Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

The south facing view of the Privacy House has a 13' high window wall. Primary colors inspired by flags were used to organize the exterior spaces. To the right of the deck is a floating cypress screen which affords privacy for the owners when viewed from the street. Photo by Keith Isaacs.

The homeowners sought to create a modest, modern, lakeside cottage, nestled into a narrow lot in Tonka Bay. The site inspired a modified shotgun-style floor plan, with rooms laid out in succession from front to back. Simple and authentic materials provide a soft and inviting palette for this modern home. Wood finishes in both warm and soft grey tones complement a combination of clean white walls, blue glass tiles, steel frames, and concrete surfaces. Sustainable strategies were incorporated to provide healthy living and a net-positive-energy-use home. Onsite geothermal, solar panels, battery storage, insulation systems, and triple-pane windows combine to provide independence from frequent power outages and supply excess power to the electrical grid. Photos by Corey Gaffer

Carriage house, laneway house, in-law suite, investment property, seasonal rental, long-term rental.
バンクーバーにある小さなトランジショナルスタイルのおしゃれな家の外観 (混合材サイディング、緑化屋根) の写真

Photographer: Matthew Hutchison
シカゴにある低価格の小さなトラディショナルスタイルのおしゃれな家の外観 (緑化屋根) の写真

Maison bois passive sous bardage Merbeau e Fundermax noir.
パリにある低価格の小さなコンテンポラリースタイルのおしゃれな家の外観 (緑化屋根) の写真

This project is a remodel of and extension to a modest suburban semi detached property. The scheme involved a complete remodel of the existing building, integrating existing spaces with the newly created spaces for living, dining and cooking. A keen cook, an important aspect of the brief was to incorporate a substantial back kitchen to service the main kitchen for entertaining during larger gatherings. Keen to express a clear distinction between the old and the new, with a fondness of industrial details, the client embraced the proposal to expose structural elements and keep to a minimal material palette. Initially daunted by the prospect of substantial home improvement works, yet faced with the dilemma of being unable to find a property that met their needs in a locality in which they wanted to continue to live, Group D's management of the project has enabled the client to remain in an area they love in a home that serves their needs.

The house is located on a hillside overlooking the Colorado River and mountains beyond. It is designed for a young couple with two children, and grandparents who come to visit and stay for certain period of time. The house consists of a L shaped two-story volume connected by a one-story base. A courtyard with a reflection pool is located in the heart of the house, bringing daylight and fresh air into the surrounding rooms. The main living areas are positioned on the south end and open up for sunlight and uninterrupted views out to the mountains. Outside the dining and living rooms is a covered terrace with a fire place on one end, a place to get directly connected with natural surroundings. Wood screens are located at along windows and the terrace facing south, the screens can move to different positions to block unwanted sun light at different time of the day. The house is mainly made of concrete with large glass windows and sliding doors that bring in daylight and permit natural ventilation. The design intends to create a structure that people can perceive and appreciate both the “raw” nature outside the house: the mountain, the river and the trees, and also the “abstract” natural phenomena filtered through the structure, such as the reflection pool, the sound of rain water dropping into the pool, the light and shadow play by the sun penetrating through the windows, and the wind flowing through the space.

Lower-level view of the remodeled balcony, showing vine screen wall and juliet balcony outlook point.
オースティンにある低価格の小さなモダンスタイルのおしゃれな家の外観 (緑化屋根、漆喰サイディング) の写真

Photographer: Matthew Hutchison
シカゴにある低価格の小さなトラディショナルスタイルのおしゃれな家の外観 (緑化屋根) の写真

ポートランド(メイン)にある高級な小さな北欧スタイルのおしゃれな家の外観 (緑化屋根) の写真

The house is located on a hillside overlooking the Colorado River and mountains beyond. It is designed for a young couple with two children, and grandparents who come to visit and stay for certain period of time. The house consists of a L shaped two-story volume connected by a one-story base. A courtyard with a reflection pool is located in the heart of the house, bringing daylight and fresh air into the surrounding rooms. The main living areas are positioned on the south end and open up for sunlight and uninterrupted views out to the mountains. Outside the dining and living rooms is a covered terrace with a fire place on one end, a place to get directly connected with natural surroundings. Wood screens are located at along windows and the terrace facing south, the screens can move to different positions to block unwanted sun light at different time of the day. The house is mainly made of concrete with large glass windows and sliding doors that bring in daylight and permit natural ventilation. The design intends to create a structure that people can perceive and appreciate both the “raw” nature outside the house: the mountain, the river and the trees, and also the “abstract” natural phenomena filtered through the structure, such as the reflection pool, the sound of rain water dropping into the pool, the light and shadow play by the sun penetrating through the windows, and the wind flowing through the space.

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

The cypress screening detail on the east side of the house facing the street gives the owners the privacy they wanted. Photo by Keith Isaacs.
ローリーにある高級な小さなミッドセンチュリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、緑化屋根) の写真

他の地域にあるラグジュアリーな小さなビーチスタイルのおしゃれな家の外観 (タウンハウス、緑化屋根) の写真

Fotos Marc Pejot
小さなコンテンポラリースタイルのおしゃれな家の外観 (緑化屋根) の写真

This project is a remodel of and extension to a modest suburban semi detached property. The scheme involved a complete remodel of the existing building, integrating existing spaces with the newly created spaces for living, dining and cooking. A keen cook, an important aspect of the brief was to incorporate a substantial back kitchen to service the main kitchen for entertaining during larger gatherings. Keen to express a clear distinction between the old and the new, with a fondness of industrial details, the client embraced the proposal to expose structural elements and keep to a minimal material palette. Initially daunted by the prospect of substantial home improvement works, yet faced with the dilemma of being unable to find a property that met their needs in a locality in which they wanted to continue to live, Group D's management of the project has enabled the client to remain in an area they love in a home that serves their needs.

This 800sf cottage was created from the footprint of the original 1940's single car garage. This west facing elevation used to be the garage front, now the entry to this 2 bedroom 2 bath guest house. Photos by Soundview Photography

Carriage house, laneway house, in-law suite, investment property, seasonal rental, long-term rental.
バンクーバーにある小さなトランジショナルスタイルのおしゃれな家の外観 (混合材サイディング、緑化屋根) の写真