A home music studio provides the owner with a special area to store instruments and practice.
インディアナポリスにある高級な中くらいなコンテンポラリースタイルのおしゃれなアトリエ・スタジオ (黒い壁、ラミネートの床、茶色い床、パネル壁) の写真

Kat Alves Photography
サクラメントにあるお手頃価格の中くらいなトランジショナルスタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、造り付け机) の写真

A patio and seating area surrounds this home office. Personal touches like the exterior sun shade and blinds inside the all glass entry door enable the owner to create perfect light and temperature conditions throughout the day and season.

Home Office with a focus on clean lines and minimalist design for a quiet mind.
タンパにある高級な中くらいなモダンスタイルのおしゃれなアトリエ・スタジオ (グレーの壁、自立型机、ラミネートの床、茶色い床) の写真

THE DOOR NAME ORIGIN - "ALLUMINIO ELIVIA VERTICAL WOOD GRAIN 4HS" Of all the interior door models in the Elivia collection, this one is perhaps the most unapologetically elegant. Why? Hmm … That which is self-evident can be the most difficult to explain. Is it because it is built using the latest breakthroughs in interior door making technology? Look at the finish: the process of applying it utilizes something called “stretching” by professionals, which is to say that instead of simply slapping the finish on top of the interior door’s surface, our company fuses (for lack of a better word) the materials (on molecular level, no less), the result being that the finished product is more warp-resistant, scratch-resistant, and fade-proof than any interior door put together in the past. This is especially important in climates known for their high humidity levels. Yes, but this has more to do with engineering than aesthetics, right? Okay, so, is this interior door super-elegant because ... Show more! FINISH: WALNUT When it comes to interior door finishes, walnut may not be king per se, since “different folk have different views,” as the poet said, and it behooves a proper collection of finishes to be thoroughly democratic; but, but … you could view walnut as an important majority leader descended from royalty – like, say, Louis Napoleon back when he was still an elected official and not, as he eventually came to style himself, Napoleon III. Strictly speaking, a walnut is the seed of a drupaceous nut, and not a true nut in the botanical sense. It is native to Persia (walnut oil is a staple in Iranian cuisine to this day) and North America, even though approximately one half of the world’s production today is done in China. That said, one of its more historically curious uses would be the production of ink and dyes. Those are made, or used to be made, at least, from the husk surrounding the nut. The ink could be used to produce drawings – or darken paper to make it look older. It has (as it turned out by the by) excellent archival properties. It was used liberally by many capable and honest artists in the past. A keen observer of the human condition, a Florentine named Leonardo da Vinci never left his house (which featured some pretty interesting interior doors, but that’s a story for another day) … never left it without a vial – and a sketch book. As he took leisurely strolls around the streets and piazzas, he observed folks – socializing, arguing, fighting, striking bargains, and gossiping. Let us mention in passing – and this is merely an opinion, mind you – that his sketches seem to be a great deal livelier than his portraits, which for the most part adhere to the epoch’s somewhat mawkish standards and the algebraic, rather than harmonious, approach to depicting humans. The perpetual beguiling mystery of Mona Lisa’s smile is undoubtedly magnificent, but it is the Tuscan polymath’s quick yet amazingly insightful drawings that give us an idea – oftentimes a very comprehensive one – of what everyday life was truly like in Florence in the Sixteenth Century. An old man gloating at someone’s misfortune, two passionate merchants arguing over the price of some highly important delivery, a young woman lamenting the lack of decent men whom a reasonable person could view as husband material, and on and on – it’s all there in Leonardo’s sketches characterized by masterful lines and elegant shading despite the obvious – and necessary – impetuosity of each sketch. So precious and brilliant are those casual masterpieces that, had the scientifically inclined fellow eliminated the need for outdoor sketching by inventing photography, it would have been an historian’s immeasurable gain, certainly, but also an art lover’s great loss. The idea behind our Walnut Finish is to invoke in the interior door owner a feeling of timeless historicity. Some things change, but others are forever. Stability is an important quality in an interior door, is it not? Rembrandt van Rijn, who also used walnut ink extensively, was a studio artist, with only a few outdoor paintings in his legacy. Truth be told, he was a better draftsman than Leonardo, at least as far as technique goes (don’t let this get around). Well. He lived a century later and had the benefit of all the development art had undergone since the great Italian master. Just like these interior doors – your interior doors – are a huge improvement on anything that was available only twenty years ago, never mind a hundred years ago. The “oscillation” of Rembrandt’s line, the delightful shift from the descriptive to the aesthetic stroke, makes his production in that category quite unique. Upon reaching artistic maturity, the stubborn Dutch master began to shun the unbroken contour line, which caused a lot of trouble for his drawings a century later, when dealers and collectors who wished to “update” his sketches to fit the current fashion had the audacity to “complete” Rembrandt’s pen-and-inks. Fortunately, some of the sketches escaped this sorry fate and have been preserved in their original glorious state to this day. Rembrandt’s mastery is yet another thing this interior door finish might remind you of each time you look at your doors.

3D walkthrough of this house here: https://my.matterport.com/show/?m=T1iJstss6Es

El otro dormitorio destinado para las niñas, se dispuso como sala de estudio, con un gran escritorio, espacio para su piano y añadimos dos pufs en zig zag blancos y negro para relajarse. Aunque las niñas tienen menos de 10 años, los colores no tienen edad ni género y el blanco y el negro son sus colores favoritos, y los que elegimos para esta estancia, añadiendo la madera, que aporta calidez.

トロントにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなアトリエ・スタジオ (黒い壁、ラミネートの床、自立型机、茶色い床) の写真

Designer: Paul Guenette and Photographer: Stacy Sowa
他の地域にある小さなモダンスタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、造り付け机) の写真

Wohnausstatter, Angelo Torres
デュッセルドルフにある小さな北欧スタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、自立型机) の写真

アトランタにある低価格の小さなコンテンポラリースタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、自立型机、グレーの床) の写真

An artful vignette in this home office
バンクーバーにある高級な中くらいなコンテンポラリースタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、自立型机、グレーの床) の写真

デンバーにあるお手頃価格の小さなモダンスタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、茶色い床) の写真

La sala riunione è utilizzabile per meeting di gruppo, videoconferenze, incontri formativi e anche per occasioni conviviali.
トゥーリンにあるお手頃価格の広いモダンスタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、自立型机、グレーの床) の写真

アトランタにある低価格の小さなコンテンポラリースタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、自立型机、グレーの床) の写真

Extra Large Work Room - 10' Ceiling - 8" base boards
ポートランドにある高級な巨大なトラディショナルスタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、茶色い床) の写真

シカゴにあるラグジュアリーな広いコンテンポラリースタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床) の写真

Collocato di fronte all'ingresso, questo spazio accoglie i clienti e ci permette di confrontarci con loro sul progetto.
トゥーリンにあるお手頃価格の広いモダンスタイルのおしゃれなアトリエ・スタジオ (グレーの壁、ラミネートの床、自立型机、グレーの床) の写真

Custom built cabinetry including wall bed and this little niche which functions as storage. Above here is an enclosed cupboard with rail to hang clothes and below further enclosed storage