ロサンゼルスにある高級な小さなコンテンポラリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、青いキャビネット、珪岩カウンター、グレーのキッチンパネル、石スラブのキッチンパネル、シルバーの調理設備、コンクリートの床、グレーの床、グレーのキッチンカウンター) の写真

ロンドンにある高級な広いコンテンポラリースタイルのおしゃれなキッチン (フラットパネル扉のキャビネット、青いキャビネット、木材カウンター、グレーのキッチンパネル、ドロップインシンク、パネルと同色の調理設備、コンクリートの床、グレーの床、茶色いキッチンカウンター) の写真

リヨンにある高級な広いインダストリアルスタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、黒いキャビネット、ラミネートカウンター、白いキッチンパネル、パネルと同色の調理設備、コンクリートの床、ベージュの床、黒いキッチンカウンター、板張り天井) の写真

View of the single wall kitchen and island
ロンドンにある高級な中くらいなトランジショナルスタイルのおしゃれなキッチン (エプロンフロントシンク、シェーカースタイル扉のキャビネット、青いキャビネット、大理石カウンター、マルチカラーのキッチンパネル、大理石のキッチンパネル、コンクリートの床、グレーの床、マルチカラーのキッチンカウンター) の写真

オークランドにある高級な中くらいなコンテンポラリースタイルのおしゃれなキッチン (一体型シンク、フラットパネル扉のキャビネット、淡色木目調キャビネット、人工大理石カウンター、白いキッチンパネル、クオーツストーンのキッチンパネル、シルバーの調理設備、コンクリートの床、グレーの床、白いキッチンカウンター) の写真

Settled within a graffiti-covered laneway in the trendy heart of Mt Lawley you will find this four-bedroom, two-bathroom home. The owners; a young professional couple wanted to build a raw, dark industrial oasis that made use of every inch of the small lot. Amenities aplenty, they wanted their home to complement the urban inner-city lifestyle of the area. One of the biggest challenges for Limitless on this project was the small lot size & limited access. Loading materials on-site via a narrow laneway required careful coordination and a well thought out strategy. Paramount in bringing to life the client’s vision was the mixture of materials throughout the home. For the second story elevation, black Weathertex Cladding juxtaposed against the white Sto render creates a bold contrast. Upon entry, the room opens up into the main living and entertaining areas of the home. The kitchen crowns the family & dining spaces. The mix of dark black Woodmatt and bespoke custom cabinetry draws your attention. Granite benchtops and splashbacks soften these bold tones. Storage is abundant. Polished concrete flooring throughout the ground floor blends these zones together in line with the modern industrial aesthetic. A wine cellar under the staircase is visible from the main entertaining areas. Reclaimed red brickwork can be seen through the frameless glass pivot door for all to appreciate — attention to the smallest of details in the custom mesh wine rack and stained circular oak door handle. Nestled along the north side and taking full advantage of the northern sun, the living & dining open out onto a layered alfresco area and pool. Bordering the outdoor space is a commissioned mural by Australian illustrator Matthew Yong, injecting a refined playfulness. It’s the perfect ode to the street art culture the laneways of Mt Lawley are so famous for. Engineered timber flooring flows up the staircase and throughout the rooms of the first floor, softening the private living areas. Four bedrooms encircle a shared sitting space creating a contained and private zone for only the family to unwind. The Master bedroom looks out over the graffiti-covered laneways bringing the vibrancy of the outside in. Black stained Cedarwest Squareline cladding used to create a feature bedhead complements the black timber features throughout the rest of the home. Natural light pours into every bedroom upstairs, designed to reflect a calamity as one appreciates the hustle of inner city living outside its walls. Smart wiring links each living space back to a network hub, ensuring the home is future proof and technology ready. An intercom system with gate automation at both the street and the lane provide security and the ability to offer guests access from the comfort of their living area. Every aspect of this sophisticated home was carefully considered and executed. Its final form; a modern, inner-city industrial sanctuary with its roots firmly grounded amongst the vibrant urban culture of its surrounds.

Sprinkles and rock candy and M&M's, oh my! This secondary kitchen is fully stocked for any type of baking and decorating.
ダラスにある高級な中くらいなトラディショナルスタイルのおしゃれなキッチン (アンダーカウンターシンク、シェーカースタイル扉のキャビネット、中間色木目調キャビネット、ステンレスカウンター、メタリックのキッチンパネル、セラミックタイルのキッチンパネル、コンクリートの床、茶色い床) の写真

Vivienda unifamiliar entre medianeras en Badalona. Sala de estar - cocina - comedor.
バルセロナにある高級な広いインダストリアルスタイルのおしゃれなキッチン (アンダーカウンターシンク、レイズドパネル扉のキャビネット、中間色木目調キャビネット、大理石カウンター、パネルと同色の調理設備、コンクリートの床、グレーの床、白いキッチンカウンター) の写真

Die Kueche im Industrial Stil Wir haben hier eine U Form im Stil der Betonoptik gewählt. Die Hängelampen aus Kupfer und die Steinwand verleihen Industrieoptik und das Glas als Spritzschutz wirkt transparent und leicht

Dans ce très bel appartement haussmannien, nous avons collaboré avec l’architecte Diane de Sedouy pour imaginer une cuisine élégante, originale et fonctionnelle. Les façades sont en Fénix Noir, un matériau mat très résistant au toucher soyeux, et qui a l’avantage de ne pas laisser de trace. L’îlot est en chêne teinté noir, le plan de travail est en granit noir absolu. D’ingénieux placards avec tiroirs coulissants viennent compléter l’ensemble afin de masquer une imposante chaudière. Photos Olivier Hallot www.olivierhallot.com

シアトルにある高級な中くらいなラスティックスタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、淡色木目調キャビネット、珪岩カウンター、黒いキッチンパネル、石スラブのキッチンパネル、シルバーの調理設備、コンクリートの床、グレーの床、グレーのキッチンカウンター) の写真

コロンバスにある高級な広いインダストリアルスタイルのおしゃれなキッチン (アンダーカウンターシンク、落し込みパネル扉のキャビネット、黒いキャビネット、コンクリートカウンター、茶色いキッチンパネル、レンガのキッチンパネル、シルバーの調理設備、コンクリートの床、グレーの床、グレーのキッチンカウンター) の写真

Interior - Kitchen Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

The scullery from our Love Shack TV project . This is a pantry space that leads from the kitchen through to the laundry/mudroom. The scullery is equipped with a sink, integrated dishwasher, fridge and lots of tall pantry cabinetry with roll-out shelves. Designed By: Rex Hirst Photographed By: Tim Turner

Peter Landers
ロンドンにある高級な中くらいなコンテンポラリースタイルのおしゃれなキッチン (一体型シンク、シェーカースタイル扉のキャビネット、緑のキャビネット、大理石カウンター、白いキッチンパネル、大理石のキッチンパネル、シルバーの調理設備、コンクリートの床、グレーの床、白いキッチンカウンター) の写真

オースティンにある高級な小さなカントリー風のおしゃれなキッチン (オープンシェルフ、白いキャビネット、木材カウンター、コンクリートの床、ベージュの床、茶色いキッチンカウンター) の写真

Jenny was open to using IKEA cabinetry throughout, but ultimately decided on Semihandmade’s Light Gray Shaker door style. “I wanted to maximize storage, maintain affordability, and spice up visual interest by mixing up shelving and closed cabinets,” she says. “And I wanted to display nice looking things and hide uglier things, like Tupperware pieces.” This was key as her original kitchen was dark, cramped and had inefficient storage, such as wire racks pressed up against her refrigerator and limited counter space. To remedy this, the upper cabinetry is mixed asymmetrically throughout, over the long run of countertops along the wall by the refrigerator and above the food prep area and above the stove. “Stylistically, these cabinets blended well with the butcher block countertops and the large Moroccan/Spanish tile design on the floor,” she notes.

Sam Martin - 4 Walls Media
メルボルンにある高級な広いコンテンポラリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、黒いキャビネット、グレーのキッチンパネル、黒い調理設備、グレーのキッチンカウンター、大理石カウンター、大理石のキッチンパネル、コンクリートの床、白い床) の写真

Kitchen counter detail. Image by Steve Broussea
シアトルにある高級な小さなインダストリアルスタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、茶色いキャビネット、人工大理石カウンター、メタリックのキッチンパネル、メタルタイルのキッチンパネル、シルバーの調理設備、コンクリートの床、グレーの床、茶色いキッチンカウンター) の写真