Загородный дом в посёлке Монтевиль - ночная подсветка и внутренний двор

Архитекторы: Дмитрий Глушков, Фёдор Селенин; Фото: Антон Лихтарович
モスクワにある高級な北欧スタイルのおしゃれな家の外観 (石材サイディング、縦張り) の写真

Lyall

Homegirl Renovation Management + Design

Dave Rempel
トロントにある北欧スタイルのおしゃれな家の外観 (レンガサイディング) の写真

庭

國本建築堂株式会社

他の地域にある北欧スタイルのおしゃれな家の外観 (メタルサイディング) の写真

Completed AFTER

Down Home Renovations

Audrey Spillman
ナッシュビルにある高級な北欧スタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真

Сан-Марино

SWS Group

モスクワにある高級な北欧スタイルのおしゃれな家の外観の写真

Roseville Extension

The Little Design Corner

Clare Le Roy
シドニーにある高級な北欧スタイルのおしゃれな家の外観 (レンガサイディング) の写真

Beach Houses

JEBENS SCHOOF ARCHITEKTEN BDA

Martin Lukas Kim
ハンブルクにある高級な北欧スタイルのおしゃれな大きな家の写真

Spanish Slate - Sierra

Lagan Building Solutions Ltd

Robert Gilmour Architects
他の地域にある高級な北欧スタイルのおしゃれな家の外観 (石材サイディング、混合材屋根) の写真

Fiskavaig Isle of Skye House Build

Rk joinery

Peter Meister
他の地域にある高級な北欧スタイルのおしゃれな家の外観 (混合材サイディング) の写真

Guesthouse Nýp

Studio Bua

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.