デトロイトにある中くらいなカントリー風のおしゃれなウェット バー (I型、シンクなし、シェーカースタイル扉のキャビネット、白いキャビネット、クオーツストーンカウンター、白いキッチンパネル、木材のキッチンパネル、無垢フローリング、茶色い床、グレーのキッチンカウンター) の写真

ヒューストンにある高級な中くらいなビーチスタイルのおしゃれなウェット バー (コの字型、ドロップインシンク、グレーのキャビネット、御影石カウンター、ミラータイルのキッチンパネル、グレーのキッチンカウンター、ガラス扉のキャビネット) の写真

シカゴにあるコンテンポラリースタイルのおしゃれなウェット バー (L型、アンダーカウンターシンク、フラットパネル扉のキャビネット、黒いキャビネット、コンクリートカウンター、マルチカラーのキッチンパネル、クオーツストーンのキッチンパネル、コンクリートの床、グレーの床、グレーのキッチンカウンター) の写真

グランドラピッズにあるコンテンポラリースタイルのおしゃれなウェット バー (アンダーカウンターシンク、フラットパネル扉のキャビネット、白いキャビネット、コンクリートカウンター、白いキッチンパネル、セラミックタイルのキッチンパネル、淡色無垢フローリング、グレーのキッチンカウンター) の写真

ロサンゼルスにあるトラディショナルスタイルのおしゃれなウェット バー (アンダーカウンターシンク、大理石カウンター、ミラータイルのキッチンパネル、濃色無垢フローリング、茶色い床、グレーのキッチンカウンター) の写真

This wet bar is situated in a corner of the dining room adjacent to the screened porch entrance for easy warm weather serving. Black shaker cabinets with antiqued glass fall in with the old glass of the original Dutch door.

Situated on prime waterfront slip, the Pine Tree House could float we used so much wood. This project consisted of a complete package. Built-In lacquer wall unit with custom cabinetry & LED lights, walnut floating vanities, credenzas, walnut slat wood bar with antique mirror backing.

オースティンにある小さなカントリー風のおしゃれなウェット バー (I型、シェーカースタイル扉のキャビネット、白いキャビネット、緑のキッチンパネル、ボーダータイルのキッチンパネル、無垢フローリング、茶色い床、グレーのキッチンカウンター) の写真

Loft apartment gets a custom home bar complete with liquor storage and prep area. Shelving and slab backsplash make this a unique spot for entertaining.

ヒューストンにある中くらいなエクレクティックスタイルのおしゃれなウェット バー (L型、アンダーカウンターシンク、レイズドパネル扉のキャビネット、白いキャビネット、大理石カウンター、グレーのキッチンパネル、セメントタイルのキッチンパネル、濃色無垢フローリング、茶色い床、グレーのキッチンカウンター) の写真

Interior - Games room and Snooker room with Home Bar Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

This is a Wet Bar we recently installed in a Granite Bay Home. Using "Rugged Concrete" CaesarStone. What's very unique about this is that there's a 7" Mitered Edge dropping down from the raised bar to the counter below. Very cool idea & we're so happy that the customer loves the way it came out.

ダラスにあるラグジュアリーな中くらいなモダンスタイルのおしゃれなウェット バー (コの字型、アンダーカウンターシンク、ガラス扉のキャビネット、濃色木目調キャビネット、クオーツストーンカウンター、マルチカラーのキッチンパネル、石スラブのキッチンパネル、グレーのキッチンカウンター) の写真

Jim Westphalen Photography
バーリントンにあるカントリー風のおしゃれなウェット バー (I型、一体型シンク、シェーカースタイル扉のキャビネット、青いキャビネット、ステンレスカウンター、グレーのキッチンパネル、グレーの床、グレーのキッチンカウンター) の写真

A decidedly modern, no-nonsense vibe permeates this 2018 kitchen remodel in Huntington Woods. Sleek gray and white cabinets feature flush mounted pulls reminiscent of filing cabinets. Hardworking Viking appliances and an industrial looking citrus juicer stand ready to get things done. Minimalist bar stools tuck neatly away beneath the extended island countertop. The one-handled, high arc faucet with gourmet spray joins an under-mount sink in front of an unadorned new picture window. Contemporary French doors by Weather Shield flank either side of the sink to create a calming sense of symmetry and balance. A second glance reveals understated touches that soften the edges of the kitchen to make it inviting and comfortable. Etched glass doors grace the upper cabinets in the side pantry. The stainless steel backsplashes wear a subtle, circular rubbed sheen. A trio of delicately bent glass pendants reminiscent of glowing Asian paper lanterns hover serenely above the length of the island's waterfalled countertop. The quartzite countertops themselves appear soft, almost like translucent origami paper that has been lovingly folded, refolded, and smoothed back out. The countertop edges are mitered and gently square to cascade to the floor with a graceful waterfall effect down to the walnut floors. The initial room design included a walk-in pantry, which during construction was transformed into an open wine bar with finished cabinetry. The square stepped ceiling detail symmetrically positioned over the island is the pleasing result of dropping the ceiling by two inches to conceal an original dropped beam. The finished design honors the spirit of the home's original design while ushering it graciously into the present day.

Jay Sinclair
他の地域にある中くらいなトラディショナルスタイルのおしゃれなウェット バー (I型、アンダーカウンターシンク、落し込みパネル扉のキャビネット、ヴィンテージ仕上げキャビネット、大理石カウンター、グレーのキッチンパネル、大理石のキッチンパネル、淡色無垢フローリング、茶色い床、グレーのキッチンカウンター) の写真

カンザスシティにある中くらいなトランジショナルスタイルのおしゃれなウェット バー (I型、シェーカースタイル扉のキャビネット、白いキャビネット、御影石カウンター、グレーのキッチンカウンター) の写真

ヒューストンにある高級な中くらいなビーチスタイルのおしゃれなウェット バー (コの字型、ドロップインシンク、落し込みパネル扉のキャビネット、グレーのキャビネット、御影石カウンター、ミラータイルのキッチンパネル、無垢フローリング、茶色い床、グレーのキッチンカウンター) の写真

Julia Lynn
チャールストンにあるビーチスタイルのおしゃれなウェット バー (I型、アンダーカウンターシンク、白いキャビネット、青いキッチンパネル、無垢フローリング、茶色い床、グレーのキッチンカウンター) の写真