Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields

Expanding the island gave the family more space to relax, work or entertain. The original island was less than half the size and housed the stove top, leaving little space for much else.

高級な中くらいなエクレクティックスタイルのおしゃれなキッチン (アンダーカウンターシンク、落し込みパネル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、パネルと同色の調理設備、テラゾーの床、白い床、白いキッチンカウンター) の写真

Cucina Arrex- mod Urban. Basi e pensili con ante rivestite in laminato HPL su entrambi i lati in finitura Dark Stone, con gola e zoccolo in metallo verniciato antracite. Piano lavoro e schienale in Gres Laminam colore Nero Belfast sp. 12mm. con fianco in appoggio a terra su penisola. La cucina è composta da una pratica zona snack che divide l'ambiente dalla zona pranzo e aumenta notevolmente l'area del piano lavoro. La luce della barra led sottopensile è regolabile di intensità a seconda delle esigenze. A completare il tutto abbiamo abbinato sgabelli e sedie in ecopelle nero nuvolato, e tavolo con struttura in acciaio verniciato e piano laminato HPL allungabile. Nonostante i colori scuri, il tutto risulta essere molto luminoso, grazie ai finestroni e anche alle linee pulite e regolari della cucina.

Abbiamo fatto fare dal falegname alcuni elementi per integrare ed allineare le ante dei pensili di questa cucina per svecchiare i colori e le forme.
ヴェネツィアにある低価格の中くらいなコンテンポラリースタイルのおしゃれなキッチン (ダブルシンク、フラットパネル扉のキャビネット、ベージュのキャビネット、ラミネートカウンター、メタリックのキッチンパネル、ステンレスのキッチンパネル、黒い調理設備、テラゾーの床、アイランドなし、白い床、ベージュのキッチンカウンター、グレーとクリーム色) の写真

Looking in to kitchen.
ロサンゼルスにある高級な中くらいなミッドセンチュリースタイルのおしゃれなキッチン (ダブルシンク、フラットパネル扉のキャビネット、濃色木目調キャビネット、人工大理石カウンター、シルバーの調理設備、テラゾーの床、白い床、白いキッチンカウンター、表し梁) の写真

Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields

Ce projet est un bel exemple de la tendance « nature » repérée au salon Maison & Objet 2020. Ainsi on y retrouve des palettes de couleurs nudes : beige, crème et sable. Autre palette nature, les verts tendres de la salle de bain. Les nuances de vert lichen, d’eau et de sauge viennent ainsi donner de la profondeur et de la douceur à la cabine de douche. Les matériaux bruts sont également au rendez-vous pour accentuer le côté « green » du projet. Le bois sous toutes ses teintes, le terrazzo aux éclats caramels au sol ou encore les fibres tissées au niveau des luminaires. Tous ces éléments font du projet Malte un intérieur zen, une véritable invitation à la détente.

高級な中くらいなエクレクティックスタイルのおしゃれなキッチン (アンダーカウンターシンク、落し込みパネル扉のキャビネット、白いキャビネット、珪岩カウンター、白いキッチンパネル、パネルと同色の調理設備、テラゾーの床、白い床、白いキッチンカウンター) の写真

Expanding the island gave the family more space to relax, work or entertain. The original island was less than half the size and housed the stove top, leaving little space for much else.

The main Living/Dining /Entertainment area encompasses the kitchen, dining and living spaces, with a high concrete waffle ceiling and a restored original terrazzo floor. The mid century modern furniture, hand made in Greece, match the colors of the terrazzo chips. LED lighting in the dropped ceiling areas strategically lights the entire space at night. Photography: Anastasia Siomou

他の地域にあるお手頃価格の広いトランジショナルスタイルのおしゃれなキッチン (一体型シンク、インセット扉のキャビネット、ベージュのキャビネット、人工大理石カウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、シルバーの調理設備、コルクフローリング、アイランドなし、白い床) の写真

Cloverdale Barren Plain Flock Moonlight Cork Stoneworks Quartz
エドモントンにあるコンテンポラリースタイルのおしゃれなキッチン (シェーカースタイル扉のキャビネット、黒いキャビネット、珪岩カウンター、白いキッチンパネル、シルバーの調理設備、コルクフローリング、白い床、白いキッチンカウンター、ダブルシンク) の写真

エドモントンにあるコンテンポラリースタイルのおしゃれなキッチン (ダブルシンク、シェーカースタイル扉のキャビネット、黒いキャビネット、珪岩カウンター、白いキッチンパネル、シルバーの調理設備、コルクフローリング、白い床、白いキッチンカウンター) の写真

Cucina Arrex- mod Urban. Basi e pensili con ante rivestite in laminato HPL su entrambi i lati in finitura Dark Stone, con gola e zoccolo in metallo verniciato antracite. Piano lavoro e schienale in Gres Laminam colore Nero Belfast sp. 12mm. con fianco in appoggio a terra su penisola. La cucina è composta da una pratica zona snack che divide l'ambiente dalla zona pranzo e aumenta notevolmente l'area del piano lavoro. La luce della barra led sottopensile è regolabile di intensità a seconda delle esigenze. A completare il tutto abbiamo abbinato sgabelli e sedie in ecopelle nero nuvolato, e tavolo con struttura in acciaio verniciato e piano laminato HPL allungabile. Nonostante i colori scuri, il tutto risulta essere molto luminoso, grazie ai finestroni e anche alle linee pulite e regolari della cucina.

Abbiamo fatto fare dal falegname alcuni elementi per integrare ed allineare le ante dei pensili di questa cucina per svecchiare i colori e le forme.
ヴェネツィアにある低価格の中くらいなコンテンポラリースタイルのおしゃれなキッチン (テラゾーの床、ダブルシンク、フラットパネル扉のキャビネット、ベージュのキャビネット、ラミネートカウンター、メタリックのキッチンパネル、ステンレスのキッチンパネル、黒い調理設備、アイランドなし、白い床、ベージュのキッチンカウンター、グレーとクリーム色) の写真

Dans cet appartement familial de 150 m², l’objectif était de rénover l’ensemble des pièces pour les rendre fonctionnelles et chaleureuses, en associant des matériaux naturels à une palette de couleurs harmonieuses. Dans la cuisine et le salon, nous avons misé sur du bois clair naturel marié avec des tons pastel et des meubles tendance. De nombreux rangements sur mesure ont été réalisés dans les couloirs pour optimiser tous les espaces disponibles. Le papier peint à motifs fait écho aux lignes arrondies de la porte verrière réalisée sur mesure. Dans les chambres, on retrouve des couleurs chaudes qui renforcent l’esprit vacances de l’appartement. Les salles de bain et la buanderie sont également dans des tons de vert naturel associés à du bois brut. La robinetterie noire, toute en contraste, apporte une touche de modernité. Un appartement où il fait bon vivre !

Ce projet est un bel exemple de la tendance « nature » repérée au salon Maison & Objet 2020. Ainsi on y retrouve des palettes de couleurs nudes : beige, crème et sable. Autre palette nature, les verts tendres de la salle de bain. Les nuances de vert lichen, d’eau et de sauge viennent ainsi donner de la profondeur et de la douceur à la cabine de douche. Les matériaux bruts sont également au rendez-vous pour accentuer le côté « green » du projet. Le bois sous toutes ses teintes, le terrazzo aux éclats caramels au sol ou encore les fibres tissées au niveau des luminaires. Tous ces éléments font du projet Malte un intérieur zen, une véritable invitation à la détente.

Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields