにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真
McCullough Architects
Renton, Washington
Private Residence
2007 BALA
Best in Region, Pacific Northwest & Platinum Award - Best One of a kind Custom Home up to 4,000 S.F.
シアトルにあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング、マルチカラーの外壁) の写真
シアトルにあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング、マルチカラーの外壁) の写真
REFINE Architecture Ltd.
Rear view of contemporary garden pavilion extension to Grade II listed Georgian home
ケントにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真
ケントにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真
Michele Perlini | ARCStudio PERLINI
Foto by Maurizio Marcato
他の地域にあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真
他の地域にあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真
Dominic McKenzie Architects
Photographer: Will Pryce
Eidolon House is the Winner of the Sunday Times British Homes Awards 2014 for Best One-off House.
It is believed to be the first mirror-clad house in London.
Although located adjacent to the historic Highgate Cemetery and in a Conservation Area, Swains Lane has a tradition of innovative contemporary architecture. No. 85 (next door) by Eldridge Smerin Architects won a RIBA award in 2009 and John Winter’s 1969 Corten steel clad house at No. 81 is one of the few Modern houses to be Grade II* listed.
Eidolon House builds on the tradition of glass and steel Modernist housing started by Winter. Here in contrast to Winter’s use of rusted Corten steel, the renovated house is clad in mirror polished stainless steel reflecting the trees opposite – highlighting the changing of the seasons. Inside the house further celebrates its fantastic setting with large windows and an open-plan top floor overlooking the overgrown cemetery beyond.
The project name refers to the reflective cladding and cemetery context – Eidolon means phantom, apparition, double image and idealised.
コンテンポラリースタイルの家の外観 (ガラスサイディング) の写真
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