Australia, Museum Boola Bardip. Agglotech focus on technical assets with custom cuts and colors but also on view feelings. Spiral staircases to step through time and place and merge with the infinite. Project: WA Museum Boola Bardip. City: Perth, Australia Color: Custom Color Find more on our website: www.ollinstone.com

From the very first site visit the vision has been to capture the magnificent view and find ways to frame, surprise and combine it with movement through the building. This has been achieved in a Picturesque way by tantalising and choreographing the viewer’s experience. The public-facing facade is muted with simple rendered panels, large overhanging roofs and a single point of entry, taking inspiration from Katsura Palace in Kyoto, Japan. Upon entering the cavernous and womb-like space the eye is drawn to a framed view of the Indian Ocean while the stair draws one down into the main house. Below, the panoramic vista opens up, book-ended by granitic cliffs, capped with lush tropical forests. At the lower living level, the boundary between interior and veranda blur and the infinity pool seemingly flows into the ocean. Behind the stair, half a level up, the private sleeping quarters are concealed from view. Upstairs at entrance level, is a guest bedroom with en-suite bathroom, laundry, storage room and double garage. In addition, the family play-room on this level enjoys superb views in all directions towards the ocean and back into the house via an internal window. In contrast, the annex is on one level, though it retains all the charm and rigour of its bigger sibling. Internally, the colour and material scheme is minimalist with painted concrete and render forming the backdrop to the occasional, understated touches of steel, timber panelling and terrazzo. Externally, the facade starts as a rusticated rougher render base, becoming refined as it ascends the building. The composition of aluminium windows gives an overall impression of elegance, proportion and beauty. Both internally and externally, the structure is exposed and celebrated.

Polished concrete feature wall with resin floor
ロンドンにある高級な広いモダンスタイルのおしゃれな廊下 (グレーの壁、テラゾーの床、グレーの床) の写真

サセックスにある広いエクレクティックスタイルのおしゃれな廊下 (黄色い壁、テラゾーの床、グレーの床) の写真

Zona de recibiduor oficinas.
他の地域にある広いコンテンポラリースタイルのおしゃれな廊下 (ベージュの壁、テラゾーの床、グレーの床、塗装板張りの天井、壁紙) の写真

Zona de pasillo de oficinas.
他の地域にある広いコンテンポラリースタイルのおしゃれな廊下 (ベージュの壁、テラゾーの床、グレーの床、塗装板張りの天井、壁紙) の写真

Vrak – Museum of Wrecks Stockholm, Sweden The maritime archeological museum Vrak – Museum of Wrecks takes visitors on an immersive journey among the historical wrecks and relics of the Baltic Sea with the aid of digital technology. Agglotech marble-cement cladding was selected to lend distinctive character and sophistication to the architecture of this Swedish attraction.

From the very first site visit the vision has been to capture the magnificent view and find ways to frame, surprise and combine it with movement through the building. This has been achieved in a Picturesque way by tantalising and choreographing the viewer’s experience. The public-facing facade is muted with simple rendered panels, large overhanging roofs and a single point of entry, taking inspiration from Katsura Palace in Kyoto, Japan. Upon entering the cavernous and womb-like space the eye is drawn to a framed view of the Indian Ocean while the stair draws one down into the main house. Below, the panoramic vista opens up, book-ended by granitic cliffs, capped with lush tropical forests. At the lower living level, the boundary between interior and veranda blur and the infinity pool seemingly flows into the ocean. Behind the stair, half a level up, the private sleeping quarters are concealed from view. Upstairs at entrance level, is a guest bedroom with en-suite bathroom, laundry, storage room and double garage. In addition, the family play-room on this level enjoys superb views in all directions towards the ocean and back into the house via an internal window. In contrast, the annex is on one level, though it retains all the charm and rigour of its bigger sibling. Internally, the colour and material scheme is minimalist with painted concrete and render forming the backdrop to the occasional, understated touches of steel, timber panelling and terrazzo. Externally, the facade starts as a rusticated rougher render base, becoming refined as it ascends the building. The composition of aluminium windows gives an overall impression of elegance, proportion and beauty. Both internally and externally, the structure is exposed and celebrated.

Marienturm – Frankfurt Frankfurt, Germany In the heart of Frankfurt’s business district, on the Marieninsel, rises an exciting new office tower, the Marienturm, that features a sophisticated interplay of architecture and interior design. Thomas Müller Ivan Reimann Architects and the interior designer Patricia Urquiola chose Agglotech’s marble cement for the interior flooring and for the cladding on a number of walls.

Our many talents enable Agglotech to execute countless types of projects each and every day, from the retail outlets of major fashion houses to prestigious business offices around the world, including our highly popular exterior cladding for entire buildings.

MixC Mall, Shenzhen Shenzhen, China Agglotech terrazzo is the highlight of the elegant, welcoming atmosphere of the lounge room in the residential and commercial property known as Solna Port, in Sweden. Our SB130 Aggloceppo for the tables was provided by way of our Swedish partner Svensk Terrazzo-Teknik.

Mykonos Meets Miami Sydney, Australia In Sydney, the capital of the Australian state of New South Wales and one of the Australia’s largest cities, there is an oasis of pure beauty, the work of the design studio Sheira Design. The interior of this luxurious home are exalted by Agglotech’s Seminato Veneziano collection of terrazzo, transforming it from mere cladding to a true work of art.

Agglotech Verona, Italy Here at Agglotech, when we refurbished and expanded our Verona offices (in Via Monte Santa Viola), we took the opportunity to try out our own marble cement as exterior cladding using the Fischer Genius system. For the interior, we honed and caulked the terrazzo flooring on site to achieve perfectly level and smooth surfaces.

The cutting-edge technology and versatility we have developed over the years have resulted in four main line of Agglotech terrazzo — Classico. Our traditional terrazzo with mid-sized marble chips is a favorite in the fashion, luxury-goods and interior-design industries for the undisputed elegance of its color tones.

Our terrazzo is a favorite of architects and architectural design firms. We like to think of marble agglomerate as a modern Venetian terrazzo that, thanks to its great style and performance, is the perfect solution for an endless array of projects, from the retail outlets of major fashion houses to prestigious business offices around the world, as well as for the exterior cladding for entire buildings.

The cutting-edge technology and versatility we have developed over the years have resulted in four main line of Agglotech terrazzo — Unico. Small chips and contrasting background for a harmonious interplay of perspectives that lends this material vibrancy and depth.

We like to think of marble agglomerate as a modern Venetian terrazzo that, thanks to its great style and performance, is the perfect solution for an endless array of projects, from the retail outlets of major fashion houses to prestigious business offices around the world, as well as for the exterior cladding for entire buildings. Constant investment in technology throughout the production process ensures certified high standards of quality, and our high level of production capacity.

Zona de pasillos de oficinas.
他の地域にある広いコンテンポラリースタイルのおしゃれな廊下 (ベージュの壁、テラゾーの床、グレーの床、塗装板張りの天井、壁紙) の写真

United Arrows Taipei, Taiwan The renowned Japanese clothing brand United Arrows has also chosen Agglotech for the flooring of their Taiwan store. The Venetian terrazzo used for the flooring inside the store features an exclusive, custom-designed color and was provided by our partner Winni Stone.