1950’s mid century modern hillside home. full restoration | addition | modernization. board formed concrete | clear wood finishes | mid-mod style.
サンタバーバラにあるラグジュアリーなミッドセンチュリースタイルのおしゃれな家の外観の写真

Peter Vanderwarker
ボストンにあるモダンスタイルのおしゃれな家の外観の写真

サクラメントにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観の写真

Edward Caruso
ニューヨークにある高級なモダンスタイルのおしゃれな家の外観の写真

トロントにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材屋根、縦張り) の写真

Since the site is far from civilization, every measure was taken to implement sustainable strategies. Photo: Josh Yamamoto Builders: Todd Evans | Blackdog Builders

メルボルンにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観の写真

Praktiskt för livsnjutaren, vikdörr ASS 70 FD ASS 70 FD står för Aluminium Sliding System, 70 mm bågdjup, Folding Door. Den smarta dörren viks med ett enkelt handgrepp ihop till ett smalt paket på in- eller utsidan och parkeras valfritt till höger och/eller vänster. Du kan kombinera upp till sex sektioner och beroende på öppningstyp även använda en av bågarna som gångdörr vid de tillfällen du inte önskar öppna upp hela partiet. Systemet når ner till Uw-värde 1,1 W/m2K och kan användas i isolerad yttervägg.

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

View of the house at dusk from the Woodland Garden on the uphill side of the house. New addition and bridge connection are too the right. Roof of original house was reframed to create a line of clerestory windows. Photographer:Paul Bussman

グランドラピッズにある高級なトラディショナルスタイルのおしゃれな家の外観の写真

Powers Photography, Fort Dodge, IA
他の地域にある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材屋根) の写真

Joffrey Lebret
パリにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (タウンハウス) の写真

Architecture: Max Strang Photography: Claudia Uribe-Touri Installation: David Goodrich Keystone for this contemporary residence was cut in random strips by Larry's Cap Rock & Stone Inc.

ミネアポリスにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観の写真

Sandy brick and bleached teak rain screen siding with limited widows on the street-facing side of the home for privacy.
ニューヨークにあるラグジュアリーな中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材屋根) の写真

Photographer: Ty Cole
ニューヨークにあるラグジュアリーな巨大なビーチスタイルのおしゃれな家の外観の写真

“I fell in love with the motor court and entry,” says Brunn. “Back at the site, I started with a motor court, and the bridge evolved because of the structure. I could go right over the river instead of biasing the whole house on one side.” The river forms a natural division for public and private spaces in the residence, marking the point where one circulation transitions into another: “Instead of a first floor and second floor, you think of it in terms of length.”

サクラメントにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観の写真