他の地域にある北欧スタイルのおしゃれな廊下 (白い壁、ラミネートの床) の写真

ケントにあるラグジュアリーな広い北欧スタイルのおしゃれな廊下 (コンクリートの床、グレーの床、三角天井) の写真

Tatiana Nikitina
サンクトペテルブルクにある低価格の中くらいな北欧スタイルのおしゃれな廊下 (白い壁、ラミネートの床、茶色い床) の写真

ストックホルムにある小さな北欧スタイルのおしゃれな廊下 (グレーの壁、コンクリートの床、グレーの床) の写真

photo by Deborah Degraffenreid
ニューヨークにあるお手頃価格の小さな北欧スタイルのおしゃれな廊下 (白い壁、コンクリートの床) の写真

Conversion of a bungalow in to a low energy family home.
オックスフォードシャーにあるお手頃価格の中くらいな北欧スタイルのおしゃれな廊下 (白い壁、コンクリートの床、ベージュの床) の写真

Reforma integral Sube Interiorismo www.subeinteriorismo.com Fotografía Biderbost Photo
ビルバオにある広い北欧スタイルのおしゃれな廊下 (白い壁、ラミネートの床、茶色い床) の写真

マドリードにあるお手頃価格の中くらいな北欧スタイルのおしゃれな廊下 (グレーの壁、コンクリートの床、グレーの床) の写真

Albert y Marta nos contactan porque necesitan dar otro aire a este piso del Eixample de Barcelona. Cambiar su estética, hacerlo más funcional y ganar almacenamiento son algunas de las premisas a seguir. ¡En esta reforma no se derriba ni una sola pared pero el cambio nos encanta!

他の地域にあるお手頃価格の小さな北欧スタイルのおしゃれな廊下 (白い壁、ラミネートの床、ベージュの床) の写真

Simon Maxwell
バッキンガムシャーにあるお手頃価格の中くらいな北欧スタイルのおしゃれな廊下 (白い壁、コンクリートの床、グレーの床) の写真

L'arrivo della scala che porta nella parte alta del corridoio adibita ad armadiature. Foto di Simone Marulli
ミラノにある高級な小さな北欧スタイルのおしゃれな廊下 (白い壁、ラミネートの床、茶色い床、板張り天井) の写真

Simon Maxwell
ロンドンにあるお手頃価格の中くらいな北欧スタイルのおしゃれな廊下 (白い壁、コンクリートの床) の写真

EXTRAVIEL office & home design
フランクフルトにある中くらいな北欧スタイルのおしゃれな廊下 (緑の壁、コンクリートの床) の写真

ヨーテボリにあるお手頃価格の広い北欧スタイルのおしゃれな廊下 (コンクリートの床、ベージュの壁) の写真

Created in the late 1930s, the PH mirror features backlit illumination that provides a reflection that is free from shadows and glare. PH’s wall mounted mirror design fits harmoniously with the widest variety of interior settings – from the grandest of hallways to the smallest of bathrooms – and provides a reflection of superior clarity regardless of its environment.

Pegboard hecho por la blogger de Bricoydeco.com para su vivienda.
バレンシアにある低価格の小さな北欧スタイルのおしゃれな廊下 (白い壁、ラミネートの床、ベージュの床) の写真

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

オースティンにある北欧スタイルのおしゃれな廊下 (コンクリートの床、グレーの床、壁紙) の写真