バレンシアにあるモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

タンパにあるモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Auberge is a restaurant and bed and breakfast with nine guest rooms located very close to a scenic sandy beach on the coast of Japan. For this project, the design called for using double hung windows with grilles to offer extraordinary views for the guests and flood the interior with natural light. Integrity® windows and sliding and swinging French Doors were the best choice for this newly constructed property. In addition, Integrity’s extruded fiberglass construction has the superior strength and durability to prevent slat damage for this oceanfront facility.

vht
シカゴにある巨大なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

デュッセルドルフにある巨大なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

シカゴにあるモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

The kitchen and dining areas sit at the core of the home, bridging two buildings on the compound. On the left, a garage and guest room. On the right, the living areas and master suite. Photo: Jim Bartch

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

he owner of this house wanted to give a “facelift” to his newly purchased home and convert it into a modern design residence. We translated their vision into this magnificent modern-looking house. This project included a complete redesign of the exterior of the house, including the backyard landscaping and a full-size, infinity-edge pool and custom jacuzzi. All the custom concrete work, swimming pool, and pool-side BBQ island, complete with sink and mini-fridge gave this homeowner their own paradise getaway right in the heart of Beverly Hills.

Photo: Chad Holder
ミネアポリスにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

ロサンゼルスにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

5 pavilions overlooking the Potomac River. The pavilions are clad in stucco and glass.
ワシントンD.C.にあるモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Brigida Gonzalez
シュトゥットガルトにある中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Photo taken by Pascal Depuhl Design by Gabriela Liebert
マイアミにあるラグジュアリーなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

This luxurious white modern house in Malibu is a true gem. The white concrete exterior, glass windows, and matching blue pool create a warm and inviting atmosphere, while the Greek modern style adds a touch of elegance.

ニューヨークにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Our clients wanted a second story addition to their home in Parreara (Kawana Island) to fit more of their extended family and created a beautiful modern new space.

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

This innovative LEED home might be small but has a grand impression with its bold architectural features. Builder: Streamline Development Chipper Hatter Photography