The homeowners had a very specific vision for their large daylight basement. To begin, Neil Kelly's team, led by Portland Design Consultant Fabian Genovesi, took down numerous walls to completely open up the space, including the ceilings, and removed carpet to expose the concrete flooring. The concrete flooring was repaired, resurfaced and sealed with cracks in tact for authenticity. Beams and ductwork were left exposed, yet refined, with additional piping to conceal electrical and gas lines. Century-old reclaimed brick was hand-picked by the homeowner for the east interior wall, encasing stained glass windows which were are also reclaimed and more than 100 years old. Aluminum bar-top seating areas in two spaces. A media center with custom cabinetry and pistons repurposed as cabinet pulls. And the star of the show, a full 4-seat wet bar with custom glass shelving, more custom cabinetry, and an integrated television-- one of 3 TVs in the space. The new one-of-a-kind basement has room for a professional 10-person poker table, pool table, 14' shuffleboard table, and plush seating.

Modern Mediterranean open bar with a combination of walnut wood and antiqued Taj Mahal Quartz Stone. White Marble 3 dimensional stone backspash. The walnut wood shelves are edge lit with LED strips. Furniture and decor by Clutch Modern

他の地域にある中くらいなインダストリアルスタイルのおしゃれな着席型バー (コの字型、茶色いキッチンパネル、石タイルのキッチンパネル、コンクリートの床、茶色い床、黒いキッチンカウンター) の写真

Photography by John Lichtwarft
ロサンゼルスにあるラグジュアリーな広い地中海スタイルのおしゃれなウェット バー (アンダーカウンターシンク、落し込みパネル扉のキャビネット、濃色木目調キャビネット、クオーツストーンカウンター、ベージュキッチンパネル、セラミックタイルのキッチンパネル、コンクリートの床、マルチカラーの床、ベージュのキッチンカウンター) の写真

ミネアポリスにあるトランジショナルスタイルのおしゃれなウェット バー (I型、ドロップインシンク、フラットパネル扉のキャビネット、青いキャビネット、茶色い床、グレーのキッチンカウンター、コンクリートの床) の写真

Mountain Peek is a custom residence located within the Yellowstone Club in Big Sky, Montana. The layout of the home was heavily influenced by the site. Instead of building up vertically the floor plan reaches out horizontally with slight elevations between different spaces. This allowed for beautiful views from every space and also gave us the ability to play with roof heights for each individual space. Natural stone and rustic wood are accented by steal beams and metal work throughout the home. (photos by Whitney Kamman)

オレンジカウンティにあるコンテンポラリースタイルのおしゃれな着席型バー (L型、ベージュの床、オープンシェルフ、濃色木目調キャビネット、オニキスカウンター、コンクリートの床) の写真

Wet bar won't even begin to describe this bar area created for a couple who entertains as much as possible.
デトロイトにある広いコンテンポラリースタイルのおしゃれなウェット バー (L型、アンダーカウンターシンク、落し込みパネル扉のキャビネット、濃色木目調キャビネット、クオーツストーンカウンター、コンクリートの床、グレーの床、グレーのキッチンカウンター) の写真

サンフランシスコにあるコンテンポラリースタイルのおしゃれなホームバー (フラットパネル扉のキャビネット、濃色木目調キャビネット、黒いキッチンパネル、コンクリートの床、グレーの床、白いキッチンカウンター) の写真

サンディエゴにある高級な中くらいなモダンスタイルのおしゃれな着席型バー (ll型、黒いキャビネット、オニキスカウンター、塗装フローリング、黒い床、オープンシェルフ) の写真

フィラデルフィアにあるラグジュアリーな巨大なラスティックスタイルのおしゃれな着席型バー (I型、濃色木目調キャビネット、木材カウンター、マルチカラーのキッチンパネル、石タイルのキッチンパネル、コンクリートの床、シェーカースタイル扉のキャビネット) の写真

ロサンゼルスにある高級な小さなコンテンポラリースタイルのおしゃれなウェット バー (L型、アンダーカウンターシンク、フラットパネル扉のキャビネット、淡色木目調キャビネット、ガラスタイルのキッチンパネル、コルクフローリング、大理石カウンター、グレーのキッチンパネル) の写真

インディアナポリスにあるラグジュアリーな広い地中海スタイルのおしゃれな着席型バー (ll型、ガラス扉のキャビネット、濃色木目調キャビネット、御影石カウンター、ライムストーンの床) の写真

A pair of hand carved leprechauns for an Irish pub style bar designed by architect Jim McNeil.
ミネアポリスにあるトラディショナルスタイルのおしゃれな着席型バー (コンクリートの床、ll型、ドロップインシンク、落し込みパネル扉のキャビネット、濃色木目調キャビネット、木材カウンター、茶色いキッチンカウンター) の写真

Home Bar Area
他の地域にあるラグジュアリーな広いエクレクティックスタイルのおしゃれな着席型バー (L型、アンダーカウンターシンク、落し込みパネル扉のキャビネット、黒いキャビネット、木材カウンター、ミラータイルのキッチンパネル、コンクリートの床、グレーの床、茶色いキッチンカウンター) の写真

サンフランシスコにあるモダンスタイルのおしゃれなウェット バー (I型、アンダーカウンターシンク、淡色木目調キャビネット、木材のキッチンパネル、コンクリートの床、グレーの床) の写真

Basement wet bar with stikwood wall, industrial pipe shelving, beverage cooler, and microwave.
シカゴにある高級な中くらいなトランジショナルスタイルのおしゃれなウェット バー (I型、アンダーカウンターシンク、シェーカースタイル扉のキャビネット、青いキャビネット、珪岩カウンター、茶色いキッチンパネル、木材のキッチンパネル、コンクリートの床、グレーの床、マルチカラーのキッチンカウンター) の写真

Seating Area
シアトルにある広いラスティックスタイルのおしゃれな着席型バー (木材カウンター、コンクリートの床、グレーの床、茶色いキッチンカウンター) の写真

Interior - Games room and Snooker room with Home Bar Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/