オースティンにあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真

Scott Frances
ロサンゼルスにある高級なミッドセンチュリースタイルのおしゃれな家の外観 (ガラスサイディング、マルチカラーの外壁) の写真

Kevin Kiernan
ソルトレイクシティにある高級な中くらいなモダンスタイルのおしゃれな家の外観 (ガラスサイディング) の写真

Beirut 2012 Die großen, bislang ungenutzten Flachdächer mitten in den Städten zu erschließen, ist der Grundgedanke, auf dem die Idee des Loftcube basiert. Der Berliner Designer Werner Aisslinger will mit leichten, mobilen Wohneinheiten diesen neuen, sonnigen Lebensraum im großen Stil eröffnen und vermarkten. Nach zweijährigen Vorarbeiten präsentierten die Planer im Jahr 2003 den Prototypen ihrer modularen Wohneinheiten auf dem Flachdach des Universal Music Gebäudes in Berlin. Der Loftcube besteht aus einem Tragwerk mit aufgesteckten Fassadenelementen und einem variablen inneren Ausbausystem. Schneller als ein ein Fertighaus ist er innerhalb von 2-3 Tagen inklusive Innenausbau komplett aufgestellt. Zudem lässt sich der Loftcube in der gleichen Zeit auch wieder abbauen und an einen anderen Ort transportieren. Der Loftcube bietet bei Innenabmessungen von 6,25 x 6,25 m etwa 39 m2 Wohnfläche. Die nächst größere Einheit bietet bei rechteckigem Grundriss eine Raumgröße von 55 m2. Ausgehend von diesen Grundmodulen können - durch Brücken miteinander verbundener Einzelelemente - ganze Wohnlandschaften errichtet werden. Je nach Anforderung kann so die Wohnfläche im Laufe der Zeit den Bedürfnissen der Nutzer immer wieder angepasst werden. Die gewünschte Mobilität gewährleistet die auf Containermaße begrenzte Größe aller Bauteile. design: studio aisslinger Foto: Aisslinger

The Council Crest Residence is a renovation and addition to an early 1950s house built for inventor Karl Kurz, whose work included stereoscopic cameras and projectors. Designed by prominent local architect Roscoe Hemenway, the house was built with a traditional ranch exterior and a mid-century modern interior. It became known as “The View-Master House,” alluding to both the inventions of its owner and the dramatic view through the glass entry. Approached from a small neighborhood park, the home was re-clad maintaining its welcoming scale, with privacy obtained through thoughtful placement of translucent glass, clerestory windows, and a stone screen wall. The original entry was maintained as a glass aperture, a threshold between the quiet residential neighborhood and the dramatic view over the city of Portland and landscape beyond. At the south terrace, an outdoor fireplace is integrated into the stone wall providing a comfortable space for the family and their guests. Within the existing footprint, the main floor living spaces were completely remodeled. Raised ceilings and new windows create open, light filled spaces. An upper floor was added within the original profile creating a master suite, study, and south facing deck. Space flows freely around a central core while continuous clerestory windows reinforce the sense of openness and expansion as the roof and wall planes extend to the exterior. Images By: Jeremy Bitterman, Photoraphy Portland OR

Frank Oudeman
アルバカーキにあるラグジュアリーな巨大なモダンスタイルのおしゃれな家の外観 (ガラスサイディング) の写真

© Bates Masi + Architects
ニューヨークにある中くらいなモダンスタイルのおしゃれな家の外観 (ガラスサイディング) の写真

View of the deck with the open corner window of the living room.
シアトルにあるラグジュアリーなおしゃれな家の外観 (ガラスサイディング) の写真

シアトルにあるインダストリアルスタイルのおしゃれな家の外観 (ガラスサイディング) の写真

トゥーリンにあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真

BEN HOSKING
メルボルンにあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真

Casey Dunn
オースティンにあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真

©Teague Hunziker
ロサンゼルスにあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真

Tadeo 4909 is a building that takes place in a high-growth zone of the city, seeking out to offer an urban, expressive and custom housing. It consists of 8 two-level lofts, each of which is distinct to the others. The area where the building is set is highly chaotic in terms of architectural typologies, textures and colors, so it was therefore chosen to generate a building that would constitute itself as the order within the neighborhood’s chaos. For the facade, three types of screens were used: white, satin and light. This achieved a dynamic design that simultaneously allows the most passage of natural light to the various environments while providing the necessary privacy as required by each of the spaces. Additionally, it was determined to use apparent materials such as concrete and brick, which given their rugged texture contrast with the clearness of the building’s crystal outer structure. Another guiding idea of the project is to provide proactive and ludic spaces of habitation. The spaces’ distribution is variable. The communal areas and one room are located on the main floor, whereas the main room / studio are located in another level – depending on its location within the building this second level may be either upper or lower. In order to achieve a total customization, the closets and the kitchens were exclusively designed. Additionally, tubing and handles in bathrooms as well as the kitchen’s range hoods and lights were designed with utmost attention to detail. Tadeo 4909 is an innovative building that seeks to step out of conventional paradigms, creating spaces that combine industrial aesthetics within an inviting environment.

©Teague Hunziker The Wong House. Architects Buff and Hensman. 1969
ロサンゼルスにあるミッドセンチュリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真

Fu-Tung Cheng, CHENG Design • Side Close-up Exterior of Tiburon House Tiburon House is Cheng Design's eighth custom home project. The topography of the site for Bluff House was a rift cut into the hillside, which inspired the design concept of an ascent up a narrow canyon path. Two main wings comprise a “T” floor plan; the first includes a two-story family living wing with office, children’s rooms and baths, and Master bedroom suite. The second wing features the living room, media room, kitchen and dining space that open to a rewarding 180-degree panorama of the San Francisco Bay, the iconic Golden Gate Bridge, and Belvedere Island. Photography: Tim Maloney

Located above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building. PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil) LANDSCAPE: Mark Tessier Landscape Architecture INTERIOR DESIGN: Deborah Goldstein Design Inc. CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall) CONTRACTOR: Winters-Schram Associates PHOTOGRAPHER: Benny Chan AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers

Photography by Sam Penninger - Styling by Selena White
メルボルンにあるビーチスタイルのおしゃれな家の外観 (ガラスサイディング) の写真

オースティンにあるコンテンポラリースタイルのおしゃれな家の外観 (ガラスサイディング) の写真