他の地域にある高級な小さなトランジショナルスタイルのおしゃれなウェット バー (I型、アンダーカウンターシンク、シェーカースタイル扉のキャビネット、青いキャビネット、クオーツストーンカウンター、黒いキッチンパネル、磁器タイルのキッチンパネル、無垢フローリング、茶色い床、黒いキッチンカウンター) の写真

ニューヨークにある高級な中くらいなビーチスタイルのおしゃれなウェット バー (I型、アンダーカウンターシンク、シェーカースタイル扉のキャビネット、青いキャビネット、クオーツストーンカウンター、グレーのキッチンパネル、磁器タイルのキッチンパネル、淡色無垢フローリング、茶色い床、白いキッチンカウンター) の写真

8-foot Wet Bar
アトランタにあるお手頃価格の中くらいなトラディショナルスタイルのおしゃれなウェット バー (I型、アンダーカウンターシンク、レイズドパネル扉のキャビネット、グレーのキャビネット、御影石カウンター、茶色いキッチンパネル、磁器タイルのキッチンパネル、トラバーチンの床、茶色い床) の写真

ワシントンD.C.にある高級な中くらいな北欧スタイルのおしゃれなウェット バー (ll型、シェーカースタイル扉のキャビネット、緑のキャビネット、大理石カウンター、白いキッチンパネル、石スラブのキッチンパネル、白いキッチンカウンター) の写真

Loft apartment gets a custom home bar complete with liquor storage and prep area. Shelving and slab backsplash make this a unique spot for entertaining.

Despite the rustic look, the custom glass and cabinets made the room look modern and clean. I enjoy the balance of the two design elements.
ローリーにある高級な小さなラスティックスタイルのおしゃれなウェット バー (アンダーカウンターシンク、ガラス扉のキャビネット、淡色木目調キャビネット、木材カウンター、グレーのキッチンパネル、石スラブのキッチンパネル、濃色無垢フローリング、茶色い床) の写真

ダラスにある小さなコンテンポラリースタイルのおしゃれなウェット バー (I型、シェーカースタイル扉のキャビネット、グレーのキャビネット、大理石カウンター、グレーのキッチンパネル、石スラブのキッチンパネル、濃色無垢フローリング) の写真

The butler's pantry is lined in deep blue cabinets with intricate details on the glass doors. The ceiling is also lined in wood panels to make the space and enclosed jewel. Interior Design by Ashley Whitakker.

ニューヨークにあるトランジショナルスタイルのおしゃれなウェット バー (I型、アンダーカウンターシンク、フラットパネル扉のキャビネット、中間色木目調キャビネット、珪岩カウンター、白いキッチンパネル、石スラブのキッチンパネル、白いキッチンカウンター) の写真

Home wet bar with unique white tile and light hardwood floors. Industrial seating and lighting add to the space and the custom wine rack round out the open layout space.

Interior - Games room and Snooker room with Home Bar Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

オレンジカウンティにある中くらいなトランジショナルスタイルのおしゃれなウェット バー (L型、アンダーカウンターシンク、シェーカースタイル扉のキャビネット、白いキャビネット、御影石カウンター、白いキッチンパネル、磁器タイルのキッチンパネル、無垢フローリング、茶色い床、ベージュのキッチンカウンター) の写真

1000 Words Marketing
シカゴにあるお手頃価格の中くらいなトランジショナルスタイルのおしゃれなウェット バー (ll型、落し込みパネル扉のキャビネット、青いキャビネット、クオーツストーンカウンター、白いキッチンパネル、磁器タイルのキッチンパネル、無垢フローリング、茶色い床、白いキッチンカウンター) の写真

ダラスにあるラグジュアリーな中くらいなモダンスタイルのおしゃれなウェット バー (コの字型、アンダーカウンターシンク、ガラス扉のキャビネット、濃色木目調キャビネット、クオーツストーンカウンター、マルチカラーのキッチンパネル、石スラブのキッチンパネル、グレーのキッチンカウンター) の写真

Eric Hausman
シカゴにある高級な中くらいなコンテンポラリースタイルのおしゃれなウェット バー (L型、フラットパネル扉のキャビネット、グレーのキャビネット、白いキッチンパネル、石スラブのキッチンパネル、アンダーカウンターシンク、濃色無垢フローリング、茶色い床、白いキッチンカウンター) の写真

Carl Eschenburg
デトロイトにあるお手頃価格の小さなコンテンポラリースタイルのおしゃれなウェット バー (I型、ドロップインシンク、フラットパネル扉のキャビネット、濃色木目調キャビネット、人工大理石カウンター、白いキッチンパネル、磁器タイルのキッチンパネル、濃色無垢フローリング、茶色い床) の写真

When United Marble Fabricators was hired by builders Adams & Beasley Associates to furnish, fabricate, and install all of the stone and tile in this unique two-story penthouse within the Four Seasons in Boston’s Back Bay, the immediate focus of nearly all parties involved was more on the stunning views of Boston Common than of the stone and tile surfaces that would eventually adorn the kitchen and bathrooms. That entire focus, however, would quickly shift to the meticulously designed first floor wet bar nestled into the corner of the two-story living room. Lewis Interiors and Adams & Beasley Associates designed a wet bar that would attract attention, specifying ¾ inch Honey Onyx for the bar countertop and full-height backsplash. LED panels would be installed behind the backsplash to illuminate the entire surface without creating any “hot spots” traditionally associated with backlighting of natural stone. As the design process evolved, it was decided that the originally specified glass shelves with wood nosing would be replaced with PPG Starphire ultra-clear glass that was to be rabbeted into the ¾ inch onyx backsplash so that the floating shelves would appear to be glowing as they floated, uninterrupted by moldings of any other materials. The team first crafted and installed the backsplash, which was fabricated from shop drawings, delivered to the 15th floor by elevator, and installed prior to any base cabinetry. The countertops were fabricated with a 2 inch mitered edge with an eased edge profile, and a 4 inch backsplash was installed to meet the illuminated full-height backsplash. The spirit of collaboration was alive and well on this project as the skilled fabricators and installers of both stone and millwork worked interdependently with the singular goal of a striking wet bar that would captivate any and all guests of this stunning penthouse unit and rival the sweeping views of Boston Common

サンフランシスコにある高級な小さなコンテンポラリースタイルのおしゃれなウェット バー (I型、アンダーカウンターシンク、フラットパネル扉のキャビネット、グレーのキャビネット、クオーツストーンカウンター、白いキッチンパネル、石スラブのキッチンパネル、濃色無垢フローリング) の写真

Atlanta Homes & Lifestyles Home for the Holidays Designer Showhouse. Lumix quartzite from Levantina USA Atlanta Stone Center. Fabrication- Atlanta Kitchen, Inc. Construction Resources LLC. Cabinetry- Kingdom Woodworks. Styling: Thea Beasley. Photographer: Galina Juliana.