ミネアポリスにあるラスティックスタイルのおしゃれな家の外観 (緑の外壁) の写真

The front of the house features an open porch, a common feature in the neighborhood. Stairs leading up to it are tucked behind one of a pair of brick walls. The brick was installed with raked (recessed) horizontal joints which soften the overall scale of the walls. The clerestory windows topping the taller of the brick walls bring light into the foyer and a large closet without sacrificing privacy. The living room windows feature a slight tint which provides a greater sense of privacy during the day without having to draw the drapes. An overhang lined on its underside in stained cedar leads to the entry door which again is hidden by one of the brick walls.

シカゴにあるカントリー風のおしゃれな家の外観 (混合材屋根) の写真

他の地域にある高級な中くらいなカントリー風のおしゃれな家の外観の写真

Neighbors knew this house as the "spooky" house on the block because of its overgrown front yard. I removed all the brush and sliced an opening through the existing stone garden wall. I designed a modern, geometric stamped concrete entry walk to lead your eye front to the front entry door. Mass plantings of native ornamental grasses and blooming perennials provide a sustainable and low maintenance front landscape design. Linda Oyama Bryan Photography

Outdoor deck at Custom Residence
ロサンゼルスにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材屋根) の写真

Located on an established corner in the neighbourhood of Killarney in Calgary, AB, this new single-family custom home was designed to make a lasting impression. With a striking rectangular design and plenty of modern clean lines, this home is full of character. Materials include smooth stucco, horizontal siding, brick, metal panelling and cedar accents – and of course, the large glass windows that are a hallmark of modern architecture. The expansive windows wrap around the corners to let the light pour into the interior from multiple sides. Rather than incorporating the garage front and center like many contemporary homes, the home has a simple walkway to its stylish asymmetrical front entrance (the garage is located to the side of the home).

The client’s request was quite common - a typical 2800 sf builder home with 3 bedrooms, 2 baths, living space, and den. However, their desire was for this to be “anything but common.” The result is an innovative update on the production home for the modern era, and serves as a direct counterpoint to the neighborhood and its more conventional suburban housing stock, which focus views to the backyard and seeks to nullify the unique qualities and challenges of topography and the natural environment. The Terraced House cautiously steps down the site’s steep topography, resulting in a more nuanced approach to site development than cutting and filling that is so common in the builder homes of the area. The compact house opens up in very focused views that capture the natural wooded setting, while masking the sounds and views of the directly adjacent roadway. The main living spaces face this major roadway, effectively flipping the typical orientation of a suburban home, and the main entrance pulls visitors up to the second floor and halfway through the site, providing a sense of procession and privacy absent in the typical suburban home. Clad in a custom rain screen that reflects the wood of the surrounding landscape - while providing a glimpse into the interior tones that are used. The stepping “wood boxes” rest on a series of concrete walls that organize the site, retain the earth, and - in conjunction with the wood veneer panels - provide a subtle organic texture to the composition. The interior spaces wrap around an interior knuckle that houses public zones and vertical circulation - allowing more private spaces to exist at the edges of the building. The windows get larger and more frequent as they ascend the building, culminating in the upstairs bedrooms that occupy the site like a tree house - giving views in all directions. The Terraced House imports urban qualities to the suburban neighborhood and seeks to elevate the typical approach to production home construction, while being more in tune with modern family living patterns. Overview: Elm Grove Size: 2,800 sf, 3 bedrooms, 2 bathrooms Completion Date: September 2014 Services: Architecture, Landscape Architecture Interior Consultants: Amy Carman Design

The front porch of the existing house remained. It made a good proportional guide for expanding the 2nd floor. The master bathroom bumps out to the side. And, hand sawn wood brackets hold up the traditional flying-rafter eaves. Max Sall Photography

Moonlight natural thin stone veneer form the Quarry Mill adds curb appeal to the exterior of this beautiful home. Moonlight is arguably our most unique natural stone veneer. The stone has an exotic look and feel to it and literally sparkles. The natural schist has a heavy grain which causes the pieces to split into more of an angled edge as opposed to the roughly squared edges of our other dimensional stones. Moonlight thin stone veneer has a nice course and rippled texture. The color the stone appears is highly dependent on the light around it as shades of black and white show through. The clean dimensional style offsets the eye-catching color and sparkles of the stone.

オースティンにあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

他の地域にあるコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、マルチカラーの外壁) の写真

Photographer: Will Keown
他の地域にあるトラディショナルスタイルのおしゃれな家の外観 (混合材サイディング) の写真

A rear elevation of the new build house in Buckinghamshire. This high specification refurbishment and extension of this outstanding property overlooked the rolling hills of Bucks. The year-long build realised the true potential of this family home while capitalising on the exceptional views that the homeowners have right on their doorstep

Matt Waclo Photography
サンフランシスコにあるコンテンポラリースタイルのおしゃれな家の外観の写真

他の地域にある中くらいなトラディショナルスタイルのおしゃれな家の外観 (混合材サイディング、緑の外壁) の写真

BEFORE photo of home shown in the first After photo. A flat roofed contemporary, it was built using EIFS, which allowed moisture intrusion that damaged the structural framing considerably. The garage shown was repurposed for a family room and a new garage built to the right.Philip Wegener Photography

オックスフォードシャーにあるコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング) の写真