中くらいな木の階段の写真
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LMK INTERIOR DESIGN
Scott Zimmerman, Floating staircase with walnut treads and glass railing.
ソルトレイクシティにある高級な中くらいなコンテンポラリースタイルのおしゃれな階段の写真
ソルトレイクシティにある高級な中くらいなコンテンポラリースタイルのおしゃれな階段の写真
Sogno Design Group
Michele Lee Wilson
サンフランシスコにある中くらいなトラディショナルスタイルのおしゃれなかね折れ階段 (フローリングの蹴込み板、木材の手すり) の写真
サンフランシスコにある中くらいなトラディショナルスタイルのおしゃれなかね折れ階段 (フローリングの蹴込み板、木材の手すり) の写真
William Guidero Planning and Design
interior designer: Kathryn Smith
オレンジカウンティにあるラグジュアリーな中くらいなカントリー風のおしゃれなかね折れ階段 (フローリングの蹴込み板、混合材の手すり) の写真
オレンジカウンティにあるラグジュアリーな中くらいなカントリー風のおしゃれなかね折れ階段 (フローリングの蹴込み板、混合材の手すり) の写真
MANDARINA STUDIO interior design
Ben Gebo
ボストンにある高級な中くらいなトランジショナルスタイルのおしゃれなかね折れ階段 (フローリングの蹴込み板、木材の手すり) の写真
ボストンにある高級な中くらいなトランジショナルスタイルのおしゃれなかね折れ階段 (フローリングの蹴込み板、木材の手すり) の写真
Audino Construction, Inc.
Tommy Kile Photography
オースティンにある中くらいなトラディショナルスタイルのおしゃれな直階段 (フローリングの蹴込み板、金属の手すり) の写真
オースティンにある中くらいなトラディショナルスタイルのおしゃれな直階段 (フローリングの蹴込み板、金属の手すり) の写真
Allard + Roberts Interior Design, Inc
The staircase once housed a traditional railing with twisted iron pickets. During the renovation, the skirt board was painted in the new wall color, and railings replaced in gunmetal gray steel with a stained wood cap. The end result is an aesthetic more in keeping with the homeowner's collection of contemporary artwork mixed with antiques.
Architecture Saville Isaacs
Internal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Clearcut Construction, Inc.
This renovation consisted of a complete kitchen and master bathroom remodel, powder room remodel, addition of secondary bathroom, laundry relocate, office and mudroom addition, fireplace surround, stairwell upgrade, floor refinish, and additional custom features throughout.
Lark Architecture
The staircase is the focal point of the home. Chunky floating open treads, blackened steel, and continuous metal rods make for functional and sculptural circulation. Skylights aligned above the staircase illuminate the home and create unique shadow patterns that contribute to the artistic style of the home.
Visbeen Architects
With porches on every side, the “Georgetown” is designed for enjoying the natural surroundings. The main level of the home is characterized by wide open spaces, with connected kitchen, dining, and living areas, all leading onto the various outdoor patios. The main floor master bedroom occupies one entire wing of the home, along with an additional bedroom suite. The upper level features two bedroom suites and a bunk room, with space over the detached garage providing a private guest suite.
Poss Architecture + Planning and Interior Design
Pat Sudmeier
デンバーにある中くらいなラスティックスタイルのおしゃれな階段 (混合材の手すり) の写真
デンバーにある中くらいなラスティックスタイルのおしゃれな階段 (混合材の手すり) の写真
Paxton Place Design
The entry to this man cave is as moody as it gets. The dark painted wall paneling contrasts the hardwood flooring. Small wall sconces in an antique brass finish light up our clients college memorabilia, making the stairway a walk down memory lane.
中くらいな木の階段の写真
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