Josh Partee Photography
ポートランドにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Photo: Darren Eskandari
ロサンゼルスにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

東京23区にあるラグジュアリーな中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング、アパート・マンション、長方形) の写真

Exterior - Rear Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Brigida Gonzalez
シュトゥットガルトにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

シュトゥットガルトにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

© Paul Bardagjy Photography
オースティンにあるラグジュアリーな中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング、アパート・マンション) の写真

sebastian kolm architekturfotografie
ニュルンベルクにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

オーフスにある高級な中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

ロサンゼルスにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

William Lesch Photography
フェニックスにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Our clients wanted a second story addition to their home in Parreara (Kawana Island) to fit more of their extended family and created a beautiful modern new space.

Chris Rollett
バンクーバーにあるラグジュアリーな中くらいなモダンスタイルのおしゃれな三階建ての家 (コンクリートサイディング) の写真

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

東京23区にあるラグジュアリーな中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング、長方形) の写真

ロサンゼルスにある高級な中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

超変型地に計画された長屋式都市型集合住宅
東京23区にある中くらいなモダンスタイルのおしゃれな家の外観 (アパート・マンション、コンクリートサイディング) の写真

Michael Nicholson
ゴールドコーストにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

大開口の書斎スペースのあるファサード
名古屋にあるお手頃価格の中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真