ホームオフィス・書斎 (カーペット敷き、ラミネートの床) の写真
絞り込み:
資材コスト
並び替え:今日の人気順
写真 2201〜2220 枚目(全 15,376 枚)
1/3
Simon Bray Interiors
Rich rosewood veneer wraps around the curved cabinetry creating an air of luxury. The interior of the shelves has been finished with a pearlescent lacquer that complements the colour and sheen of the wood perfectly.
Darren Chung
Oliver Construction LLC
Photos by Jennifer Oliver and Phil Dhom
シカゴにある中くらいなトラディショナルスタイルのおしゃれなホームオフィス・書斎 (ライブラリー、白い壁、カーペット敷き、造り付け机) の写真
シカゴにある中くらいなトラディショナルスタイルのおしゃれなホームオフィス・書斎 (ライブラリー、白い壁、カーペット敷き、造り付け机) の写真
Metzdorf Designs and TCM Built
French doors off the entry lead you into a comfortable and functional working den/office. Crown molding and wainscoting weave together built-in cabinets and window trim.
Maidesite UK
Organized standing desk for home office. 2 x 27" monitors, laptop and 2 speakers.
他の地域にある低価格の広いインダストリアルスタイルのおしゃれな書斎 (白い壁、カーペット敷き、自立型机、グレーの床) の写真
他の地域にある低価格の広いインダストリアルスタイルのおしゃれな書斎 (白い壁、カーペット敷き、自立型机、グレーの床) の写真
Almesedoors
THE DOOR NAME ORIGIN - "ALLUMINIO ELIVIA VERTICAL WOOD GRAIN 4HS"
Of all the interior door models in the Elivia collection, this one is perhaps the most unapologetically elegant. Why? Hmm … That which is self-evident can be the most difficult to explain. Is it because it is built using the latest breakthroughs in interior door making technology? Look at the finish: the process of applying it utilizes something called “stretching” by professionals, which is to say that instead of simply slapping the finish on top of the interior door’s surface, our company fuses (for lack of a better word) the materials (on molecular level, no less), the result being that the finished product is more warp-resistant, scratch-resistant, and fade-proof than any interior door put together in the past. This is especially important in climates known for their high humidity levels. Yes, but this has more to do with engineering than aesthetics, right? Okay, so, is this interior door super-elegant because ... Show more!
FINISH: WALNUT
When it comes to interior door finishes, walnut may not be king per se, since “different folk have different views,” as the poet said, and it behooves a proper collection of finishes to be thoroughly democratic; but, but … you could view walnut as an important majority leader descended from royalty – like, say, Louis Napoleon back when he was still an elected official and not, as he eventually came to style himself, Napoleon III.
Strictly speaking, a walnut is the seed of a drupaceous nut, and not a true nut in the botanical sense. It is native to Persia (walnut oil is a staple in Iranian cuisine to this day) and North America, even though approximately one half of the world’s production today is done in China.
That said, one of its more historically curious uses would be the production of ink and dyes. Those are made, or used to be made, at least, from the husk surrounding the nut. The ink could be used to produce drawings – or darken paper to make it look older. It has (as it turned out by the by) excellent archival properties. It was used liberally by many capable and honest artists in the past.
A keen observer of the human condition, a Florentine named Leonardo da Vinci never left his house (which featured some pretty interesting interior doors, but that’s a story for another day) … never left it without a vial – and a sketch book.
As he took leisurely strolls around the streets and piazzas, he observed folks – socializing, arguing, fighting, striking bargains, and gossiping. Let us mention in passing – and this is merely an opinion, mind you – that his sketches seem to be a great deal livelier than his portraits, which for the most part adhere to the epoch’s somewhat mawkish standards and the algebraic, rather than harmonious, approach to depicting humans. The perpetual beguiling mystery of Mona Lisa’s smile is undoubtedly magnificent, but it is the Tuscan polymath’s quick yet amazingly insightful drawings that give us an idea – oftentimes a very comprehensive one – of what everyday life was truly like in Florence in the Sixteenth Century. An old man gloating at someone’s misfortune, two passionate merchants arguing over the price of some highly important delivery, a young woman lamenting the lack of decent men whom a reasonable person could view as husband material, and on and on – it’s all there in Leonardo’s sketches characterized by masterful lines and elegant shading despite the obvious – and necessary – impetuosity of each sketch. So precious and brilliant are those casual masterpieces that, had the scientifically inclined fellow eliminated the need for outdoor sketching by inventing photography, it would have been an historian’s immeasurable gain, certainly, but also an art lover’s great loss.
The idea behind our Walnut Finish is to invoke in the interior door owner a feeling of timeless historicity. Some things change, but others are forever. Stability is an important quality in an interior door, is it not?
Rembrandt van Rijn, who also used walnut ink extensively, was a studio artist, with only a few outdoor paintings in his legacy. Truth be told, he was a better draftsman than Leonardo, at least as far as technique goes (don’t let this get around). Well. He lived a century later and had the benefit of all the development art had undergone since the great Italian master. Just like these interior doors – your interior doors – are a huge improvement on anything that was available only twenty years ago, never mind a hundred years ago.
The “oscillation” of Rembrandt’s line, the delightful shift from the descriptive to the aesthetic stroke, makes his production in that category quite unique. Upon reaching artistic maturity, the stubborn Dutch master began to shun the unbroken contour line, which caused a lot of trouble for his drawings a century later, when dealers and collectors who wished to “update” his sketches to fit the current fashion had the audacity to “complete” Rembrandt’s pen-and-inks. Fortunately, some of the sketches escaped this sorry fate and have been preserved in their original glorious state to this day. Rembrandt’s mastery is yet another thing this interior door finish might remind you of each time you look at your doors.
Seasons in Colour
the size of the room is 3m x 3m. This is a Surface View Mural and and Eames chair. Laminate click floor.
Photo: Jenny Kakoudakis
ロンドンにある低価格の小さなエクレクティックスタイルのおしゃれな書斎 (黒い壁、ラミネートの床、自立型机) の写真
ロンドンにある低価格の小さなエクレクティックスタイルのおしゃれな書斎 (黒い壁、ラミネートの床、自立型机) の写真
User
A cozy place to work when you need a break from the formality of the desk area.
Zajac Interiors, LLC
オーランドにあるトラディショナルスタイルのおしゃれなホームオフィス・書斎 (緑の壁、カーペット敷き、造り付け机) の写真
オーランドにあるトラディショナルスタイルのおしゃれなホームオフィス・書斎 (緑の壁、カーペット敷き、造り付け机) の写真
Decorating Den Interiors -Virginia
ワシントンD.C.にある高級な中くらいなトランジショナルスタイルのおしゃれなアトリエ・スタジオ (緑の壁、カーペット敷き、自立型机) の写真
Peter Corcoran Photography Ltd
Peter Corcoran Photography
チェシャーにある高級な中くらいなコンテンポラリースタイルのおしゃれな書斎 (グレーの壁、カーペット敷き、自立型机) の写真
チェシャーにある高級な中くらいなコンテンポラリースタイルのおしゃれな書斎 (グレーの壁、カーペット敷き、自立型机) の写真
S. B. Long Interiors
Masculine home office. Photographed by Don Freeman
ダラスにあるラグジュアリーな広いトラディショナルスタイルのおしゃれなホームオフィス・書斎 (ライブラリー、青い壁、カーペット敷き、標準型暖炉、木材の暖炉まわり、自立型机、ベージュの床) の写真
ダラスにあるラグジュアリーな広いトラディショナルスタイルのおしゃれなホームオフィス・書斎 (ライブラリー、青い壁、カーペット敷き、標準型暖炉、木材の暖炉まわり、自立型机、ベージュの床) の写真
Mavella Home
A Hamptons inspired home office and lounge featuring a double desk/entertainment custom built-in and a separate seating area.
デトロイトにある中くらいなビーチスタイルのおしゃれな書斎 (グレーの壁、カーペット敷き、造り付け机、ベージュの床、白い天井、羽目板の壁) の写真
デトロイトにある中くらいなビーチスタイルのおしゃれな書斎 (グレーの壁、カーペット敷き、造り付け机、ベージュの床、白い天井、羽目板の壁) の写真
Matter Design & Make Pty Ltd
Our client's barristers' chambers reception was long overdue for a revamp. Some of the key areas of improvement involved outdated design alongside poor functionality of the existing cabinetry and furniture. In 2017, we worked closely with interior designer Alexandra Brown to refresh the space whilst maintaining some of its classic elements. After interviewing staff to find out what functionality would best suit them, we devised a furniture design brief to strike a balance between contemporary and classic. After studying traditional barristers’ chambers from Europe, we were inspired by dark, rich timbers frequently featured like mahogany. To add more of an Australian flair, we selected a local timber called Spotted Gum.
In keeping with the contemporary aspect of the design brief, we reduced the details down to essential functional components with subtle geometric elements that added interest. Working together with Alexandra Brown, we then contrasted the darker colours of the furniture with light, fresh wall colours and free-standing furniture. In combining Matter’s unique abilities in the design and making process, we were able to create custom organisational drawers, shelving and nooks that have been warmly welcomed by staff for both their functionally and aesthetic. One of the most important considerations of this project was to create varying heights of counter-tops to give better access to people with disabilities. This has created a more open and inviting workplace for both staff and clients alike.
Tim Barber Architects
Interior design by Tineke Triggs of Artistic Designs for Living. Photography by Laura Hull.
サンフランシスコにあるラグジュアリーな広いトラディショナルスタイルのおしゃれな書斎 (緑の壁、カーペット敷き、暖炉なし、自立型机、マルチカラーの床) の写真
サンフランシスコにあるラグジュアリーな広いトラディショナルスタイルのおしゃれな書斎 (緑の壁、カーペット敷き、暖炉なし、自立型机、マルチカラーの床) の写真
Smith & Noble
Reeds, bamboo and grasses bring the outdoors into your indoors. Rich in texture, warm in appearance, our custom Natural Woven Shades filter light softly, subtly and naturally. Woven by skilled artisans on hand-fed looms, each material is a work of art.
ホームオフィス・書斎 (カーペット敷き、ラミネートの床) の写真
111