ニューヨークにあるラグジュアリーな中くらいなエクレクティックスタイルのおしゃれな独立型リビング (ライブラリー、淡色無垢フローリング、標準型暖炉、レンガの暖炉まわり、テレビなし、グレーの壁) の写真

We added this reading alcove by building out the walls. It's a perfect place to read a book and take a nap.
ニューヨークにあるお手頃価格の中くらいなカントリー風のおしゃれな独立型リビング (ライブラリー、ベージュの壁、淡色無垢フローリング、薪ストーブ、レンガの暖炉まわり、埋込式メディアウォール、茶色い床、塗装板張りの天井、白い天井) の写真

Westport Historic by Chango & Co. Interior Design, Custom Furniture Design & Art Curation by Chango & Co.
ニューヨークにある高級な広いトラディショナルスタイルのおしゃれなLDK (ライブラリー、グレーの壁、濃色無垢フローリング、暖炉なし、レンガの暖炉まわり、テレビなし、茶色い床) の写真

Casual family room seating area with gray furniture, an exposed brick fireplace with a wall-mounted tv, and stunning wood walls that give the room privacy while still being connected to the kitchen.

他の地域にあるラグジュアリーな広いビーチスタイルのおしゃれなLDK (ライブラリー、白い壁、無垢フローリング、標準型暖炉、レンガの暖炉まわり、テレビなし、茶色い床) の写真

ニューヨークにある高級な中くらいなビーチスタイルのおしゃれな独立型リビング (ベージュの壁、カーペット敷き、ベージュの床、ライブラリー、標準型暖炉、レンガの暖炉まわり、テレビなし) の写真

Amy Bartlam
ロサンゼルスにある中くらいなコンテンポラリースタイルのおしゃれなLDK (ライブラリー、白い壁、無垢フローリング、標準型暖炉、レンガの暖炉まわり、茶色い床) の写真

アトランタにある低価格の中くらいなトランジショナルスタイルのおしゃれなLDK (ライブラリー、白い壁、濃色無垢フローリング、横長型暖炉、レンガの暖炉まわり、壁掛け型テレビ、茶色い床) の写真

Photographer: Derek Swalwell
メルボルンにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなリビング (ライブラリー、白い壁、コンクリートの床、両方向型暖炉、レンガの暖炉まわり、内蔵型テレビ) の写真

This built-in window seat creates not only extra seating in this small living room but adds a cozy spot to curl up and read a book. A niche spot in the home adding storage and fun!

ニューヨークにある高級な広いビーチスタイルのおしゃれなLDK (ライブラリー、白い壁、濃色無垢フローリング、標準型暖炉、レンガの暖炉まわり、壁掛け型テレビ、茶色い床) の写真

Jenn Verrier
ワシントンD.C.にあるトランジショナルスタイルのおしゃれなリビング (ライブラリー、白い壁、淡色無垢フローリング、標準型暖炉、レンガの暖炉まわり) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Island Cottage is an existing dwelling constructed in 1830, in a conservation area at the southern limit of Sidlesham Quay village, West Sussex. The property was highlighted by the local authority as a key example of rural vernacular character for homes in the area, but is also sited in a major flood risk area. Such a precarious context therefore demanded a considered approach, however the original building had been extended over many years mostly with insensitive and cumbersome extensions and additions. Our clients purchased Island Cottage in 2015. They had a strong sense of belonging to the area, as both had childhood memories of visiting Pagham Harbour and were greatly drawn to live on the South Coast after many years working and living in London. We were keen to help them discover and create a home in which to dwell for many years to come. Our brief was to restore the cottage and reconcile it’s history of unsuitable extensions to the landscape of the nature reserve of Sidlesham and the bay of Pagham beyond. The original house could not be experienced amongst the labyrinthine rooms and corridors and it’s identity was lost to recent additions and refurbishments. Our first move was to establish the lines of the original cottage and draw a single route through the house. This is experienced as a simple door from the library at the formal end of the house, leading from north to south straight towards the rear garden on both floors. By reinstating the library and guest bedroom/bathroom spaces above we were able to distinguish the original cottage from the later additions. We were then challenged by the new owners to provide a calm and protective series of spaces that make links to the landscape of the coast. Internally the cottage takes the natural materials of the surrounding coastline, such as flint and timber, and uses these to dress walls and floors. Our proposals included making sense of the downstairs spaces by allowing a flowing movement between the rooms. Views through and across the house are opened up so to help navigate the maze like spaces. Each room is open on many sides whilst limiting the number of corridor spaces, and the use of split levels help to mark one space to the next. The first floor hosts three bedrooms, each of unique style and outlook. The main living space features a corner window, referencing an open book set into the wall at the height of a desk. Log burners, sliding doors, and uncovered historic materials are part of the main reception rooms. The roof is accessible with a steep stair and allows for informal gathering on a grass terrace which gains views far beyond the immediate gardens and neighbouring nature reserve. The external facades have been uplifted with larch cladding, new timber windows, and a series of timber loggias set into the gardens. Our landscaping strategy alleviates flood risk by providing a bung to the garden edge, whilst encouraging native species planting to take over the new timber structure that is directly connected to the house. This approach will help to plant the house in its surroundings, which is vital given the local connection to the Sidlesham Nature Reserve. Throughout the project the client sourced much of the interior finishes and fixtures directly from salvage yards and online second hand boutiques. The house is decorated with reclaimed materials referencing the worn and weary effect of time spent on the beach or at the sea side. Now complete, the house genuinely feels reconciled to its place, a haven for our clients, and an exemplary project for our future clients who wish to link their childhoods with their future homes.

Robert Farrell
ニューヨークにある低価格の中くらいなエクレクティックスタイルのおしゃれなリビング (ライブラリー、グレーの壁、淡色無垢フローリング、標準型暖炉、レンガの暖炉まわり) の写真

Got a compact living space or apartment? Not a problem; bright white walls create the illusion of a larger space. Break up blank areas by adding indoor plants, contemporary art and soft flexible furniture. Wrought-iron finishes bring the space to life and completes the monochrome theme.

Stacey Zarin Goldberg
ワシントンD.C.にあるラグジュアリーな広いエクレクティックスタイルのおしゃれなLDK (ライブラリー、白い壁、淡色無垢フローリング、標準型暖炉、レンガの暖炉まわり、テレビなし) の写真

Photography by Chris Bavaria
ボルチモアにあるお手頃価格の中くらいなトランジショナルスタイルのおしゃれなLDK (ライブラリー、グレーの壁、濃色無垢フローリング、薪ストーブ、レンガの暖炉まわり、壁掛け型テレビ、茶色い床) の写真

トロントにある小さな北欧スタイルのおしゃれなLDK (ライブラリー、白い壁、淡色無垢フローリング、薪ストーブ、レンガの暖炉まわり、テレビなし) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Island Cottage is an existing dwelling constructed in 1830, in a conservation area at the southern limit of Sidlesham Quay village, West Sussex. The property was highlighted by the local authority as a key example of rural vernacular character for homes in the area, but is also sited in a major flood risk area. Such a precarious context therefore demanded a considered approach, however the original building had been extended over many years mostly with insensitive and cumbersome extensions and additions. Our clients purchased Island Cottage in 2015. They had a strong sense of belonging to the area, as both had childhood memories of visiting Pagham Harbour and were greatly drawn to live on the South Coast after many years working and living in London. We were keen to help them discover and create a home in which to dwell for many years to come. Our brief was to restore the cottage and reconcile it’s history of unsuitable extensions to the landscape of the nature reserve of Sidlesham and the bay of Pagham beyond. The original house could not be experienced amongst the labyrinthine rooms and corridors and it’s identity was lost to recent additions and refurbishments. Our first move was to establish the lines of the original cottage and draw a single route through the house. This is experienced as a simple door from the library at the formal end of the house, leading from north to south straight towards the rear garden on both floors. By reinstating the library and guest bedroom/bathroom spaces above we were able to distinguish the original cottage from the later additions. We were then challenged by the new owners to provide a calm and protective series of spaces that make links to the landscape of the coast. Internally the cottage takes the natural materials of the surrounding coastline, such as flint and timber, and uses these to dress walls and floors. Our proposals included making sense of the downstairs spaces by allowing a flowing movement between the rooms. Views through and across the house are opened up so to help navigate the maze like spaces. Each room is open on many sides whilst limiting the number of corridor spaces, and the use of split levels help to mark one space to the next. The first floor hosts three bedrooms, each of unique style and outlook. The main living space features a corner window, referencing an open book set into the wall at the height of a desk. Log burners, sliding doors, and uncovered historic materials are part of the main reception rooms. The roof is accessible with a steep stair and allows for informal gathering on a grass terrace which gains views far beyond the immediate gardens and neighbouring nature reserve. The external facades have been uplifted with larch cladding, new timber windows, and a series of timber loggias set into the gardens. Our landscaping strategy alleviates flood risk by providing a bung to the garden edge, whilst encouraging native species planting to take over the new timber structure that is directly connected to the house. This approach will help to plant the house in its surroundings, which is vital given the local connection to the Sidlesham Nature Reserve. Throughout the project the client sourced much of the interior finishes and fixtures directly from salvage yards and online second hand boutiques. The house is decorated with reclaimed materials referencing the worn and weary effect of time spent on the beach or at the sea side. Now complete, the house genuinely feels reconciled to its place, a haven for our clients, and an exemplary project for our future clients who wish to link their childhoods with their future homes.