Our design studio gave the main floor of this home a minimalist, Scandinavian-style refresh while actively focusing on creating an inviting and welcoming family space. We achieved this by upgrading all of the flooring for a cohesive flow and adding cozy, custom furnishings and beautiful rugs, art, and accent pieces to complement a bright, lively color palette. In the living room, we placed the TV unit above the fireplace and added stylish furniture and artwork that holds the space together. The powder room got fresh paint and minimalist wallpaper to match stunning black fixtures, lighting, and mirror. The dining area was upgraded with a gorgeous wooden dining set and console table, pendant lighting, and patterned curtains that add a cheerful tone. --- Project completed by Wendy Langston's Everything Home interior design firm, which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis. For more about Everything Home, see here: https://everythinghomedesigns.com/ To learn more about this project, see here: https://everythinghomedesigns.com/portfolio/90s-transformation/

ミュンヘンにある高級な広い北欧スタイルのおしゃれなリビング (白い壁、無垢フローリング、横長型暖炉、コンクリートの暖炉まわり) の写真

Erik Olsson
ストックホルムにある高級な広い北欧スタイルのおしゃれなリビング (白い壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり、テレビなし) の写真

ケルンにある広い北欧スタイルのおしゃれなリビング (白い壁、無垢フローリング、横長型暖炉、コンクリートの暖炉まわり、テレビなし) の写真

Bjurfors.se/SE360
ヨーテボリにある中くらいな北欧スタイルのおしゃれなリビング (グレーの壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり、茶色い床) の写真

©ALDRIDGE ATELIER This is a brand new addition to a historic Farmhouse. The client wanted a very modern feel but also for the space to fit in with the older parts of the house. The fireplace has a herringbone pattern to the firebrick, and a dark honed granite surround. The furniture is brazilian modern.

リビングから梯子を使い、ロフトにあがるとこんな眺め。 これもまた素適です。
他の地域にある高級な広い北欧スタイルのおしゃれなLDK (白い壁、薪ストーブ、コンクリートの暖炉まわり、無垢フローリング、据え置き型テレビ、茶色い床、板張り天井、壁紙) の写真

© Christian Johansson / papac
ヨーテボリにある中くらいな北欧スタイルのおしゃれな応接間 (白い壁、無垢フローリング、コーナー設置型暖炉、コンクリートの暖炉まわり、テレビなし、茶色い床) の写真

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

Our design studio gave the main floor of this home a minimalist, Scandinavian-style refresh while actively focusing on creating an inviting and welcoming family space. We achieved this by upgrading all of the flooring for a cohesive flow and adding cozy, custom furnishings and beautiful rugs, art, and accent pieces to complement a bright, lively color palette. In the living room, we placed the TV unit above the fireplace and added stylish furniture and artwork that holds the space together. The powder room got fresh paint and minimalist wallpaper to match stunning black fixtures, lighting, and mirror. The dining area was upgraded with a gorgeous wooden dining set and console table, pendant lighting, and patterned curtains that add a cheerful tone. --- Project completed by Wendy Langston's Everything Home interior design firm, which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis. For more about Everything Home, see here: https://everythinghomedesigns.com/ To learn more about this project, see here: https://everythinghomedesigns.com/portfolio/90s-transformation/

中二階のスキップフロアにリビングスペースを設けました。
他の地域にある北欧スタイルのおしゃれなリビング (白い壁、無垢フローリング、ベージュの床、薪ストーブ、コンクリートの暖炉まわり、クロスの天井、壁紙) の写真

構造用合板とSE構法の構造梁が現しで床の杉材とのバランスがとれたあたたかみがあるリビングダイニング。リビングスペースの横の土間には薪ストーブを設置。ソファーに腰かけ、薪ストーブの中の炎を眺めながらのんびりと過ごすことができます。
他の地域にある高級な広い北欧スタイルのおしゃれなLDK (コンクリートの暖炉まわり、白い壁、無垢フローリング、薪ストーブ、据え置き型テレビ、グレーの床、表し梁、壁紙) の写真

福岡にある小さな北欧スタイルのおしゃれなLDK (白い壁、無垢フローリング、薪ストーブ、コンクリートの暖炉まわり、表し梁) の写真

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

Sällskapsutrymme och eldstad i Individuellt Sommarhus. Grunden i våra interiörer är den höga kvaliteten på golv, innerväggar, innertak och fönsterpartier. Massiva naturmaterial och snickeribygd inredning skapar en lugn och harmonisk atmosfär. Inredningen hålls ihop av vitoljade träytor i fönster och snickerier. Önskar du kan du istället få släta väggar och snickerier i andra kulörer.

撮影：上田宏
他の地域にある広い北欧スタイルのおしゃれなLDK (白い壁、無垢フローリング、薪ストーブ、コンクリートの暖炉まわり、グレーの床) の写真

Aleix Bagué Photography
バルセロナにある中くらいな北欧スタイルのおしゃれな独立型リビング (茶色い壁、無垢フローリング、両方向型暖炉、コンクリートの暖炉まわり) の写真

Boen Prestige Walnut American Parquet Flooring, 10x70x590 mm is a hard wearing natural grade flooring sealed in satin lacquered finish, part of Boen Prestige Range.

Studio Lotte Douwes Die Spatial Vase, eine Vase, die mit einem Flaschenzug in der Höhe variiert werden kann. „Mir macht es Spaß, den Raum in meine Entwürfe mit einzubeziehen, besonders die Decke, weil es das Raumgefühl hervorhebt. Beim Gebrauch der Produkte kreiert man eine buchstäbliche Verbindung zum Raum und bringt Dynamik in meistens statische Innenräume,“ sagt Lotte Douwes.