シャーロットにあるトランジショナルスタイルのおしゃれな玄関 (茶色い壁、無垢フローリング、ガラスドア、茶色い床) の写真

他の地域にあるラグジュアリーな巨大なモダンスタイルのおしゃれな玄関ドア (グレーの壁、スレートの床、ガラスドア) の写真

Fork River Residence by architects Rich Pavcek and Charles Cunniffe. Thermally broken steel windows and steel-and-glass pivot door by Dynamic Architectural. Photography by David O. Marlow.

Jim Westpahlen
バーリントンにある中くらいなモダンスタイルのおしゃれな玄関ロビー (グレーの壁、磁器タイルの床、淡色木目調のドア、グレーの床) の写真

フェニックスにあるお手頃価格の中くらいなモダンスタイルのおしゃれな玄関ドア (ベージュの壁、セラミックタイルの床、ガラスドア) の写真

ワシントンD.C.にある巨大なコンテンポラリースタイルのおしゃれな玄関ドア (ガラスドア) の写真

タンパにあるビーチスタイルのおしゃれな玄関ドア (ガラスドア) の写真

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

Believe it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection. The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls. The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers. The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match! Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ Builder: Shannon Construction | Phoenix, AZ Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ Photography: Dino Tonn | Scottsdale, AZ Awards: 2014 Gold Nugget Award of Merit Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”

Cesar Rubio
サンフランシスコにあるモダンスタイルのおしゃれな玄関 (淡色木目調のドア) の写真

Karyn Millet
オレンジカウンティにあるコンテンポラリースタイルのおしゃれな玄関ドア (ベージュの壁、ガラスドア) の写真

オレンジカウンティにあるコンテンポラリースタイルのおしゃれな玄関ドア (ガラスドア) の写真

Modern pivot door is centerpiece of the entry experience.
ソルトレイクシティにあるラグジュアリーな広いコンテンポラリースタイルのおしゃれな玄関ドア (白い壁、コンクリートの床、ガラスドア、グレーの床) の写真

The Vineyard Farmhouse in the Peninsula at Rough Hollow. This 2017 Greater Austin Parade Home was designed and built by Jenkins Custom Homes. Cedar Siding and the Pine for the soffits and ceilings was provided by TimberTown.

Unique pivot front door with frosted glass.
他の地域にある高級な広いコンテンポラリースタイルのおしゃれな玄関ドア (ベージュの壁、濃色無垢フローリング、ガラスドア) の写真

Martis Camp Home: Entry Way and Front Door House built with Savant control system, Lutron Homeworks lighting and shading system. Ruckus Wireless access points. Surgex power protection. In-wall iPads control points. Remote cameras. Climate control: temperature and humidity.

A Northwest Modern, 5-Star Builtgreen, energy efficient, panelized, custom residence using western red cedar for siding and soffits. Photographs by Miguel Edwards

ポートランドにあるミッドセンチュリースタイルのおしゃれな玄関 (テラゾーの床、ガラスドア、白い床、板張り天井) の写真

グランドラピッズにあるラグジュアリーな巨大なコンテンポラリースタイルのおしゃれな玄関ドア (淡色木目調のドア) の写真