En el acceso a la casa la planta baja y la planta alta de la casa se muestran como dos cajas, de hormigón y de madera, apiladas sobre un terreno con mucho desnivel. Si nos imaginásemos el terreno como una alfombra verde, nos gusta creer que el garaje es el resultado de levantar dicha alfombra para poder esconder debajo los coches y dar más valor así al jardín. Fotografía: Pedro Caetano (Droca).

A modern new build designed and managed by Overton Design Group from Arnold, MD. Home is located in Severn Park, MD and faces straight down the Magothy River. Blue Star coated exterior/interior wood surfaces and primed/painted all interior ceiling, walls and trim.

A former dairy property, Lune de Sang is now the centre of an ambitious project that is bringing back a pocket of subtropical rainforest to the Byron Bay hinterland. The first seedlings are beginning to form an impressive canopy but it will be another 3 centuries before this slow growth forest reaches maturity. This enduring, multi-generational project demands architecture to match; if not in a continuously functioning capacity, then in the capacity of ancient stone and concrete ruins; witnesses to the early years of this extraordinary project. The project’s latest component, the Pavilion, sits as part of a suite of 5 structures on the Lune de Sang site. These include two working sheds, a guesthouse and a general manager’s residence. While categorically a dwelling too, the Pavilion’s function is distinctly communal in nature. The building is divided into two, very discrete parts: an open, functionally public, local gathering space, and a hidden, intensely private retreat. The communal component of the pavilion has more in common with public architecture than with private dwellings. Its scale walks a fine line between retaining a degree of domestic comfort without feeling oppressively private – you won’t feel awkward waiting on this couch. The pool and accompanying amenities are similarly geared toward visitors and the space has already played host to community and family gatherings. At no point is the connection to the emerging forest interrupted; its only solid wall is a continuation of a stone landscape retaining wall, while floor to ceiling glass brings the forest inside. Physically the building is one structure but the two parts are so distinct that to enter the private retreat one must step outside into the landscape before coming in. Once inside a kitchenette and living space stress the pavilion’s public function. There are no sweeping views of the landscape, instead the glass perimeter looks onto a lush rainforest embankment lending the space a subterranean quality. An exquisitely refined concrete and stone structure provides the thermal mass that keeps the space cool while robust blackbutt joinery partitions the space. The proportions and scale of the retreat are intimate and reveal the refined craftsmanship so critical to ensuring this building capacity to stand the test of centuries. It’s an outcome that demanded an incredibly close partnership between client, architect, engineer, builder and expert craftsmen, each spending months on careful, hands-on iteration. While endurance is a defining feature of the architecture, it is also a key feature to the building’s ecological response to the site. Great care was taken in ensuring a minimised carbon investment and this was bolstered by using locally sourced and recycled materials. All water is collected locally and returned back into the forest ecosystem after use; a level of integration that demanded close partnership with forestry and hydraulics specialists. Between endurance, integration into a forest ecosystem and the careful use of locally sourced materials, Lune de Sang’s Pavilion aspires to be a sustainable project that will serve a family and their local community for generations to come.

Regan Bice Architects
サンフランシスコにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

An exterior view of the house and it's natural landscape.
サンフランシスコにある高級な中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Entry showing the steel cantilevered roof, cast-in-place concrete columns, steel railing, steel deck and desert landscape.
フェニックスにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

A view of the back of this modern lake home. Stephen Allen Photography
オーランドにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

ロサンゼルスにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Minimalistische Architektur in Weiß. Neubau eines Ferienhauses in Brandenburg. Der Bungalow besteht aus Wandscheiben, raumhohen Fenstern und mit weit auskragenden Dächern. Im Inneren gibt sich das Haus elegant, großzügig und hell. Dank der großen Schiebetüren lässt sich der Wohnraum nahtlos mit der Terrasse verbinden und ins Freie erweitern.

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

ロサンゼルスにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Front Entry Elevation features large pivot door, and Fleetwood Windows - Architect: HAUS | Architecture For Modern Lifestyles with Joe Trojanowski Architect PC - General Contractor: Illinois Designers & Builders - Photography: HAUS

Jon Encarnacion
オレンジカウンティにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

http://donshielphotography.com.au
シドニーにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

ニューヨークにある高級なモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

A modern new build designed and managed by Overton Design Group from Arnold, MD. Home is located in Severn Park, MD and faces straight down the Magothy River. Blue Star coated exterior/interior wood surfaces and primed/painted all interior ceiling, walls and trim.

An exterior view of the house and it's natural landscape.
サンフランシスコにある高級な中くらいなモダンスタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/