Photography by John Gibbons This project is designed as a family retreat for a client that has been visiting the southern Colorado area for decades. The cabin consists of two bedrooms and two bathrooms – with guest quarters accessed from exterior deck. Project by Studio H:T principal in charge Brad Tomecek (now with Tomecek Studio Architecture). The project is assembled with the structural and weather tight use of shipping containers. The cabin uses one 40’ container and six 20′ containers. The ends will be structurally reinforced and enclosed with additional site built walls and custom fitted high-performance glazing assemblies.

Stucco exterior.
サンディエゴにあるお手頃価格の小さなトラディショナルスタイルのおしゃれな家の外観 (漆喰サイディング、緑の外壁) の写真

ソルトレイクシティにあるお手頃価格の小さなトラディショナルスタイルのおしゃれな平屋 (混合材サイディング、緑の外壁) の写真

シカゴにあるお手頃価格の小さなトラディショナルスタイルのおしゃれな家の外観 (緑の外壁) の写真

ボルチモアにあるお手頃価格の小さなビーチスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、緑の外壁) の写真

他の地域にあるお手頃価格の小さなカントリー風のおしゃれな家の外観 (緑の外壁) の写真

ポートランドにあるお手頃価格の小さなモダンスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、緑の外壁) の写真

アトランタにあるお手頃価格の小さなトランジショナルスタイルのおしゃれな家の外観 (レンガサイディング、オレンジの外壁) の写真

ワシントンD.C.にあるお手頃価格の小さなコンテンポラリースタイルのおしゃれな家の外観 (ビニールサイディング、オレンジの外壁) の写真

D. Beilman
ボストンにあるお手頃価格の小さなトラディショナルスタイルのおしゃれな家の外観 (緑の外壁) の写真

他の地域にあるお手頃価格の小さなトラディショナルスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、緑の外壁、タウンハウス) の写真

This crown hill backyard cottage features a ground floor artist studio and a 2nd floor apartment.
シアトルにあるお手頃価格の小さなおしゃれな家の外観 (コンクリート繊維板サイディング、緑の外壁) の写真

An extraordinary wooded setting high in the Berkeley Hills inspired spaces that reach up to gather sunlight through high clerestory windows, bringing life and color into this home. The existing house was almost doubled with a new entry hall, home office, master suite, and new larger kitchen. The 1940’s Eichler-style house was low, horizontal, and built of dark wood siding outside and dark plywood paneling inside. We respected the horizontal gesture of the existing beam and wood plank structural system in the addition, but raised the ceiling height in several places to create light monitors – tall spaces that bring in the morning sun rising over Tilden Park and the waning evening light of a sun that sets at this site hours before it goes down for the rest of the Bay Area since this site is located just on the east side of the crest of the Berkeley Hills. Photo: Mark Luthringer Photography

Valador Mori
サクラメントにあるお手頃価格の小さなトラディショナルスタイルのおしゃれな二階建ての家 (混合材サイディング、緑の外壁) の写真

他の地域にあるお手頃価格の小さなトラディショナルスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、緑の外壁、タウンハウス) の写真

サクラメントにあるお手頃価格の小さなミッドセンチュリースタイルのおしゃれな家の外観 (緑の外壁) の写真

Robert Batey Photography
お手頃価格の小さなトランジショナルスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、緑の外壁) の写真

Architect: Grouparchitect. General Contractor: S2 Builders. Photography: Grouparchitect.
シアトルにあるお手頃価格の小さなトラディショナルスタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、緑の外壁) の写真

Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.