Fotos: Koy + Winkel
ミュンヘンにある広いモダンスタイルのおしゃれなプール (天然石敷き) の写真

Daniel Newcomb photography
マイアミにある高級な中くらいなモダンスタイルのおしゃれなプール (天然石敷き) の写真

View across the pool to the pool house, spa and pergola.
フェニックスにあるラグジュアリーな巨大なサンタフェスタイルのおしゃれなプール (噴水、天然石敷き) の写真

Saltyfish Photography by Matt Lichon
パースにある高級な広いトラディショナルスタイルのおしゃれなプール (噴水、天然石敷き) の写真

view of pool from Breakfast sitting room.
ダラスにあるラグジュアリーな広いモダンスタイルのおしゃれなプール (庭内のプール、天然石敷き) の写真

Karson Photography
チャールストンにあるお手頃価格の小さなトラディショナルスタイルのおしゃれなプール (天然石敷き) の写真

Owner, architect, and site merged a design from their mutual association with the river. Located on the edge of Goose Creek, the owner was drawn to the site, reminiscent of a river from his youth that he used to tube down with friends and a 6-pack of beer. The architect, although growing up a country way, had similar memories along the water. Design gains momentum from conversations of built forms they recall floating along: mills and industrial compounds lining waterways that once acted as their lifeline. The common memories of floating past stone abutments and looking up at timber trussed bridges from below inform the interior. The concept extends into the hardscape in piers, and terraces that recall those partial elements remaining in and around the river. ©️Maxwell MacKenzie

フェニックスにある高級な中くらいなコンテンポラリースタイルのおしゃれなプール (天然石敷き) の写真

A former dairy property, Lune de Sang is now the centre of an ambitious project that is bringing back a pocket of subtropical rainforest to the Byron Bay hinterland. The first seedlings are beginning to form an impressive canopy but it will be another 3 centuries before this slow growth forest reaches maturity. This enduring, multi-generational project demands architecture to match; if not in a continuously functioning capacity, then in the capacity of ancient stone and concrete ruins; witnesses to the early years of this extraordinary project. The project’s latest component, the Pavilion, sits as part of a suite of 5 structures on the Lune de Sang site. These include two working sheds, a guesthouse and a general manager’s residence. While categorically a dwelling too, the Pavilion’s function is distinctly communal in nature. The building is divided into two, very discrete parts: an open, functionally public, local gathering space, and a hidden, intensely private retreat. The communal component of the pavilion has more in common with public architecture than with private dwellings. Its scale walks a fine line between retaining a degree of domestic comfort without feeling oppressively private – you won’t feel awkward waiting on this couch. The pool and accompanying amenities are similarly geared toward visitors and the space has already played host to community and family gatherings. At no point is the connection to the emerging forest interrupted; its only solid wall is a continuation of a stone landscape retaining wall, while floor to ceiling glass brings the forest inside. Physically the building is one structure but the two parts are so distinct that to enter the private retreat one must step outside into the landscape before coming in. Once inside a kitchenette and living space stress the pavilion’s public function. There are no sweeping views of the landscape, instead the glass perimeter looks onto a lush rainforest embankment lending the space a subterranean quality. An exquisitely refined concrete and stone structure provides the thermal mass that keeps the space cool while robust blackbutt joinery partitions the space. The proportions and scale of the retreat are intimate and reveal the refined craftsmanship so critical to ensuring this building capacity to stand the test of centuries. It’s an outcome that demanded an incredibly close partnership between client, architect, engineer, builder and expert craftsmen, each spending months on careful, hands-on iteration. While endurance is a defining feature of the architecture, it is also a key feature to the building’s ecological response to the site. Great care was taken in ensuring a minimised carbon investment and this was bolstered by using locally sourced and recycled materials. All water is collected locally and returned back into the forest ecosystem after use; a level of integration that demanded close partnership with forestry and hydraulics specialists. Between endurance, integration into a forest ecosystem and the careful use of locally sourced materials, Lune de Sang’s Pavilion aspires to be a sustainable project that will serve a family and their local community for generations to come.

Foto tratt
ローマにあるラグジュアリーな中くらいな地中海スタイルのおしゃれなプール (天然石敷き) の写真

ボローニャにある地中海スタイルのおしゃれなプール (天然石敷き) の写真

John Siemering Homes. Custom Home Builder in Austin, TX
オースティンにあるラグジュアリーな広い地中海スタイルのおしゃれなプール (噴水、天然石敷き) の写真

オースティンにある中くらいなコンテンポラリースタイルのおしゃれなプール (天然石敷き) の写真

Daniel Driensky
オースティンにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなプール (天然石敷き) の写真

Karson Photography
チャールストンにあるお手頃価格の小さなトラディショナルスタイルのおしゃれなプール (天然石敷き) の写真

ニューオリンズにある高級な中くらいなコンテンポラリースタイルのおしゃれなプール (天然石敷き) の写真

Owner, architect, and site merged a design from their mutual association with the river. Located on the edge of Goose Creek, the owner was drawn to the site, reminiscent of a river from his youth that he used to tube down with friends and a 6-pack of beer. The architect, although growing up a country way, had similar memories along the water. Design gains momentum from conversations of built forms they recall floating along: mills and industrial compounds lining waterways that once acted as their lifeline. The common memories of floating past stone abutments and looking up at timber trussed bridges from below inform the interior. The concept extends into the hardscape in piers, and terraces that recall those partial elements remaining in and around the river. ©️Maxwell MacKenzie

A former dairy property, Lune de Sang is now the centre of an ambitious project that is bringing back a pocket of subtropical rainforest to the Byron Bay hinterland. The first seedlings are beginning to form an impressive canopy but it will be another 3 centuries before this slow growth forest reaches maturity. This enduring, multi-generational project demands architecture to match; if not in a continuously functioning capacity, then in the capacity of ancient stone and concrete ruins; witnesses to the early years of this extraordinary project. The project’s latest component, the Pavilion, sits as part of a suite of 5 structures on the Lune de Sang site. These include two working sheds, a guesthouse and a general manager’s residence. While categorically a dwelling too, the Pavilion’s function is distinctly communal in nature. The building is divided into two, very discrete parts: an open, functionally public, local gathering space, and a hidden, intensely private retreat. The communal component of the pavilion has more in common with public architecture than with private dwellings. Its scale walks a fine line between retaining a degree of domestic comfort without feeling oppressively private – you won’t feel awkward waiting on this couch. The pool and accompanying amenities are similarly geared toward visitors and the space has already played host to community and family gatherings. At no point is the connection to the emerging forest interrupted; its only solid wall is a continuation of a stone landscape retaining wall, while floor to ceiling glass brings the forest inside. Physically the building is one structure but the two parts are so distinct that to enter the private retreat one must step outside into the landscape before coming in. Once inside a kitchenette and living space stress the pavilion’s public function. There are no sweeping views of the landscape, instead the glass perimeter looks onto a lush rainforest embankment lending the space a subterranean quality. An exquisitely refined concrete and stone structure provides the thermal mass that keeps the space cool while robust blackbutt joinery partitions the space. The proportions and scale of the retreat are intimate and reveal the refined craftsmanship so critical to ensuring this building capacity to stand the test of centuries. It’s an outcome that demanded an incredibly close partnership between client, architect, engineer, builder and expert craftsmen, each spending months on careful, hands-on iteration. While endurance is a defining feature of the architecture, it is also a key feature to the building’s ecological response to the site. Great care was taken in ensuring a minimised carbon investment and this was bolstered by using locally sourced and recycled materials. All water is collected locally and returned back into the forest ecosystem after use; a level of integration that demanded close partnership with forestry and hydraulics specialists. Between endurance, integration into a forest ecosystem and the careful use of locally sourced materials, Lune de Sang’s Pavilion aspires to be a sustainable project that will serve a family and their local community for generations to come.

広い地中海スタイルのおしゃれなプール (庭内のプール、天然石敷き) の写真